The postscript of this article mainly talks about the "cast list" of the novel: it is also the real source of some characters. .
Since the role cannot just be a substitute for a certain person in reality, it would be better in terms of events.
The incident of Hao Ning’s “ghost encounter” when he was a child was also the incident where Hao Ning cried endlessly after his father came back from Xiaolu: it was a true story when I was a child. I have heard it countless times since I was a child. , As for the principle, let us imagine for ourselves.
The incident of life and death between Hao Ning and his younger brother: As mentioned in the previous epilogue, it is a real incident between me and my cousin (the younger brother with the same surname). To be honest, it is quite uncomfortable to think about it until now. To commemorate, the second also made progress for the reasonable advancement of the plot of the novel.
Zhou Yuan’s lost soul incident: Zhou Yuan lost his soul because of his fear of the future. The words he said at the beginning (looking at the ceiling every night...) are similar words that several of my friends have told me, including marriage. Both unmarried and unmarried people have such anxieties.
The performance of the walking dead after Zhou Yuan lost his soul: I have a good friend who was under a lot of pressure at work for a while. He was a very handsome guy with big eyes. When I had dinner with him during that time, every time I saw him, His eyes were all dull, and his eyes were never looking straight ahead, but always looking down at the ground at 45 degrees, which meant that he was exhausted physically and mentally during that time. And if you look at the photos he usually took with his friends in Moments, his eyes are always electrified, his face is full of smiles, and he is completely two people with him in reality: one is sunny and the other is decadent.
I asked him, why is there such a big difference between your photo and reality? (He didn't have any pictures), he said, otherwise? Can I still bring my decadence to the circle of friends
He may not have realized it, but this episode left a deep impression on me, so duplicity, so wishing to show the sunny self in the circle of friends (even if this is not true).
During that time, he was really like a person who lost his soul. Naturally, I should learn from his performance and use Zhou Yuan's performance after losing his soul (of course, in reality, he is not so outspoken when he is decadent, artistically processing only)
Similarly, his requirements for the circle of friends and his own image in the circle of friends have also been "implanted" by me and turned into the talent of the god of the circle.
Zhou Xiaxinyuan's "unintentional" theory can naturally explain Zhou Yuan's situation, but at the same time, my friend's name also has a word "Yuan", which is used in the novel and also has the meaning of thanking him.
Zhou Yuan's "Unlimited Filial Piety to Parents" event: This is mixed with the events of several of my friends' parents, both married and unmarried. Some relationships between married parents and their sons and daughters-in-law (I don’t like the daughter-in-law, etc.), and some parents’ complaints and even ignorance of bringing up children after a friend’s wife gave birth to a child, etc., including the mother alone Living in a big house of 160 square meters in city S, but letting his son rent a house outside—these things naturally have different interpretations. Mu Yu just extracted some of his friends’ descriptions and abstracted them into an exaggerated, over-the-top parent. relationship with children. Of course, although some of the performances of Zhou Yuan’s parents in the novel do have real cases in reality (the unrestrained demands on their children), but in order not to exaggerate this kind of thing too much, Mu Yu still wrote Zhou Yuan’s parents later. The poison of the Pure Land of Ultimate Bliss is so excessive.
But the novel mentions Zhou Yuan's filial piety to his parents, hoping to bring some thinking: How should the word filial piety be written in the new era.
Liu Shuai's bald head incident: This is really true! Hahaha. He is a programmer with a particularly good personality and a very good person. And his wife does have the same last name, and the husband and wife are very loving. At the beginning of the novel, when Liu Shuai saw that Xiao Zou couldn’t move, and when he mentioned Xiao Xiao’s face full of dementia, he was not casually fabricated. According to the description of the “lady” in reality, when his husband (Liu Shuai’s prototype) chased him back then, he was so enthusiastic. , when the two of them were in the subway, Liu Shuai's eyes never moved away from her face, and even when she was talking, her whole face was smiling—here, please imagine a young woman who had a child. The sweet expression of love memories.
