The most frightening thing is that the more emotionally full she is and when she needs explosive power, the easier it is for her to get through it. Ever since the first scene of the first scene, Bo Yan pointed out that she needed to stop acting. As soon as she entered the performance state, her whole emotion automatically moved closer to that. After many rehearsals, I was able to find the best mood when the shooting officially started.
Moreover, she had been rehearsing the play "Sunrise" for more than half a year, and she could not say that she knew the dialogue in it by heart, but it was not much different. She even knows the lines of the artists filming opposite her. She knew where they would stop, where they would move, and where they would break. As long as the opponent doesn't stretch his hips, she can usually get past the first few moves quickly.
Although Bo Yan will definitely need to adapt it when making a movie, the adaptation cannot completely overturn it. The general lines and plot are still there. She had performed this emotional outburst in a play. When filming the movie, I also deliberately suppressed my emotions, not as overtly as in the drama. Although the range of work was not large, her fingers that had just moved flexibly came in handy at this time. She made small movements when expressing her emotions to hide her true inner emotions.
Sometimes this kind of expression is carried behind the back, sometimes it is blocked by objects, and Bo Yan cannot see it. But behind the monitor, both Wang Zhi and Shang Feier saw it.
Wang Zhi was okay, Shang Feier was simply shocked.
After all, if these little moves were discussed before and she performed them, there would be nothing strange about them. It would be understandable if she had her own design when she read the script. The most terrifying thing is that she has no design at all. She completely sees herself as a character in the play, and these actions are all unconscious.
But the body is language, and sometimes unconscious movements can speak directly to the heart. Bo Yan may not be able to see these details on the main monitor when filming, but they can be captured and used in other shots during post-editing.
Judging from this scene alone, her current performance is no less than that of her mother. Even if Shang Feier acted herself, she could not be so meticulous in some parts when she put herself into the role.
Although she hasn't won any leading actress awards yet, as long as she doesn't make the movie too high-profile when it's released, she should be able to win something based on this drama.
and.
Shang Feier looked at the monitor, and she had a hunch that as long as Xia Siyu didn't slack off, her achievements would definitely exceed hers, her mother's, and even the top actress in Huaxia Kingdom who had retired from the industry.
She used to feel jealous when she looked at Xia Siyu, jealous of her innate talent, jealous that she could achieve a situation that many people could not reach in their lifetimes without much effort.
But, no matter what, just by looking at the surveillance here, she felt that Xia Siyu's picture at this time was no longer about acting, but about art.
Art has nothing to do with nationality, gender, right or wrong. For many actors, it is considered a success if they can perform the play smoothly. If they add their own design, it is already good. But if it is art, when you watch her play, it doesn’t feel like you are watching a movie at all. It is like appreciating a work of art. During the two hours of watching the movie, you seem to have had a dream. In the dream, she They are living people, with joy, anger, sorrow, birth, old age, illness and death.
(End of chapter)