Filmed today is a series of shots of Ryan entering the interior of the space station.
The crew has already mentioned that a model of the interior of the space station was built in another studio. It is actually very simple to say, just a few concave passages covered with green screens. In the film, the scenes inside the space station full of precision instruments are all generated by CG.
Holding the thick director's script and not letting go, Eric concealed the problem that his arms did not dare to hang down naturally to touch his waist. Although there will still be careful people who will notice something strange, but no one will ask Eric for these details.
"Hey, Nicole, remember how you felt when you went to the aquarium and watched the fish swimming by the glass curtain wall. I hope that Judy will give the audience the feeling of a fish swimming freely in this group of shots. Your camera lens is With the eyes of tourists who swim with fish moving."
Beside the concave passage, Eric was talking to Nicole about his requirements for the next set of shots, and Jodie Foster came out of the changing room wearing a special suit that could hang the wire.
In order to allow Judy to make various movements in the air, there are seven wire ropes this time, and the thin ropes are connected to Judy from shoulders to waist and hips. After the installation of the device, her whole body is roughly Like a marionette.
In "Gravity", there are very few shots that are considered to be quite satisfactory. All the scenes seem to be in flux at any time, and various tricky camera angles emerge in endlessly. It is difficult for conventional photographers to shoot with hand. As a result, at this time, the shooting slide rail and the mechanical arm that can precisely control the camera are still installed on the outside of the concave groove.
Eric chatted with Nicole for a while, Nicole went to prepare, and Judy walked forward.
Eric admired Judy's beautiful blue eyes, and regretted that a certain stalk in the original version could not be used, and said: "Today's shooting will be very tiring, are you ready?"
There is still some time for Nicole to prepare. The vest under the T-shirt used to connect to Wia is not light at all. Judy simply sat down next to Eric and said, "Are you more tired than before?"
Eric nodded solemnly: "Of course, but don't worry, I have already told the chef to add two eggs for you at noon."
Judy smiled, but her eyes were a little bit bad. She sized Eric up and said: "You are such a big capitalist, you only have two eggs, so stingy."
Eric showed a painful expression on his face: "How about adding one more, no more."
"Hehe," Judy chuckled, narrowing her eyes slightly, and suddenly reached out, and accurately tapped somewhere on Eric's waist with her index finger.
"ah!"
Unprepared Eric felt a sudden pain and almost jumped up from the chair, but he was more surprised, how did this woman know.
The busy crew members all looked over following Eric's voice, and when they found out that the heroine was 'interacting' with the director, they pretended not to know anything and continued with the buddies in their hands.
Judy was taken aback by Eric's actions, and quickly said, "Sorry, Eric, I just wanted to make a joke with you."
"It's okay," Eric shook his head, feeling the bewilderment in Judy's tone, and forgave her graciously.
However, women are obviously naturally curious creatures. After Judy apologized, she immediately asked again: "Eric, what's wrong with your waist?"
Eric shook his head casually: "It's nothing, I bumped it accidentally."
"Oh," Judy responded, but the doubt in her eyes did not dissipate. After a while, she seemed to think of something, and she couldn't help showing an inexplicable smile at the corner of her mouth.
Eric noticed the smile on the corner of Judy's mouth, and thought that it was impossible for this woman to come out like Kashenberg, so he said, "What's wrong?"
Judy moved her head a little closer and lowered her voice: "Caught?"
All right.
It seems that Hollywood people's brainstorming ranks are not generally high.
Fortunately, Eric was somewhat prepared this time, and calmly glanced at the two long legs outside Judy's black shorts, and said, "Why don't you pinch me and see if you pinched someone?" The strength to hurt?"
"We women may not have it," Judy said with a smirk and blinked, "but not necessarily men."
"Be careful, I will pinch your eggs"
"Hehe," Judy laughed, but she still couldn't help asking: "What's going on?"
"Just like you imagined, being caught by a woman," Eric decisively turned on the mode of telling the truth and no one would believe it: "Have you seen "Golden Eye", I also encountered a Russian female agent last night."
Judy suddenly showed a look of surprise: "Oh."
"Oh what do you mean?"
Judy still smiled and revealed the answer: "Eric, you forgot, Drew and I are quite familiar."
Eric tried to play dumb: "So what?"
Judy raised her hand and wanted to come over again, so scared that Eric quickly blocked it with the thick director's script, Judy lifted her chin triumphantly, stood up and said: "Okay, I'm going to start working, Mr. ridiculous director. "
"This is a trial without evidence."
"I'm a woman."
"..."
Fortunately, except for Judy, no one else saw this.
The staff buckled the wire rope connected to the ceiling track on Judy's body one by one, tested it several times, and today's shooting officially started.
at the same time.
In an ordinary office building in North Hollywood, this is the headquarters of Elite Talent Agency. Although it has a somewhat similar name to CAA (Creative Elite Cultural Agency), it is actually just a small and typical Hollywood agency. There is really no talent for naming people.
Not long after agent Matt Gilson got to work, he received a call from Firefly Group's copyright trading department, asking him to go to Firefly Group's Burbank headquarters in the morning to discuss a script in his hand.
The elite talent agency is small, and Matt Gilson is both an artist manager and a script manager, but, to be honest, in such a small agency, the more "generalist" the more insignificant it is.
Matt Gilson only has a few new actors and a few not-so-famous screenwriters in Hollywood. The two screenwriters of "Pirates of the Caribbean" in his hands, Terry Rossio and Ted E. Although Riott is working at Paramount Animation Studios, except for "Aladdin", which he signed with many screenwriters, he has no other outstanding scripts. Influenced by "Cut Throat Island", the script of "Pirates of the Caribbean" was written for several years and no one cared about it.