Of course, at this time, the lady will always look at her husband with disgust and say: Look at the present... blah blah blah
Afterwards, Mu Yu used the lady's disgusting words towards her husband to complain about Mrs. Ren's old man Chen.
This is also very interesting and sweet, from the unreserved and passionate love, to the small fights and occasional complaints in the life of husband and wife, no matter what kind, it is all sweet.
Liu Shuai's parents died early: This is not Mu Yu's friend who is a programmer, but Mu Yu's other friends. When Mu Yu grew up, from childhood to adulthood, in different cities, he met several friends who were all single parents, and some of them were even absent. Some of the reasons for this were because of the divorce of his parents, some of his father’s early death, and some It was the parents who passed away at the same time, and some were in foster care themselves.
There are friends who have grown up very well under the single-parent situation and have a sense of responsibility to the family, but they are basically unwilling to mention their father. These things are the prototype of Liu Shuai.
At the beginning, I thought it was an isolated case, but later I found that, regardless of whether it is an isolated case, the absence of one part of the parents (or even collective absence) is a very big blow to the child, and this blow can even last a long time. For a period of time, the parents at that time couldn’t realize it—because the parents of that era grew up with little food and clothing when they were young. They naturally thought that as long as their children could eat enough and wear warmth, they would be very happy, and they often didn’t care much about it. Some parents may even think that children's psychological problems are caused by their children being too hypocritical.
A generation of people will try to avoid such suffering for the next generation because of their own suffering when they were young. This kind of law will also apply to Liu Shuai, so Liu Shuai is particularly concerned that, as a man, he must not let his significant other be hurt. (complete family)
The same is true of Mu Yu’s programmer friend in reality. What he and his wife are very concerned about is also the child’s mental health. Once he was out of state for several days. I chatted with him and found out that it turned out to be their child’s kindergarten teacher. He told his wife that the child was autistic in the kindergarten and didn’t like to talk. He and his wife were very worried about the child’s psychological problems. Therefore, we had a special meal to discuss this issue.
This kind of performance, I think, is also the care and love of parents for their children, so I mentioned it many times in the novel: Parents who love their children must have far-reaching plans.
Several of my colleagues, no matter how big and three rough men, as soon as they receive a call from their daughter, they are completely different people, their voices immediately raise several keys, they speak softly, and even the logic of speaking is gone: What are you doing at home? where? Oh, where are you going to play with your mother? What is Dad doing? Dad is at work! what time today
go back? Today dad gives you...
Every time I hear them calling their children like this, I can't help but feel that our parents, when they faced us back then, may have done the same thing, but we may not remember it.
But I believe that most parents must love their children.
It is precisely because of this belief that Zhang Quan, even if Liu Shuai did not understand the novel, did not allow Liu Shuai to take risks to find out the truth, and even flew several flags over to rescue Liu Shuai when Liu Shuai died in the end.
It is precisely because of this belief that Xiaohong's parents in the novel, the Bull Demon King and Princess Iron Fan, sacrifice themselves in exchange for Xiaohong's coming to the present world.
It is precisely because of this belief that Long Fei has such a complex and sincere love for Yu Fei—even if Yu Fei is not his real child.
Etc., etc.
Chen Busheng's parents and Xue Muhua's qigong incident: The prototypes here are Haizi and Gu Cheng. That's right, it's the poet Haizi who "faces the sea, the spring is warm and the flowers are blooming", and another very famous poet Gu Cheng.
The cause of Gu Cheng's death is unknown, but when he died, he first hacked his wife to death with an axe, and then committed suicide.
There is a theory about the cause of Haizi's death while lying on the rails. Because of practicing Qigong, his mind was filled with numerous hallucinations and various strange sounds (Chen Busheng himself mentioned this point), and finally committed suicide due to extreme pain.
