I glanced at him faintly, did not speak, and walked to the side of the fir, selected the thickest fir board as the bottom plate of the coffin, touched the fir again, and shouted at Su Xiaoman, "Motor!"
Although Su Xiaoman didn't know carpenters, she was very familiar with carpenters' tools, living in the countryside. Without hesitation, she took the ink fountain and handed them over.
I moved the fir board out, and then took the ink fountain. I cut my index finger and dripped a few drops of blood into the ink fountain. I chanted a few words from the engineer and stirred in the ink fountain.
After fixing this, I took a startled look and pulled the thread from the ink fountain to Su Xiaoman. Su Xiaoman pulled the thread and stood on the other end of the fir. I took the ink fountain to the other end and flicked a straight line on the fir.
After playing this straight line, I took a little look at the black line that popped up, and next to the position six centimeters to the left of the black line, I flicked a black line again.
It took me about three minutes to touch this cedar board with 16 black lines. Then Su Xiaoman asked me why I played so many black lines.
I said that the evil spirit in Wu Lao body is heavy, and only by playing more ink pipe lines can he release the evil spirit in his body as soon as possible.
Of course, what I said to Su Xiaoman was more official. In fact, I play these ink fountain lines with my intention in it.
The reason is that this cedar is more yin and more moth-eaten, and as a ghostmaker and still a boy, my blood and Yang Qi are extremely heavy. Once mixed with the ink in the ink fountain, the ink can be filled with Yang Qi. There are many insects in the upper cedar, and there are many sand holes in the wood. If there are more ink pen lines, the ink will penetrate into the wood to improve the texture of the whole cedar and turn it into a coffin floor full of sun.
The idea I made was no longer to use the coffin to dissipate the evil spirits from Old Wu, but to create a coffin with extremely heavy Yang Qi, so that Yang Qi and Wu Lao's evil spirit reached a balance point, which is a common folk Said neutralization.
We ghosts explain this is a poem, saying that all things have a root cause, the five elements yin and yang are turbid, the principle of yin and yang and the five elements are thoroughly understood, and the six evils break through the army, evolve and neutralize.
This is the only way I can think of at the moment, and only in this way can the corpse of Old Wu become a corpse without any evil spirits in the first place.
With this decision made, I bounced all the fir boards onto the ink fountain line.
I just finished playing the ink pipe line on my side, and Jinshan on the other side has almost finished the coffin. Then Su Xiaoman was anxiously like the ant on my hot pot, and kept asking me why he didn't put the coffin together.
I didn't speak, so I laid the cedar boards on the ground, and used a saw and chisel to make some sun heads and mouths on the cedar boards. (Off-topic: Tenon is also called tenon and tenon. In the current words, the two utensils are combined by the principle of concave and convex. The protruding part is called the tenon and the concave part is called Maokou. Ancient Chinese wood art is mostly This method of tenon and tenon joint is used, especially for some bridges, the whole bridge does not need to use nails, and the relationship between the lock and the key is also a product derived from tenon and tenon.)
To be honest, this tenon is extremely difficult to make with the mouth, and it takes a lot of time, but if you want to create a coffin with a strong sun, you must use the tenon and tenon combination to firmly join all the coffin plates. Together, the only way to prevent the Yang Qi in the coffin from leaking out.
Of course, you can also choose to use rivets or strong glue to join the coffin panels into a coffin, which saves time. But in this case, one is disrespect to the deceased, the other is that it will leak the yang in the coffin, and the third is that our ghosts use a tenon-and-mortise method to hit the coffin. Only carpenters use rivets and strong Glue to hit the coffin.
The old carpenter saw that I was working on a tenon and a mortise, he stood up and stared at me incredulously, and said, "Brother, are you planning to use the tenon and mortise joint to make a coffin?"
I hummed and said, "As a ghostmaker, if you can't use the tenon-and-mortise joint method to make a coffin, what qualifications do you qualify as a ghostmaker?"
When I said this, my tone was extremely weak. The old carpenter smiled slightly and said with satisfaction: "Yes, some young people nowadays have forgotten the tenon and tenon joint method for convenience, but they don't know this. Tenon and tenon joint is the soul of craftsmen in the world. Without this tenon and tenon joint, one can be called a craftsman."
After speaking, he looked at Huang Jinshan and said in a deep voice, "Huang Jinshan, as a ghostmaker, should the coffin be put down again?"
When the gold heard it, his brows furrowed, and he looked at me. I saw a stern look in his eyes, but he didn't know why he didn't say it. Instead, he respectfully said to the old carpenter: "You are old What I said was, I immediately got the tenon and the mouth."
Listening to this, I let out a sigh of relief. Master Three asked me to delay the time, as long as the tenon and tenon joints were made, this time would definitely take a long time. After all, the tenon and the mouth are extremely time consuming and test the ghostsmith’s understanding of size. If the tenon is enlarged and cannot be inserted into the mouth, the tenon must be made smaller again. Once the tenon is made smaller, it will be used for the wood. The pile is stuffed into the mouth, and since then, the appearance has been greatly reduced.
At the moment, I glanced at Huang Jinshan and found that he didn't know much about tenon joints, but the middle-aged man next to him knew well.
Seeing this, I didn't say a word either, suffocating my head and fiddled with the tenon and Maokou, while Su Xiaoman kept handing me tools by the side.
After about six hours, I have fixed the tenons and mouths on a few coffin plates. On the other hand, I have only made less than two-thirds of the gold.
I took a deep breath and took the Luban ruler to measure the centimeters of all the tenons and mouths, almost all of them matched the size.
Although this is the first time I have played such a large coffin, I have made countless palm-sized coffins when I was studying with my brother, and I was already familiar with the size and tenon and tenon combination.
I would like to say something to you, even if I use Luban's ruler to measure the centimeter between the tenon and the mouth, I just go with the mentality of not being surprised. In one sentence of my brother, it is, "Chuanzi, you are talented." Abnormality, especially the control of size, is more sensitive than ordinary people."
Therefore, I have absolute confidence in the tenon and tenon joints. When I found that there was no accident, I asked Su Xiaoman to move two long wooden stools, and then asked her to put the bottom of the coffin on the long wooden stool with her hand, and then put all the coffins. The boards are put together.
Since the size of the tenon and the mouth of the mouth are exactly the same, the coffin is very easy to put together. It only took a lot of half an hour before the coffin appeared.
Ordinarily, in this case, I should be able to win Huang Jinshan, but there is no smile on my face, because I understand too well, this coffin is only an appetizer, the real ability is behind, that is how to make this The coffin is full of Yang Qi.
(End of this chapter) (End of this chapter)