Just as Bai Liu was meditating while holding this doll of his own, the teacher had already called the remaining five children over.
The five remaining children in the children’s orphanage stood in a row cramped and numb with expressions. There was not even one who dared to look up at Mu Ke. Each of them seemed to have their eyes on their toes. These five children have some Lame, some spine crooked and arched back, more or less with some disability, like a group of cubs who have not yet come out of the nest, five children are sticking together, pushing and shoving.
They are like cheap goods that are scrutinized by others, who are humble and reticent, knowing that they are not worth a few dollars.
Bai Liu frowned as soon as he approached the children. The mushroom smell on these children was even heavier than the smell he smelled from the corpses in the hospital.
Mu Ke directly couldn't bear it and waved his hand on his nose: "Are you eating mushrooms all at once? How come the smell of mushrooms is so great?"
The teacher hugged the five children in a little embarrassment: "In fact, they don't eat much,"
Bai Liu's eyes swept across the teacher and the five children: "Did you eat a lot of mushrooms that day?"
The teacher was taken aback: "We ate with these five children, and there was quite a lot of it."
"Is there any of the poisoned kids who eat less? For example, the one who only drank a mouthful of mushroom soup?" Bai Liu asked.
The teacher thought about it for a while, and then replied to Bai Liu affirmatively: "Yes, because some children like the mushroom taste and some children don't like it, some only eat a little bit, but it is still poisoned."
Bai Liu retracted his eyes, eating too much was not poisoned, and eating less was poisoned. It seemed that poisoning had nothing to do with the dose.
But why are mushrooms... Why are mushrooms every time this orphanage has an accident
And what are the conditions for this weird mushroom to poison people
Lu Yizhan said that there was no obvious abnormality in the blood draw and various results of the children who survived in the children's orphanage. Like Liu Jiayi, there was only a little bit of mild anemia.
The five surviving children and Liu Jiayi who survived in the hospital have only one thing in common, that is, they all have congenital genetic defects. Liu Jiayi is blind, and these five children also have various disabilities.
Bai Liu was lost in thought.
The teacher continued to take Bai Liu and the others around the interior of the orphanage, and walked to a room full of photos, trophies, and various children's paintings.
The teacher introduced to Bai Liu and the others: "This is the exhibition hall of our orphanage."
This is an exhibition hall that no one has been to for a long time. Many of the trophies and awards displayed on the cabinets are all grayed out. It can be seen that this is a very well-developed children’s welfare home, and there are still many children hanging on the wall. His paintings and some awards, and the photos of the annual Children's Day performance were also hung on the wall. The color of the photos changed from distortion to clearness. In the last picture, more than forty children smiled cutely and softly, but only five survived. , The five children are following the teacher with numb expressions.
Most of the things being exhibited come from the feeling of dead people, giving this exhibition room a lingering feeling of depression.
After Bai Liu glanced at the whole picture, he seemed to have found something and looked at the teacher: "Can I take down the photos and some paintings?"
Originally these things could not be moved easily, but now the children's welfare institution has become like this, and there is not so much attention to it, the teacher nodded in agreement.
Mu Ke curiously watched Bai Liu draw some children hanging on the wall and placed them on the ground to observe. He leaned over and asked him in a low voice, "Bai Liu, have you found anything?"
"Yeah." Bai Liu responded softly, without giving Mu Ke a look, playing with the children's drawings in his hand.
Mu Ke's eyes moved with Bai Liu's hand. These children's paintings are quite good, and I feel that they are painted by children with a certain degree of drawing skills.
The paintings include sketches of figures, still lifes, painted with colored pencils and crayons, and simple black and white sketches. The styles of painting vary greatly. Most of the paintings have very strong colors and are saturated to the point where it makes people uncomfortable to see. The things seem illogical.
A little girl who looks too thin and sits on a hospital bed with a white cloth over her eyes, a beautiful silver-blue scaly fish in a jar, and a broken wooden mirror on a burnt and melted toy train .
The paintings seem to be the things that this orphanage has.
Mu Ke stared for a while and noticed something. He was a little surprised and said: "Are these all painted by one person? The signatures are all W."
Although the styles of these paintings taken down by Bai Liu are very different, the [W] of each painting's signature is the very strange style of writing on both sides of the scroll, and each painting is consistent.
Bai Liu was finally willing to give Mu Ke a look. His voice was low and soft, as if whispering: "This is my signature."
Mu Ke was surprised: "Yours?! Why is your signature here?!"
Bai Liu didn't explain much, although Mu Ke wanted to know, but seeing that Bai Liu was not going to say anything, he shut up in a daze.
The first letter of white [W] is a customary signature of Bai Liu's paintings.
Bai Liu could see at a glance that these things were his paintings. Although they were greener and immature compared to his current painting techniques, they were indeed his paintings.