In the novel, Chen Busheng's parents and Xue Xiaoyun's father, Xue Muhua, committed suicide due to mental disorder because of practicing some kind of fake qigong. Of course, Xue Muhua directly hurt the death caused by this traditionally packaged "fake qigong". Mr. Hu's heart made Mr. Hu determined to open up medicine with an enlightened attitude instead of continuing to mystify medicine. This is the cause and effect of it.
In the novel, Chen Busheng, Xue Muhua, and Li Yufei are all genius characters. In reality, both Gu Cheng and Hai Zi are geniuses.
Haizi entered Peking University at the age of 15, and Li Yufei entered Qingbei University at the age of 12. They are both supernatural powers and geniuses.
Gu Cheng hacked and killed his lover before he died, and Chen Busheng's parents used their beloved son for mental experiments before they died, which led to Chen Busheng's subsequent mental state similar to that of Haizi before his death.
When I was young, I really couldn't think of a poet who could write "Facing the sea, the spring is warm and the flowers are blooming", why would he commit suicide like this.
I didn't understand until I saw some descriptions of Haizi's mental pain before his death.
The first sentence of Haizi's poem: From tomorrow onwards, be a happy person.
The key to this sentence is, why start to be a happy person tomorrow? Because he is not happy today, and for a long time before today! That's why he pinned his hopes on tomorrow, starting from tomorrow, to be a happy person!
We see the happiness and sunshine of Hai Zishi, but we don’t see his despair today and before—we may not be able to feel a thing or two until we see his description of the chaotic state of his mind during that time.
Unfortunately, Haizi may have waited for countless tomorrows, but this happy tomorrow still has not come, because he has been living in today.
Fortunately, Mu Yu designed a "tomorrow" for Chen Busheng in the novel, which was Li Yufei.
Haizi’s original name is: Zha Haisheng. In the novel, Chen Busheng’s Chen Tongcha and Sheng Tongsheng can be understood in two ways: if he got his Ming Tian, he is Chen Busheng, and if he can’t get his Ming "Heaven", he is Chen Busheng. The difference between one promotion and one death depends on whether his tomorrow "heaven" comes or not.
Fortunately, his Li Yufei finally became his "Heaven" (jie tianshi). Although Haizi, who suffered from countless pains, died young, Chen Busheng was in his own world, facing the sea happily, and spring blossoms. .
Zhang Chihang: Enen, that's right, it's this Sao Bao Guan Zi Zi. He also has a reality prototype. Even his prototype is more than one person, but the main characteristics of these people are basically: they have learned deeply in their own system, and they like to talk about gods and gods, and they like to "tip" people who are good teachers at every turn. I don't like to talk too much, and I especially like to let others "enlighten me", including asking my own soul and so on.
Obviously, not everyone has this kind of "wisdom root" that asks their hearts. Xiaohong is a typical example. He only needs to hear Zhang Chihang's speech and collapse, so Zhang Chihang has no choice but to let him follow Haoning to practice. .
By the way, I have a friend who is indeed in the fashion industry and also likes Buddhist classics, but he mainly studies Tantric Buddhism, but this does not affect his love for Buddhist scriptures. The short description of "walking" in the Majie Sutra is a story he once told me. Now I write the original dialogue between him and me at that time, which is regarded as a tribute to him:
It's not clever. How to describe it
After reading many Buddhist scriptures, it is very interesting to see special Bodhisattvas.
Sometimes when he talks to the Buddha, talking to the Buddha is like disciplining a child, because he is the teacher of the Buddha, but he is also a boy Bodhisattva. So one can imagine the appearance of a very clever child with a high seniority and a high level of realization...
The "Vimalakirti Sutra" is very interesting. Vimalakīrti is sick, and he is thinking at home. The Buddha should come to see me, so I can explain some teachings.
Then the Buddha said to his shravaka disciples. Go and see Vimalakirti.
All 10 people said: Vimalakirti reprimanded me for what I did in a certain year and month, and I am not qualified to see Vimalakirti instead of Buddha.
