Sir Kennick and his subordinates came to the Flower Plaza.
This is the most prosperous area of Rongxiang City, but the recent plague has temporarily overshadowed this prosperity.
Sir Kennick only needs to use this plague to completely drive away those damned Frost Nation merchants, and by the way, deter other merchants who disobey him.
In this way, the entire Rongxiang City will become more prosperous.
When Sir Kennick came to the bustling square, a group of people had already gathered in the whole square.
"Where did they come from?"
Sir Kennick looked around at the crowd gathered in front of the square, where they stood with no intention of going anywhere else.
"That's what His Majesty means, too," said the messenger who followed Sir Kennick.
"The king sent the commoners to the show? For what?"
Sir Kenick found a commanding height in the prosperous square, where a huge black high wall had been put up at some point, and the whole high wall was enough for everyone in the prosperous square to see.
The picture has already started to be projected on the top of the high wall.
"Nolan's... movie?" Sir Kennick looked at the projected image. He had heard of it, but he had not seen it in person.
Most of the commoners below had never seen the performance of the movie. The moment they saw the picture appearing on the high wall, Sir Kennick could vaguely hear the exclamations spread by the people.
Soon a line of words appeared on the high wall.
"Before the arrival of dark reason, it was childhood hearing, smell and sight that measured the world."
"What do you mean?" Sir Kennick asked the messenger sent by the king next to him, and the messenger quickly shook his head to indicate that he had not seen the movie.
This line of text quickly dissipated, and a street was replaced by a group of little boys running happily on the street.
Judging from the crowd sitting on the round table in the open air on the street, this is also a bustling city, and then the picture turns to a manor.
The servants were busy rolling up the stall, and placed silver knives and forks on the long table, then a lady walked out of a magic car and walked into the manor.
What is this... flaunting our noble life
Sir Kennick wanted to laugh a little at this scene, because he looked down on his king from the bottom of his heart.
The king of the Iron Nation is known to be a coward who is afraid of women, but he still ostensibly obeys the king's orders.
This cowardly king would make such a show of aristocratic life, which seemed normal to him.
However, the camera quickly turned and turned to a collective apartment that is very common in the country of steel. A group of knights in heavy armor were very rudely greeting a group of people to put their luggage on the van.
The scene was only fleeting, but Sir Kennick frowned.
In the next shot, there was no element that made him frown. The little boy happily ran back to his home. This eight-year-old boy came from an extraordinary background.
From the little boy's conversation with his mother... Ser Kennick could guess that his father had been promoted, and the king had even given him a new territory.
What followed was a celebratory dance among the nobles.
The corners of Sir Kennick's mouth began to rise involuntarily when he saw this.
"Is His Majesty thinking of raising our morale in this way?" Sir Kennick asked the courier beside him.
Promotion, territorial awards, and celebratory dinners are undoubtedly the things they most want, whether they are commoners or nobles.
From this point of view, their king's intent in arranging for them to watch the show is already clear...
"Why do you keep putting this little boy? Who made this thing?"
The strange thing about Sir Kennick is that the main character of the camera is not the noble father who has been promoted and admired by thousands of people, but has always focused on the little boy.
It made Sir Kenick feel like he was seeing the world through the eyes of this little boy.
But what does a boy know
"I... I don't know either." The messenger shook his head again.
Sir Kennick could only continue to watch patiently.
But after this celebratory dinner, they did move to a new home, but the new home was far less luxurious than the previous manor.
The whole shot also directly steps into a cold tone, which makes people feel a sense of depression.
"Why are there soldiers?"
Sir Kennick asked again, and it wasn't servants standing around the deserted manor, but soldiers in armor after another.
The little boy in the movie asked the same question to his mother, who naively asked his mother "Who are those people in iron clothes, they look so fierce."
The answer given by the mother also confirmed Sir Kennick's conjecture that they were all soldiers under the boy's father.
Soldiers... You mean this is the front line of the war
Damn it!
Sir Kennick wondered what the filmmakers thought. If he wanted to portray a nobleman who was promoted through meritorious service on the battlefield, why would his father make more appearances and instead use so many images in this scene? on the little boy.
The first ten or so minutes of the film left Sir Kennick a little impatient.
But when the little boy in the picture lay down in front of the shutters on the second floor of the manor, and saw a group of people standing on the grassland in the distance through the window...
The expression on Sir Kennick's face gradually stiffened.
The camera turned again, the little boy came to his kitchen and helped his mother organize the dishes, but an old man with goods walked into the kitchen, which made the atmosphere of the whole movie into a kind of dullness.
The old man's expression looked very flustered... Earl Kennick's eyes were only focused on his pupils, grey pupils! There are also some traces of ulceration on the skin of the old man's neck.
Damn Frostlander! Still infected with the plague.
The people in the kitchen became very uncomfortable because of the appearance of the old man. The little boy's last sight fell on the clothes the old man was wearing, which was a striped dress.
The little boy described the clothes as pajamas.
Sir Kenick knew it was the prisoner's clothes...
Is this movie promoting the dangers of the people of the Land of Frost
The thought flashed through Sir Kennick's mind, but he saw the old man's submissive look, and the concerned look in the little boy's eyes as he looked at the old man.
And the fierce attitude of those soldiers towards the elderly, no matter how you look at them, they are like villains.
Sir Kennick understood something in an instant.
"Stop!" Sir Kennick immediately gave the order to the knights beside him, "Tear down that wall!"
This movie is not to praise the actions of the nobles of the country of steel, but to smear... not only to smear but also to win sympathy for the people of the country of frost.
"But my lord... this is the king..."
"I asked you to tear down that wall!" Earl Kennick shouted to the knight in an unquestionable tone.
As soon as his fierce voice fell, Sir Kennick felt someone grabbing his neck.
"Who!" He turned around angrily to see who dared to be so bold, but the next second he saw a face that made him dread.
Queen Ekana!
The woman who holds the real power behind the steel country is now standing behind him.
"What are you doing? Queen Ekana." Ser Kennick quickly regained his composure, his clenching teeth almost popping out of his teeth.
Although Sir Kenny is a little afraid of this queen, he is not afraid of the power he holds... As long as Queen Yekana dares to touch him, it is equivalent to being an enemy of most of the nobles in the country of steel.
"Let you enjoy the show."
Queen Yekana came alone behind Sir Kennick, with a hood on her head, and others couldn't see her at all.
The surrounding knights tried to come to protect Ser Kennick, but they found themselves unable to move.
At this moment, Sir Kennick remembered the most fundamental reason why he feared Queen Yekana. Her power was the second most important, and the key point was that this woman was the most powerful spellcaster in the Iron Country... No one!