"For you."
"What?"
“It has egg yolk in it.”
After Lin Yuan returned to Qinzhou, he gave the sugar-coated egg yolk to Lin Yao.
Although it seemed like I was just offering something by borrowing someone else's flowers to pay tribute to Buddha, it finally dispelled my sister's resentment.
And with Lin Yuan's return, Lin Xuan took Lin Yuan and Lin Yao to live in the newly renovated villa!
It is said to be a three-story villa, but including the basement, it actually has four floors in total.
On the first night in the villa, Lin Xuan did not hide her inner excitement and took photos everywhere to post on WeChat Moments.
Lin Yao immediately looked for a suitable study room.
She is on winter vacation now and plans to live here next semester, which may be related to Lin Yuan returning to Qinyi to study.
Lin Yuan didn't think there was any difference.
He lived in a bedroom on the third floor. The layout of the room was very similar to his previous residence, and there was a computer in the bedroom.
at this time.
Lin Yuan was sitting in front of the computer, checking the development status of Blue Star Films.
Blue Star's films use Qizhou as a benchmark...
It is now called Qi Province.
Anyway, in terms of special effects technology alone, Qi Province's film industry is stronger than Hollywood on Earth, and those special effects are almost indistinguishable from the real thing.
Maybe it’s because technology is too advanced.
Blue Star's movies seem to rely too much on special effects technology, so that the plot is relatively weak.
However, no matter how weak the plot is, it is only relative.
Compared with Earth, Blue Planet's film industry is undoubtedly more developed!
This is the same as how the overall level of music on Blue Planet crushes the Earth.
And the film and television system of Blue Planet is a bit like South Korea on Earth...
The screenwriter has great power in the crew!
The actors dare not put on airs in front of the screenwriter.
If the relationship between an actor and the screenwriter is too strained, the character may be marginalized in the plot or even die directly.
The director cannot modify the screenwriter's script without authorization.
It is also disrespectful to the screenwriter for actors to change their lines.
Some investors even consider investing based on the screenwriter, and top screenwriters can even choose their own directors and actors.
Anyway, the more Lin Yuan understood the situation, the more he felt that this model was similar to South Korea on Earth.
There is an anonymous interview on the Internet that is very representative. It sounds like a joke, but it is actually a true story:
"A screenwriter friend of mine wrote a costume drama that was being filmed and broadcasted at the same time. A third-tier actress had a good relationship with the director, so no one else in the crew dared to mess with her. Later, because she didn't listen to the assistant director, she messed with my friend again. My friend told the investors that either she or I would leave. Unexpectedly, the investment in this drama was big, and the director couldn't keep her. My friend immediately wrote her to death the next week, and she suffered a lot. First, she fled in the rain, then encountered bandits and was pushed into a mud puddle, then there was a rape scene, and finally this woman jumped off a cliff and committed suicide..."
This shows the status of the screenwriter.
However, no matter how high Lan Xing's status as a screenwriter is, he can't be the only core of the crew.
Most crews are actually dual-core.
The so-called dual-core means that the director and the screenwriter compete with each other.
A great screenwriter always has enormous power, but a great director has no less power.
so.
Rather than saying that Blue Star's screenwriters are the highest, it is better to say that Blue Star's screenwriters and directors are basically equal in status.
To examine who is bigger, it still depends on the abilities and qualifications of both parties.
This is a bit like Hollywood.
There was a joke in my previous life that described it very well:
South Korea is a screenwriter-centered system!
Hollywood is a director-centric system!
China has its own unique “star” core system!
There is no shortage of stars on Blue Star, so screenwriters and directors are on equal footing, and stars are a lower level.
Just like the music industry.
The status of a composer is often higher than that of a singer.
The only difference is that singers only have the composer to worry about, while stars have to worry about the director and screenwriter.
No wonder the system wants Lin Yuan to enter the film and television industry as a screenwriter and writer.
Because the upper limit of this identity is very high.
After roughly understanding the situation, Lin Yuan finally heard the system's prompt sound in his ears: "The host who returned to Qinzhou is ready. Next, a silver treasure chest will be distributed. There is a random script in it. Would you like to open it?"
Lin Yuan said without hesitation: "Open it."
This new treasure chest was opened directly: "Congratulations to the host for obtaining the script "Flirting Scholar"."
Lin Yuan was stunned for a moment.
Lin Yuan's first reaction was:
This system allows me to create niche things.
Because "A Chinese Odyssey: Part One" is a typical nonsensical movie!
It is worth mentioning that there are nonsensical movies on Blue Planet, but they are extremely rare.
Because this type of subject matter is niche!
Yes, it’s a niche again!
The system seems to be extremely fond of making Lin Yuan go against the entire market trend. The so-called random script is only random on the surface.
But nonsense is actually normal among the minority groups on Blue Star.
This world does not have Stephen Chow, nor does it have representatives of nonsensical movies like Jim Carrey. Without the development of this part, the market will inevitably be unable to cope with the situation.
But Lin Yuan changed his mind and felt that the situation was not too bad.
Because no matter how niche the nonsensical movies are, they won’t be more niche than the sports and competitive stories I wrote in the novel world before.
As for the prototype of Tang Bohu...
Of course, there is no prototype of Tang Bohu on Blue Star.
Times have changed, and the fate of many people has naturally changed.
Anyway, based on Lin Yuan's knowledge of Blue Star history, most of the literati and poets in the previous life do not exist in this world. Only some top talents like Li Bai still stubbornly show their presence in history.
It’s just that the content of their poems is somewhat different.
After all, creation of this kind of thing will change with people's circumstances and the background of the times.
Lin Yuan just felt...
Whether the audience knows who Tang Bohu is does not affect their viewing experience.
As for the historical background, it can just be explained as fantasy.
He didn't even have to make any changes to the plot.
The original version is already considered a classic.
Taking into account the scene of this movie, Lin Yuan felt that the investment would not be too high.
Come to think of it.
Lin Yuan is a composer and suddenly wants to make a movie. Even if Xingmang reluctantly agrees, they will definitely not allocate too much money.
Lin Yuan still has this simple judgment ability.
in addition…
In a world without Stephen Chow, it would be almost impossible to restore the charm of the movie "A Chinese Odyssey: Part One: Pandora's Box".
Why are Zhou Xingchi’s nonsensical movies so popular
It’s not because nonsense itself is so popular, but because the limitations of this subject matter are actually quite large. The key point actually lies in Stephen Chow, who has raised the performance of nonsense to a certain level!
In other words.
Those hit movies of Stephen Chow would have been greatly reduced in terms of both classicism and watchability if Stephen Chow himself had not acted in them!
It is probably for this reason that the system arranges some auxiliary props.
With these props, Lin Yuan can try to shoot "A Chinese Odyssey: Part One - Fragrance".
————
ps: I will try not to touch the movies I have written about before. After all, the author also needs freshness, so I will definitely not write the book Crazy Stone again. Fortunately, there are not many dirty Hong Kong films written about, so I can choose some that I think are classics to write about.