This is mid-May.
The movie version of "The Gift of Room No. 7" officially started filming in May.
However, the drama version of "The Gift of Room No. 7" has already begun to be performed in full swing, about half a month earlier than expected.
The reason is that once the actors devote themselves wholeheartedly, the progress is very fast.
This kind of story, which is very contagious in itself, becomes more and more tense after the drama changes, making it easier for the actors to indulge in it and regard themselves as the people in the story.
This kind of substitution mode is the most common in dramas. Therefore, it is an important factor that their actors can perform much better than others after appearing in TV series and movies.
There are three halls in Beijing Dialogue's theater. This time they used the largest hall, the main hall, which can accommodate 1,000 people, as the performance venue. This shows the importance they attach to "The Gift of Room No. 7".
You know, before this, only those long-lasting plays could be performed in the main hall.
Those new plays that are performed for the first time usually have to be tested in the small halls on the left and right sides to test the water before they can know whether they are good or bad and can determine their future fate.
As a result, "The Gift of Room No. 7" was not used, so we just started walking in the main hall.
The first performance of "The Gift of Room No. 7" was not only packed with seats, but the cheapest ticket, priced at 180, was directly sold to 580 by a ticket dealer!
After a two-hour performance, the main hall of the theater was filled with tears, and the crying basically never stopped.
When the audience came out, few of them had red eyes, even the old men. They were truly moved and cried regardless of their status.
After three consecutive days of performances, "The Gift of Room No. 7" was rated as high as 9.5 by the audience. It is the most popular and highest-rated new play created in the past twenty years!
Such an honor is really rare, because in the past twenty years, there have been many excellent works, and there are many blockbuster works.
"The Gift of Room No. 7" has gained such a high reputation in such a short period of time, which proves that it is excellent enough!
I originally planned to give the show a try for 10 days, but seeing how popular it was, the director of Beijing Dialogues made the decision to just show it for 30 days!
But I didn't expect that as soon as this decision came out, Beihua's hotline was flooded with calls.
The people who made the phone calls were not those who happily thanked them, but all those who were dissatisfied and scolded them.
They come from fans of "The Gift of Room 7" from all over.
Why do you guys in Huajing always have to perform and don't come to places like ours? Do you look down on our people, or are you unwilling to make money from us
All right.
Because there were so many angry people and there was constant commotion online, Beijing Dialogue had to actually hold a meeting and make a decision.
That is to perform in Huajing for 10 days according to the original plan, and then start from Jinwei and go south to perform in more than a dozen first- and second-tier cities such as Quancheng, Jianye, Shanghai, Lin'an...
Book 3 performances in each city first.
But, in fact, "The Gift of Room 7" also has a B lineup, which is the substitute.
When Lineup A goes to perform in other places, Lineup B will take over the performance of "The Gift of Room No. 7" and continue to perform in the left hall of the Beijing Opera Theater. This is a small hall with 600 people. Let's test their quality first. Then decide whether to go to the main hall again.
If the performance of line-up B is also qualified, then they will perform in Huajing again for 10 days and then go to other second-tier cities one after another.
In this way, it takes almost three months to cover all second-tier cities in the country.
This is the limit of what they can do.
After the plan was announced online, it was finally recognized by most of the audience and fans.
As for places like third-tier cities, there is no way. There are not even professional drama theaters. Naturally, the performance will not be good, and there is no way to go there.
When Shen Huan received a call from Fan Dan, deputy director of Beijing Dialogue, she was very excited and told Shen Huan that if everything went well, she could tour like this again at the end of this year, and the total box office of the show would reach almost 50 million!
This is also a rare box office hit in the history of Beihua.
If calculated in terms of absolute currency value, "Gift from Room No. 7" after two rounds should be the top-grossing drama in the history of Beijing dialect.
In Northern dialect, if "The Gift of Room No. 7" can lay a good foundation, they will be like "Thunderstorm", "Camel Xiangzi", "Longxugou" and other classic plays, and it will be released every one or two years. I will take it out and perform it.
From now on, "The Gift from Room No. 7" will be able to contribute to the development and growth of Beijing Dialect in the coming decades or even hundreds of years.
This is an evergreen tree!
If there really comes a day, Fan Dan, the deputy dean who dug it into Peking University, will be able to become the full dean as soon as he reaches the age and qualifications!
Shen Huan didn't know these complicated inside stories, but he was also happy that "Gift from Room No. 7" was so popular.
He has also learned that the three tickets for "The Gift of Room No. 7" in Lin'an have been sold out immediately.
If Fan Dan hadn't reserved 50 tickets for him in advance, he wouldn't have been able to watch it himself, let alone invite his relatives and friends to watch it.
But according to the order of performances, I am afraid that by the time the play "The Gift of Room No. 7" is performed, Shen Huan will have already gone to Hengdian Film and Television City to film "Young Di Renjie".
Shen Huan herself did not go to see the drama version of "The Gift of Room No. 7", but Zhu Mei, who was in Beijing to film the movie version of "The Gift of Room No. 7", took the entire crew to watch three performances in a row. .
According to their feedback, "The Gift of Room No. 7" did indeed perform well.
Whether it is Li Chenglong, Li Yiyuan, or the supporting actors, they are vivid on the stage, and their emotions are fully displayed.
Even Ha Kangxian, Jiang Shiyu and Naito Masato, who could not understand Chinese, were infected by this emotion and watched very seriously.
For almost all actors, the performances of drama actors on stage are an encouragement and a kind of pressure for them.
There are only two people who have completely different feelings watching "The Gift of Room No. 7".
Needless to say, Guo Hang has completely immersed himself in the role of Li Chenglong. He was stunned while watching the drama, and even sometimes acted childishly.
This is nothing, this guy is almost unable to take care of himself in daily life, because he is a man with the intelligence of only 6 years old, and he has even forgotten how to do many things.
This made Zhu Mei happy and frightened at the same time. She was afraid that after the filming of the film was completed, Guo Hang would have to go to the hospital to receive mental treatment.
The second different person is Yang Shu.
She watched the entire drama with a smile on her face for three consecutive days without any sadness. Even after seeing the father and daughter separated at the end and seeing the grown-up Yiyuan avenge her father, she had no emotional fluctuations.
This behavior is also very abnormal.
Zhu Mei was a little worried when she told Shen Huan that she wanted Yang Shu's mother, who had been accompanying the crew, to take her to the psychiatric department to check whether the little girl had suffered from mental illness.
Shen Huan agreed with Zhu Mei's caution, but when the results came out, it showed that Yang Shu was normal and there was no mental problem.
Shen Huan was somewhat interested in this.
Such results probably mean two things.
The first one is that Yang Shu didn't care about the role he played at all, but just treated it as a show.
The second one is that Yang Shu is also addicted to it, but her method is not the traditional experiential method, but a method of controlling her own emotions, and then bursting out when needed.
Shen Huan prefers the little girl to be the second type.
If this is really the case, then I am afraid that in less than 20 years, there will be another stunningly talented actress in China! !