This is another piece of Lao Du's "Send the Fifteen Commandments of the Tang Dynasty to Jia Shi Lang in the Ministry of Gifts". However, the words and sentences in the poem all point out the situation and mood of the farewell here and now. Everyone listened, and Yi Fa quietly got up, but that Zhao Taichu suddenly shook his spirits and said: "What a'six dragons'! I understand a little more. Old man! No matter what happens tonight, there is a way to crack it. "As he said, he glanced at the painting in his hand and the sky on the top again, and smiled: "But! Excuse me, I can't say more."
Then, Qian Jingnong's eyebrows stretched out, as if suddenly realized, he also said: "Don't tell! Don't tell!" On the one hand, he folded the drawing paper in half and then in half, folding a total of seven times. At the same time, he got up and rushed to Zhao Taichu. He winked and said, "Since you came with Xiaoxu, are you going to go with him? Or—"
Without waiting for Zhao Taichu's answer, Sun Xiaoxu also folded the painting into a paper square, saying: "If you say it, then you will leave it. Where is there any reason to come and go together?"
At this moment, Wei Sanye and Wang Xunru, who were sitting on the left and right of Qian Jingnong, also folded the drawing paper, rushed to get up, and said in unison: "It's gone."
Seeing these scenes in the eyes of the guard and the four people outside the pavilion, it was like falling into the fog of Wuli, it was simply unclear, let alone the reason. However, the old man did not change his writing style. He picked up two peanuts and chewed them in his mouth. He muttered to himself without matching the foreword, "If you have dried tofu together, you should eat the ham flavor." ."
It is said that these two sentences allude to Jin Shengtan's desperate words when he was in trouble. The Jinshi deliberately wrote the idioms to show fearlessness and unrestrainedness, and regard death as home. Now that Elder Wan says this, is there any reason for Sixth Elder Yan? However, the previous dumb nest father Li Shouwu taught that there must be embarrassing people around Wan Lao; in other words, at this moment of eternal tactics, one must avoid people's eyes and eyes and avoid being involved. Moreover, this is not to be implicated, not to be greedy for life and fear of death, but it is a forbearance, planning for the future-because not only Zhao Taichu saw it, but everyone else also discovered when he was learning Li Shouwu to fold the drawing paper in half seven times. : After folding in half, looking from the back of the paper, the tear spots that Elder Wan had fallen on each layer of the paper when he uncovered the painting were just like the six comets from the northwest printed on the six "↑"-shaped bamboos. In front of the leaves, the tear spots and bamboo leaves appear as a star trailing figure, flashing in six different directions. At this moment, the tear stains on the thin layer of paper film dried up completely, like the starlight that had disappeared in the sky just now.
So Sun Xiaoxu, Zhao Taichu, Wang Xunru, Qian Jingnong, and Wei Sanye walked out of the pavilion in sequence, and each looked up at the night sky where the stars competed before, and then recalled the position implied by the drawing paper in his hand. He dropped his arm and hurried away without even saying goodbye.
It wasn't until the sound of the five people's backs and steps were completely concealed in the darkness of the night that Grandpa Wan showed a pleasant and relaxed smile, then turned around and stood up, stepping towards the small stone table next to him, seeming to be talking to himself, and as if he was right. The guard and the four people outside the pavilion said, "It's just a test paper and pen and ink for scribbling, and it's ridiculous to provoke these vain jumping clowns and so many low-level comments -" Before the words were finished, he slapped them. Next, the stone table suddenly resembled ash powder and salt, and it was shaken to the ground without a sound. The powder was piled into a small hill as high as a foot, and then there was a translucent one with a clump of strong bamboo written on it. The seventh layer of drawing paper slowly fell from above, covering the spire of the foot-high hill. It turned out that Grandpa Wan only slightly raised his hand, not intending to lift up the seventh layer of drawing paper on the stone table, and went straight to the top of the pavilion. This hand is the last form of the long-lost "Wuji Beichen Palm", named "Shushuxiaoyao", its dynamic is the virtual Taoist ancestor Chen Tuan Chen Zhenren rising up near the window, blowing the threshold to watch the stars. According to legend, Chen Tuan once slept for a hundred days, then suddenly sat up. It was midnight when he saw the stars fall like rain. From then on, he realized the truth of life and death and a unique experience of martial arts. This palm of the old man Wan is not an ordinary shot, and there is a lot of meaning in it; he is taking Chen Zhenren's self-explanation, there is a transcendent appearance, and there is also a dreamlike and dream-like liberation.