The little girl with the cloth over her eyes is obviously Liu Jiayi. The hospital gown and the one he saw in the hospital this morning are of the same style. The beautiful silver-blue fish in the jar should refer to the first game "Ren Town" The Siren King, the broken mirror placed on the melting toy train is Bai Liu's second game "The Last Train of Burst".
But these paintings were signed ten years ago, and Bai Liu who was ten years ago was not in this private welfare institution at all, and Bai Liu who was ten years ago had no way of knowing this information.
There is only one possibility. Ten years later, Bai Liu returned to ten years ago in some form, and then painted these things on these children's drawings and stayed in this private children's orphanage.
Ordinary people must be panicked when encountering such unthinkable things, but this only allowed Bai Liu to further confirm that this children's orphanage must be a [official game copy] of some [real world].
The only reasonable explanation for these timeline confusion is the official plot development time of this copy of the game. Judging from the signatures of the paintings he left behind, I am afraid it is not now, but ten years ago.
Bai Liu's fingertips passed over the signatures of these paintings, his eyes sinking slightly.
It is very likely that he will enter this game in the future, and left some traces in the [Children Welfare Institute Game Copy] ten years ago. With this [the official version of the game copy] loaded into the [real world], Bai Liu once left traces in the game and loaded it into the orphanage in the current timeline.
This is not a good thing.
The player’s traces remain in a certain game copy forever. This is usually something that only appears after a failed pass, just like Zhang Puppet’s death was alienated into a scorched corpse monster and remained in the copy of "The Last Train of Burst" forever. , These marks of death and failure will become part of the game, as the copy loads into reality.
But the doomed ending did not scare Bai Liu, he thought very calmly.
At present, there are still two places where Bai Liu is puzzled. His gaze slowly falls to the face of a boy in the corner of the first photo of a child in 200X.
This boy has no emotions at all on his face. When he squints at people, he has a feeling of [you stupid mortals], and a sense of incompatibility. He is fourteen years old, and Bai Liu glances at the brushstrokes. Sharp use of color exaggerated paintings.
The feeling of taking pictures and this style of painting are indeed what he liked to use when he was fourteen years old, and his usual posture when taking pictures.
Bai Liu didn't need this colorful style for a long time. Because it was too public, he was criticized for mental pollution after being stuck several times by his boss. The market acceptance was not high. Bai Liu decisively gave up this style and never again. Never painted.
These paintings and the [Bai Liu] photographed on them are indeed his habitual style when he was fourteen years old. What is strange is that the information revealed in these paintings is indeed the information that the twenty-four-year-old Bai Liu knows now. The problem is-if he is twenty-four years old in this game, then Bai Liu is very sure that he would not paint like this.
And if the setting of this game caused Bai Liu to regress in all aspects of his memory and body to ten years ago, it would be impossible for him to know the information that he only knew now.
This is a Bai Liu who has the memory of 24 years old but has the style and personality of 14 years old. Logically speaking, Bai Liu thinks it is impossible, because memory is an important factor in determining a person’s style and personality. He has the bottom ten. The memory of Nian, he will definitely not be what he was ten years ago.
Fourteen and twenty-four-year-old Bai Liu existed separately in the copy of the game [Children's Welfare Institute ten years ago]. This is the first point that Bai Liu puzzled.
The second point of doubt is—Bai Liu looked at the character sketch. This is a black-and-white character sketch. A girl sitting on a hospital bed with a doll in her arms, curled up and hugging her knees, her eyes blindfolded. The white cloth is a very finely drawn character sketch.
But Bai Liu clearly remembers that when he was fourteen years old, he hated drawing because he liked things with strong colors at that time, and sketching something with a relatively strong documentary style. Bai Liu was very repulsive at that time. He rarely drew sketches. He had to paint in general. It is also a practice to draw still lifes, and basically do not draw figures.
Why did the fourteen-year-old Bai Liu drew a sketch of a character that she hated to Liu Jiayi? At that time, Liu Jiayi was not born at all, and there shouldn't be any traces.
Could it be said that Liu Jiayi will also enter this copy
But even if Liu Jiayi enters the game, she is still a newcomer. Normally, her first copy should be a single player game. This copy is obviously a multiplayer copy, unless Liu Jiayi quickly clears her first game and then follows closely. Then she entered the multiplayer game where Bai Liu was, before she appeared in the painting.
But Liu Huai, a veteran player with a certain amount of experience, shouldn't allow his sister to enter that way.
So why is this kid here
Bai Liu thoughtfully scanned the entire painting, and finally stopped his eyes on the doll that Liu Jiayi was holding in the face—
—The doll in the painting, white shirt and black pants, was held in her hand by the little girl. She turned her face to the outside and smiled. She glanced at it as if there was nothing wrong, but Bai Liu stared at it for a while and found that it was wrong.
The doll's head turned too far, not like looking back, as if its head had been twisted one hundred and eighty degrees.
Bai Liu looked at the painting, fiddled with the coin he was hanging on his heart, his eyes condensed slightly.