The beautiful rich girl played by Yu Chu needs to slap Xiao Baihua domineeringly.
Looking at the plot in the script, Yu Chu could imagine Su Mo's countless tricks of pretending to be pitiful.
Sure enough, just as the play was about to start, Su Mo ran over to find the director, and whispered shyly that for the sake of the play, she could accept real fights.
The director was a little surprised, but after pondering for a while, considering the effect, he didn't refuse. After discussing with Yu Chu, he made a decision and decided to fight.
Yu Chu knew it well.
If it is a real fight, it is very good for the play itself, and the conflict will suddenly become more real and more touching.
But not necessarily for actors.
If Su Mo wanted to be pitiful, after the TV series was broadcast, it would definitely be a group of people who scolded him for being cruel.
But it is not impossible.
The point of conflict in this scene is the contradiction between the two people. The rich girl has a straightforward personality, while Xiao Baihua and the rich girl have a disagreement. They quarreled, and the rich girl was so angry that she slapped her.
It seems that the rich girl is not reasonable at all.
But Yu Chu can act very logically.
After the two stood up, the director called out again. Su Mo pushed Yu Chu according to the script, and anger appeared on his pretty face:
"I just don't agree with your actions!"
On the other hand, the beautiful and fashionable girl was obviously more aggressive, "You don't agree? Do I need you to agree with me? I can do whatever I want!"
Yu Chu played a capricious and savage young lady very vividly. At the same time, of course, just because Jiaoman is so real, it does feel a little bit unworthy.
The little white flower in the opposite scene looked more and more pitiful. She was pushed hard and tried to persuade her former friend, "But you shouldn't do this, that's not what a good person should do. You—"
Before the words fell, the imposing Bai Fumei raised a slap, the slap was clear and unaffected, and the voice was even colder: "I don't need you to teach me!"
Su Mo received a solid slap, slightly dizzy, feeling resentful in his heart. But thinking that she was selling miserably, she immediately covered her face and burst into tears.
The director and the staff couldn't help showing pity, looking at Su Mo in the camera.
Next, it was time for Yu Chu to leave.
The camera closes up on the girl's face.
In this last scene, there is not even a single line. In the scene, Bai Fumei is silent, and that moment of silence seems to reveal a fragility that does not match her previous delicate personality.
There was a gleam of water in her eyes, but it was quickly wiped away by her white hands. The eldest lady raised her head, and snorted coldly like any proud moment before, turned around and walked away with her high heels.
As if the silence just now was an illusion, she still had a flamboyant appearance, even leaving aggressively, her posture was as if she would never look back once she left.
Keeping his posture and walking out of the camera, the director yelled "Ka" in a daze, and Yu Chu restrained his emotions and turned his head.
Su Mo covered the slap marks on his face, and didn't look up to pretend to be pitiful. He didn't look up until he heard the call card, waiting pitifully for others to comfort him.
But she was dumbfounded to find that all the staff smiled admiringly at Yu Chu, and some even wiped their faces, "Oh my God, you are a South American, you played the role so well, I understand this role a little bit."
Su Mo didn't see the girl's final expression, but everyone's reaction was completely opposite to what she expected.