This Steinay piano was delivered to the charity dinner tonight, and it is actually used more as a display of the brand image.
Steinay's people never thought that this piano would come in handy tonight. The staff connected a microphone to Jiang Se so that the tune she played later could be heard by everyone in the venue.
"Sister Tao..."
Song Yi squatted in front of Tao Cen and called her softly, his eyes showing: What should we do now
Ever since the auction of Amadeus's manuscripts created a climax in the venue, the dispute between Tao Cen and Jiang Se over the music score has already caught everyone's attention.
Whether it was Tao Cen raising the price, or later Jiang Se offering an extremely outrageous bid to get the manuscript, all the developments were within Tao Cen's expectations.
Tao Cen's speech added an ironic flavor to Jiang Se's "winning" bid.
But what Song Yi didn't expect was that Jiang Se would stand up and borrow Steinay's piano to play under such circumstances.
Did she think what happened tonight wasn't big enough and wanted to make tomorrow's news even more sensational
What exactly does Jiang Se want to do? This is not only the question in Song Yi's mind, but also the most curious thing in the minds of many guests at the scene.
Xia Chaoqun watched Jiang Se arrange the music scores and sit in front of the piano. There were many guests and media reporters at the charity dinner hosted by "Times Style" tonight, but every move she made was still unhurried. She even carefully picked out one of the songs, took a deep breath, and pressed it tentatively with her fingertips.
"Dong", the clear piano sound passes through the speakers and reaches every corner of the venue.
So everyone fell silent and looked in the direction of Jiang Se. She was wearing a light beige sleeveless dress and her shadow as she sat in front of the piano appeared on the big screen on the podium.
At this moment, the scene that comes to many people's minds is the first time she appeared in front of the camera as a "goddess" in Zhao Rang's "The Ninety-ninth Love Letter" many years ago.
Compared to her youth when she was still a little green and immature, Jiang Se's temperament is undoubtedly more outstanding now.
Her fingertips lightly touched the keys. At first, she seemed to be getting used to the piano. The notes she played were irregular. When the messy piano sounds rang out, many people frowned.
"Mr. Chapman." The female assistant sitting next to Chapman looked helpless and spoke in a low voice:
"Should we stop her?"
This piano is purely handmade, and it took a lot of effort from Steinay's craftsmen. It is used to showcase the Steinay brand image. The staff were very careful when transporting and placing it, for fear of bumping into the piano.
But when Jiang Se played the piano, he didn't seem to take it seriously at all. Instead, he seemed extremely casual. The messy notes he played at this time made the female assistant unable to bear it.
If she stopped Jiang Se now, she would lose face. Although Chapman didn't like Jiang Se's high profile when he was fighting for the music score, he still hesitated and said:
"If she keeps playing like this, stop her..."
Before she finished saying the word "she", Jiang Se paused and her voice stopped abruptly.
The tense nerves of the guests in the venue relaxed. Mo Anqi, who was sitting in the back, looked bewildered. She bit her fingers, raised her head, and asked in a low voice:
"Done?"
Xia Chaoqun glanced at her calmly, and explained to Mo Anqi's surprise:
"What's the hurry? We're just getting started."
She also learned piano since she was a child, which is a compulsory course for every lady.
Although he has been busy with work and neglected practice in recent years, Xia Chaoqun has a wealth of theoretical knowledge in order to find common topics with clients.
As she expected, after Jiang Se paused in playing the piano, her expression changed when she started playing again.
The sound of "ding ding dong dong" flowed out from her fingertips smoothly as she moved. Xia Chaoqun squinted his eyes and after listening to a passage, he knew the music Jiang Se had chosen.
The song she chose was "The Feeling of a Summer Night", one of Amadeus' famous works, with a melodious and gentle tune.
The touch of fingertips and piano keys creates wonderful fireworks.
Chapman's frowning expression gradually relaxed. The song "The Feeling of a Summer Night", which originally had a slightly melancholy feel, was now given a sense of calm and comfort by Jiang Se.
It seemed as if at this moment he was not in a crowded venue, nor in an auction at a charity gala, but had come to a midsummer night following the clean and ethereal sound of the piano.
The long lyrical melody brings the ultimate visual enjoyment to people. Those jumping notes are like the sound of flowing water in a mountain stream, flowing happily drop by drop, flowing through the heart.
Tao Cen knew that Jiang Se could play the piano. Xia Chaoqun was very strict. When Tao Cen was with Xia Chaoqun, she was arranged to take various courses. Piano and dance were just one of them, but she didn't expect Jiang Se to be so proficient.
"The Feeling of a Summer Night" is not easy to play, and she has mastered the rich tonal changes very skillfully.
Chapman was already very familiar with the contents of the three Amadeus manuscripts. He noticed that Jiang Se's playing was a little awkward in several places.
This is not because she is not good at playing the piano. From the fact that she dared to challenge "The Feeling of a Summer Night", Chapman knew that she must have worked hard on the piano.
There are several subtle passages in the music score, and she handled them very well, which shows that she has been practicing piano for a long time.
The reason why she played the note wrong must be that she did it on purpose.
This song, "Feeling of a Summer Night", is a piece of music composed by Amadeus and is one of the three manuscripts that Steinay took out at the auction tonight.
What Jiang Se played was not "The Feeling of a Summer Night" after Amadeus' successful modification, but the source of inspiration when Amadeus first created the piece.
This slight change alone was enough to change Chapman's impression of Jiang Se.
She is very attentive and very good at emotional involvement.
When Amadeus wrote this piece of music, he was still a young and famous man. The world-famous song "Feeling of a Summer Night" was just a prototype of his idea, and it was not yet perfect and mature as Amadeus later modified it after he matured.
But Jiang Se combined the feelings of both, playing out the youthful era of Amadeus, the great artistic pioneer, and incorporating the romantic sentiment of "The Feeling of a Summer Night".
The innocent and youthful intentional mistakes are replaced with a touch of melancholy, giving it a whole new temperament and giving the audience a comfortable feeling.
She slowly ended the music, and when she played the last note, Chapman even felt a little unsatisfied.
He didn't know what significance these three music scores held for Tao Cen that enabled her to argue with Jiang Se before, but now, after Jiang Se showed his incomparable affection, Chapman felt that it was most appropriate for her to keep these three music scores.
Perhaps Amadeus would also be very happy that such items could fall into the hands of people who really know the trade, and play their role and inspire inspiration, which is much better than many people just collecting them and putting them on the shelf. (To be continued)