If you want this coffin to become a coffin full of Yang Qi, those ink pipe lines will definitely not work, you must cooperate with the master's words.
However, as far as the Gongshi Liyu I currently master, I only know some profound-level Gongshiliyu. The most important thing is that even the profound-level Gongshiliyu is very difficult for me to chant. Don't mention the words of the prefecture-level engineers.
According to what the senior brother said at the time, to fill an ordinary coffin with Yang Qi, only the prefecture-level engineer Liyu can do it.
How to do
I frowned. Since the prefecture-level engineers can't speak words, I can only use my hands and feet on the coffin.
Right now, I took a deep breath and stared at the coffin and the tools on the ground for three or four minutes. My heart was cruel, and it seemed that this was the only thing I could do.
"Axe!" I yelled to Su Xiaoman.
Then Su Xiaoman asked me why I took the axe, and I said, hit the coffin.
Su Xiaoman didn't ask any more, and quickly picked up the axe and handed it to me.
I took the axe with a startled look, closed my eyes slightly, exhaled heavily, raised the axe and slashed towards the coffin.
As soon as this action came out, the old carpenter seemed to think of something. He looked at me inconceivably without saying a word. On the contrary, Huang Jinshan stared at me and sneered: "Boy, I want to use an axe to hit the coffin, and then cooperate with the master. The yang axis in the language makes the whole coffin full of yang energy!"
After all, he glanced at me deeply and smiled: "Are you thinking too much? As a ghostmaker, don't I understand this method?"
I looked at him and didn’t speak. He said: “This fir plank is a bit overcast and has a lot of moths, and its endurance is extremely limited. Once the axe hits it, I’m afraid the coffin will fall apart immediately. This coffin uses a tenon and tenon joint, and the tenon and the mouth are easily broken, boy, are you abstaining?"
I whispered: "Really?"
After I finished speaking, I stopped paying attention to him, but I have to admit that what he said was the truth, just as he said, this cedar board has many insects and its wood is fragile, especially the tenon and the mouth.
But this does not mean that there is no alternative.
The method I was thinking of was very simple. It was to use an axe to hit the coffin, coupled with the workman’s words, and finally coupled with a step called "walking ghosts".
I heard from the senior brother that the pace of'walking on ghosts' is a kind of unique pace he created, and it evolved from a symbol in the ghost writer's essay. Originally, the brother was not willing to teach me this kind of pace, saying that the master taught the apprentice to save three points, and as a brother, he had to keep a part of the ability to protect himself.
However, afterwards, Wei Dezhen caught the senior and scolded him, and then he reluctantly taught me the pace of "walking ghosts".
To be honest, even though my brother taught me the pace of "walking on ghosts", I can feel that he hasn't taught it all. He should only teach half of it, and he didn't teach half of it.
However, this is human nature, because China has always paid attention to Tibetan selfishness, people! Who has no selfishness yet.
Just like me, if I were to accept an apprentice, I would not teach all my skills, and I would choose to keep some of it. As for those masters who taught all their skills to the apprentice, it would only appear in the novel, the reality This is rarely the case.
Of course, there is no denying that this will happen, but the probability is extremely low.
The so-called "walking ghost" is to use a set of steps to reduce the yin qi carried by the coffin itself, and then use the yang qi carried by the axe to infiltrate the yang qi into the coffin through the steps, so that the coffin itself is slightly yang qi.
After making up this idea, I tightened the axe in my hand and made three strokes towards the coffin, then took a step back, keeping a distance of 39 cm between myself and the coffin.
This distance of thirty-nine centimeters is called the safe distance between Yin and Yang in our ghosts' eyes. The purpose is to make the coffin separate the Yin and Yang. To put it bluntly is to fear that the coffin will be worried about the person who hit the coffin, so that the person who hit the coffin will have bad luck.
Therefore, generally using an axe to hit the coffin, you have to keep the distance of thirty-nine centimeters.
When I stood thirty-nine centimeters away from the coffin, I greeted Su Xiaoman and told her not to move. She hummed and said, "Okay!"
Seeing this, I twisted my neck, weighed the weight of the axe in my hand, and finally knocked on the coffin board and tenon-and-mortise joint position. Through the sound from the coffin plate, I judged that the tenon-and-mortise joint position could bear the strength. It's about nineteen catties, that is to say, I can't hit the coffin with an axe more than nineteen catties. Once it has passed, the coffin will fall apart.
I took a deep breath and made another three times towards the coffin. Then, my left foot moved forward and left for 3 centimeters, and my right foot moved backward and forward by 3 centimeters. This kind of pace is called, one foot on the Guimenguan, one foot on the Yangjian Avenue, meaning The person who beats the coffin also bears the risk. Once the coffin has a problem, the person who beats the coffin is likely to have an accident.
"A craftsman is hammering in the east, and the setting sun is stern winter!"
"A craftsman knocks in the south, he can stop wild ghosts!"
"A craftsman is struggling to the west, sorrowful and sorrowful!"
"A craftsman hit the north, and the son carried his parents on his back!"
As I read these words, I held the axe in both hands and smashed it towards the coffin. With each sentence, the axe in my hand would hit the corresponding position of the coffin.
These four times, in the whole process of breaking the coffin, are called'hitting the joy'.
After playing these four times, you need to play three more levels. These three levels are Yangguan, **, Shamenguan. These three passes are at the Gengxin, Jiazi, and Bingshen positions of the coffin. They all need to be accompanied by the slogan of the engineer, and the foot must be matched with the pace of "walking on the ghost".
But because of this "ghost stepping" step, it is extremely complicated. The distance between the left foot and the right foot is important. For example, when hitting a certain place, the distance between the left foot and the right foot is ten centimeters, and this distance must not be exceeded, otherwise accidents will occur. .
Because of this, this kind of pass requires high physical strength. It is necessary to keep the body balanced and also to estimate the endurance of the quasi-coffin.
Therefore, when I was playing three levels, I didn’t dare to be careless at all, holding my breath, I kept changing the pace under my feet, I kept chanting the words of the worker, and the axe in my hand slammed into the coffin clapper. .
When I finished the first level, I was already sweating profusely, and my feet were even more empty. I didn't dare to continue playing the second level, mainly because I was afraid of accidents, so I asked Su Xiaoman to wipe my forehead. Sweat, let her pour me a glass of water.
Su Xiaoman was very shy. When he wiped my sweat, his entire face was red, like a ripe apple, red.
At that time, I was focused on the coffin without paying attention to the details. As for why I asked Su Xiaoman to wipe the sweat for me, it was because during the clearance period, the ghostsmith's hands could not leave the axe.
After taking a break for about ten minutes, I was about to continue playing the game. That Jinshan's move made my face pale and pale as paper.
(End of this chapter) (End of this chapter)