However, since last week, Matt Gilson has clearly felt something different.
The script that had been buried in his hands for several years seemed to have suddenly attracted attention, and it was the Firefly Group that paid attention to this script, which immediately made Matt Gilson feel the opportunity.
The script in my hand is not perfect, and it is sold at this time. With Terry Rossio and two screenwriters, the possibility of selling it for more than 100,000 US dollars is very small.
However, Matt Gilson thought that if this script could be associated with someone's name, then the value of this script would definitely increase tenfold and a hundredfold.
Moreover, he keenly felt that this script was likely to be read by Eric Williams himself. After all, the box office fiasco of "Cut Throat Island" was included in the Guinness Book of Records. Over the years, Hollywood has basically been insulated from pirate films. Out of risk considerations, it is impossible for a slightly normal film company executive to Interested in pirate movies.
What's more, "Cut Throat Island" was originally produced by Disney, which has become a subsidiary of Firefly Group. A large part of the current Firefly Group executives are from Disney. Under normal circumstances, it should be even less likely to be interested in pirate movies. Thinking about it this way, only Eric Williams himself can express interest in pirate movies without any scruples.
Although he had these thoughts in his heart, Matt Gilson rushed to the headquarters of the Firefly Group without much hesitation. Now even the three major brokerage companies cannot take Joe in front of the Firefly Group. People don't even dare to put on airs.
However, although the other party's asking price of 100,000 US dollars is very generous for this script, Matt Gilson did not agree to the other party immediately, but only expressed that he would discuss it with his employer, and the Firefly copyright manager who was in charge of negotiating with him also Without showing any eagerness, the two parties agreed on the next contact time, and Matt Gilson left the Firefly Burbank headquarters.
Recalling the conversation just now, Matt Gilson shook his head helplessly. The manager was impeccable during the conversation, and he didn't try to get the information he wanted at all.
However, thinking of the recent super dark horse "Midnight Ring", Matt Gilson is absolutely, this is enough to take a risk once.
Because of Eric Williams' fancy, "Midnight Ring", a horror film from Japan, can be a big hit. Now the box office in North America alone has easily exceeded 170 million US dollars, and the box office performance has even surpassed Most of the blockbusters of the Hollywood summer block, but this horror film cost only 30 million US dollars. At the same time, the box office of films related to Eric Williams in this summer is basically a boom. According to these standards, if the script of "Pirates of the Caribbean" is really taken by Eric Williams , then it can be worth at least five million dollars.
As an agent, Matt Gilson's salary is actually very variable, but the average monthly income is actually around 5,000 US dollars. If "Pirates of the Caribbean" can be sold for a sky-high price, just this sum of income is almost worth ten years of salary.
The money he earned at one time was worth ten years, and Matt Gilson really couldn't think of any reason not to take a risk.
Although he had his own little plans, Matt Gilson did not intend to hide this matter from his two employers. When he returned to the company, he called Terry Rossio and explained his plans in detail. It is guessed that Terry Rossio and the two are also quite moved.
The three of them had lunch together again, discussed in detail, and roughly finalized their attention.
Starting in the afternoon, Matt Gilson contacted acquaintances in several other major Hollywood film companies one by one, claiming that he had a script in his hand that might be of interest to Eric Williams himself.
During this period of time, due to the influence of "Midnight Ring", a super box office dark horse, while frantically searching for scripts of Japanese-style horror films, Hollywood film companies are naturally very concerned about the projects that Eric himself is interested in, and even have already paid attention to them. Commercial espionage was enabled, but Eric had already suffered in this regard, and now it is naturally impossible to make such small mistakes again.
However, Matt Gilson's statement is still very marketable. Even though many years have passed, there are really not many film companies in Hollywood rushing to make pirate films. What's more, "Pirates of the Caribbean" is a high-budget movie Special effects blockbusters, apart from Eric Williams, there are absolutely very few people in Hollywood who will take a fancy to this kind of script.
Although Matt Gilson had no room for a 100% guarantee, the scripts of "Pirates of the Caribbean" had already appeared on the desks of the executives of major film companies before the afternoon off work time.
Before the crew finished work in the afternoon, Eric had already received calls from the girl and Elizabeth, and even some other people's temptations. Kashenberg also asked if he needed to come over and discuss countermeasures.
"Let the copyright department suspend contact with the other party, let's see the situation." Standing alone in the corner and talking on the phone with Kashenberg, Eric was also a little helpless.
The current script of "Pirates of the Caribbean" and the finished film are basically two stories. Eric is not worried that if the script is taken away by others, it will replicate the previous box office glory. However, if such a series with unlimited potential is destroyed It would be such a pity.
"Eric, I tried again, but it still doesn't work." Walking back to the shooting site, Nicole said to Eric, "It's impossible for Judy to take the position of a baby in the mother's womb under the conditions of Wia. maintain balance."
Judy is still connected to the wire rope, so she can only lie on the side of the special grooved model to see it.
Eric walked to the monitor and played the shot just now.
Because the wire rope is on the back, in order to maintain balance, Judy's two legs can only be stretched out, and it is impossible to curl up like a baby.
The scene of Ryan curled up in the space capsule alone like a baby in the film is a very classic set of shots, and Eric has no intention of modifying or perfunctory.
However, there was still the matter of "Pirates of the Caribbean" in his heart, and Eric was somewhat irritable. After thinking about it for a while, he didn't come up with any suitable solution, and the time was almost up, so he simply announced that he would end work early today.