Then the Buddha said to his 10 bodhisattvas, go and see Vimalakirti.
The 10 Bodhisattvas also said: In a certain year and a certain month, I was taught by Vimalakirti, and I am not qualified.
Then Buddha and Bodhisattva said: Then go and see Vimalakirti.
The special Bodhisattva Beer is chic: Let's go!
Isn't it more interesting to translate Buddhist scriptures from the mouth of a Beijinger? So here Mu Yu used Zhou Yuan's mouth to say the word "walking", which can be regarded as the world's understanding of this passage, and it is also in line with the concept of Guan Zizai. To cross people, you can turn into tens of thousands of bodies to cross, Don't be rigid.
Of course, according to this friend’s feedback to me, he hoped that I would call him “Miaojixiang” in the novel, and he is also a special Bodhisattva, because he thinks that the living Avalokitesvara of the special Bodhisattva is much more chic—actually, the Avalokitesvara in my novels is more It is a special and auspicious shadow, but considering that the public knows more about Avalokitesvara, so it is integrated here.
Of course, there is a small mark in the novel to point out this matter. It is Zhou Yuan who said the word "walking". , There is something interesting in this passage. If there has been no real difference, and at the same time, Zhang Chihang's acting style and unrestrained energy have a bit of special and auspicious meaning in it, then where is the specialness? Is Zhang Chihang special
, or Guanzizi, or both
Referring to the end of the novel, the potatoes sent by Zhang Chihang, can you have a different understanding
Sun Wukong: Sun Wukong is quite a mysterious character. He made two appearances in total, one in the Conferred God World and one in the real world. But he calls out Hao Ning's brother both times, and it's clear that he knows how to call Hao Ning's brother (though the reason may not be known).
According to Xiaohong, Sun Wukong sacrificed with the gods to save Hua Xiaming during the May Fourth Conferment of Gods. Why did he appear in the book of Conferred Gods again
"Liao Zhai of the Gods" doesn't say it explicitly, but there are a few clues we can refer to:
1. How did Yunzi survive? According to Yan, Yunzi died looking for the afterglow of the May Fourth God of Conferment. Yan rescued a trace of his soul, and then was awakened by Liu Shuai. ——This means that the death of the May Fourth Fengshen may not be a complete death, but there may be remnants of souls, and Yan is the key to it.
2. Before the underworld, there were still many gods (ox head and horse face, and black and white impermanence), but then the underworld was empty, and Yan had no choice but to use the avatar method to turn himself into countless Yans—where did this avatar method come from
3. Judging from the whole book "Liao Zhai of the Gods", the only one who can separate himself is Monkey King. So, does this avatar have something to do with Yan? But it is obvious that this split body method is not complete, so Yan can only separate, but not combine, which makes Yan seem to be a little unclear in the later stage.
4. If Yan has the ability to save Yunzi (the reason is probably because the two have known each other, or have the same personality, and cherish each other, which Zhang Quan seems to have mentioned), then is he also able to save Monkey King? Of course, the book does not say that Sun Wukong and Yan have any deep friendship, but judging from Yan's subsequent avatar, is it because the two reached some kind of deal before: if Yan saves Monkey King, Sun Wukong returns with the avatar
5. If this is the case, Yan’s method of saving Monkey King may also be limited. Just like putting Yunzi’s soul in Zhang Quan’s mind, Monkey’s soul may also need to go somewhere, and the "Fengshen Yanyi" Yuan Hong, someone once speculated that he was the previous life of Sun Wukong in "Journey to the West", so Yan put a ray of Sun Wukong's remnant soul in the book, and the other part of "The Ape in the Boat" is in the human world, maybe it is also possible
Of course, since the story is not the main line of "Liao Zhai of the Gods", it is only a part that can be speculated based on the clues in the book. Mu Yu only made a deduction of the possibility, which cannot be regarded as an accurate answer. It is just for everyone to enjoy watching.
Fei Changfang's "Master is dead, I am free" incident: This sentence comes from a sentence of David, an artificial intelligence robot in the movie "Prometheus". David said a sentence when answering a person's question : Speaking of which, don’t children wish their parents died
"Prometheus" is the prequel of the movie "Alien". In it, David is an artificial intelligence robot made by humans. He has always had a wish: to become a human being. And his sentence "Don't all children want their parents to die?" According to some interpretations, the essential meaning is that if David's own parents (human beings) die, then he is free and can become the same as human beings. exists.
Judging from the subsequent development of the movie and the sequels of the movie, David did kill many people through some "black fluid" methods that can mutate humans, and even made himself an existence close to God. (Part of the interpretation says so)
For Fei Changfang, his mana comes from Hugong, he really wants to become Hugong (god), even hope to surpass Hugong and become a higher existence, and the method he uses is to make people's souls mutate , the most typical example is that Miracle Doctor Xue came out from the back of Pixiu after parasitizing it. At this time, Hao Ning blurted out: Alien
Because Hao Ning understands very well that one of the alien mutated creatures is a "broken back body", and Doctor Xue is just one of Fei Changfang's weapons, and the "black fluid" that can mutate is just David's weapon One, so what Fei Changfang said here, "Master is dead, I am free" means that Mr. Hu was the last layer of psychological barrier before he became a god. After he killed Mr. Hu, his whole body Completely mutated, completely "free".
However, Fei Changfang's killing attitude towards his "master" is completely opposite to Zhou Yuan's filial attitude towards his parents, so at the end of the novel, Zhou Yuan's false reality is also arranged in the Jade Sword and Fei Changfang's Jade Sword In exchange for the final fight, Zhou Yuan Wukong became a Taoist Wukong, and Fei Changfang was free enough to call out the "Pangu Banner", allowing everything in the world to be "free" to a completely unrestricted quantum state.
Of course, this kind of absolute and crazy freedom will inevitably bring destruction, so under the observation of Hao Ning's so-called "Tai Chi Diagram", he returns to nature.
"Tai Chi Diagram" incident: According to Hao Ning's final performance, the key to Tai Chi Diagram is that Hao Ning knows how to use the soul left in his body by his younger brother, and realizes the truth of knowing the root cause and not knowing the root cause in reality. False, one yin and one yang, turned into a Taiji diagram, yin and yang fish depend on "earth, water, fire and wind".
And the key point here is the phrase "use supernatural powers": the interpretation of the novel is, since it is one's own, why use it. In fact, Hao Ning has said similar words several times, one time he said to Zhou Yuan: Do you know that yin is within yang and not within yang? (This sentence comes from "Thirty-Six Strategies", and there are similar words in the Tao Te Ching.)
Another time, Hao Ning himself realized the third flying blade of Zhanhun Flying Blade, and said to others: Do you know that Yin is within Yang and not within Yang
The meaning of this sentence is: We all think that yin and yang are opposites, but we are wrong. Yin and yang are not opposites, but are inside each other.
In this sense, the distinction between true and false that Zhou Yuan realized, the distinction between big and small that Haoran and Haoning talked about, and the distinction between yin and yang in the Taiji Diagram all belong to this topic.
Hao Ning finally realized that although the so-called younger brother's soul does not seem to be his own, it is actually his internal relationship. , seems to be separated, but after they are integrated with each other, they belong to the present.
Therefore, the observer effect of the Taiji Diagram calms down the Pangu banner effect of quantizing all things, and it is the same: the quantum state and the definite reality state, who can say that it is not also a kind of "Yin is in Yang, not in Yang"
Of course, many of the explanations here are just the words of Mu Yu’s family, so they are not accurate, as long as everyone is happy watching, if there are any questions about the cast (reality prototype) that everyone is interested in, you can tell Mu Yu, and Mu Yu will try to add .
(end of this chapter)
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