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Miramax's performance in recent years has been very good, and Fox is absolutely unwilling to part ways with the Weinstein brothers.
Elizabeth frowned and thought for a while, then said to Eric in the back row: "I think Fox can also support Harvey in developing big-budget films, as long as they are commercial films?"
"Harvey's business thinking has been limited to literary and artistic films. Let's not talk about whether it will be successful if he gets involved in the field of big-budget commercial films. If successful, how do you plan to balance the two producers of 20th Century Fox and Miramax? The relationship between factories?"
Elizabeth asked back: "Hasn't New Line already started making high-budget films? How do you deal with this?"
"Firefly's positioning for New Line Films has always been very clear, focusing on low- and medium-budget genre films, which can be commercial or artistic. The average cost of producing films for New Line has also remained below 20 million US dollars in recent years. The high-budget film you mentioned must be the "Bad Boys" series and the "Rush Hour" series. The budget cost of the first part of these two series is only 20 to 30 million US dollars. Because of the increase in the cost of the sequel due to commercial success, This is inevitable, and it is only a special case, which does not change the positioning of the new line."
"Since Harvey can produce the current ambitions, doesn't Kenneth Horn, who is in charge of the new line, have no idea of directly participating in big productions?"
Eric shook his head and said: "New Line's global box office totaled more than 1 billion US dollars the year before last, and last year's global box office figures were the same. All the films released by Sony Pictures' several labels, this year's global box office is only 1 billion US dollars. 1.27 billion US dollars. In comparison, just the box office performance of New Line Films is almost catching up with one of the top seven Hollywood. What's more, Kenneth Horn is in charge of the entire production and distribution system of New Line. He has more power than the individual head of Firefly Pictures or Bowei International, so why is he dissatisfied? Oh, in the final analysis, it is still a matter of strength. Firefly can provide Kenneth Horn with a big pond, and Fox can For Weinstein, it was just one swim."
Even though she knew what Eric said was true, Elizabeth rolled her eyes in dissatisfaction: "I hit you."
…
…
Miramax's performance in recent years has been very good, and Fox is absolutely unwilling to part ways with the Weinstein brothers.
Elizabeth frowned and thought for a while, then said to Eric in the back row: "I think Fox can also support Harvey in developing big-budget films, as long as they are commercial films?"
"Harvey's business thinking has been limited to literary and artistic films. Let's not talk about whether it will be successful if he gets involved in the field of big-budget commercial films. If successful, how do you plan to balance the two producers of 20th Century Fox and Miramax? The relationship between factories?"
Elizabeth asked back: "Hasn't New Line already started making high-budget films? How do you deal with this?"
"Firefly's positioning for New Line Films has always been very clear, focusing on low- and medium-budget genre films, which can be commercial or artistic. The average cost of producing films for New Line has also remained below 20 million US dollars in recent years. The high-budget film you mentioned must be the "Bad Boys" series and the "Rush Hour" series. The budget cost of the first part of these two series is only 20 to 30 million US dollars. Because of the increase in the cost of the sequel due to commercial success, This is inevitable, and it is only a special case, which does not change the positioning of the new line."
"Since Harvey can produce the current ambitions, doesn't Kenneth Horn, who is in charge of the new line, have no idea of directly participating in big productions?"
Eric shook his head and said: "New Line's global box office totaled more than 1 billion US dollars the year before last, and last year's global box office figures were the same. All the films released by Sony Pictures' several labels, this year's global box office is only 1 billion US dollars. 1.27 billion US dollars. In comparison, just the box office performance of New Line Films is almost catching up with one of the top seven Hollywood. What's more, Kenneth Horn is in charge of the entire production and distribution system of New Line. He has more power than the individual head of Firefly Pictures or Bowei International, so why is he dissatisfied? Oh, in the final analysis, it is still a matter of strength. Firefly can provide Kenneth Horn with a big pond, and Fox can For Weinstein, it was just one swim."
Even though she knew what Eric said was true, Elizabeth rolled her eyes in dissatisfaction: "I hit you."
Miramax's performance in recent years has been very good, and Fox is absolutely unwilling to part ways with the Weinstein brothers.
Elizabeth frowned and thought for a while, then said to Eric in the back row: "I think Fox can also support Harvey in developing big-budget films, as long as they are commercial films?"
"Harvey's business thinking has been limited to literary and artistic films. Let's not talk about whether it will be successful if he gets involved in the field of big-budget commercial films. If successful, how do you plan to balance the two producers of 20th Century Fox and Miramax? The relationship between factories?"
Elizabeth asked back: "Hasn't New Line already started making high-budget films? How do you deal with this?"
"Firefly's positioning for New Line Films has always been very clear, focusing on low- and medium-budget genre films, which can be commercial or artistic. The average cost of producing films for New Line has also remained below 20 million US dollars in recent years. The high-budget film you mentioned must be the "Bad Boys" series and the "Rush Hour" series. The budget cost of the first part of these two series is only 20 to 30 million US dollars. Because of the increase in the cost of the sequel due to commercial success, This is inevitable, and it is only a special case, which does not change the positioning of the new line."
"Since Harvey can produce the current ambitions, doesn't Kenneth Horn, who is in charge of the new line, have no idea of directly participating in big productions?"
Eric shook his head and said: "New Line's global box office totaled more than 1 billion US dollars the year before last, and last year's global box office figures were the same. All the films released by Sony Pictures' several labels, this year's global box office is only 1 billion US dollars. 1.27 billion US dollars. In comparison, just the box office performance of New Line Films is almost catching up with one of the top seven Hollywood. What's more, Kenneth Horn is in charge of the entire production and distribution system of New Line. He has more power than the individual head of Firefly Pictures or Bowei International, so why is he dissatisfied? Oh, in the final analysis, it is still a matter of strength. Firefly can provide Kenneth Horn with a big pond, and Fox can For Weinstein, it was just one swim."
Even though she knew what Eric said was true, Elizabeth rolled her eyes in dissatisfaction: "I hit you."
Miramax's performance in recent years has been very good, and Fox is absolutely unwilling to part ways with the Weinstein brothers.
Elizabeth frowned and thought for a while, then said to Eric in the back row: "I think Fox can also support Harvey in developing big-budget films, as long as they are commercial films?"
"Harvey's business thinking has been limited to literary and artistic films. Let's not talk about whether it will be successful if he gets involved in the field of big-budget commercial films. If successful, how do you plan to balance the two producers of 20th Century Fox and Miramax? The relationship between factories?"
Elizabeth asked back: "Hasn't New Line already started making high-budget films? How do you deal with this?"
"Firefly's positioning for New Line Films has always been very clear, focusing on low- and medium-budget genre films, which can be commercial or artistic. The average cost of producing films for New Line has also remained below 20 million US dollars in recent years. The high-budget film you mentioned must be the "Bad Boys" series and the "Rush Hour" series. The budget cost of the first part of these two series is only 20 to 30 million US dollars. Because of the increase in the cost of the sequel due to commercial success, This is inevitable, and it is only a special case, which does not change the positioning of the new line."
"Since Harvey can produce the current ambitions, doesn't Kenneth Horn, who is in charge of the new line, have no idea of directly participating in big productions?"
Eric shook his head and said: "New Line's global box office totaled more than 1 billion US dollars the year before last, and last year's global box office figures were the same. All the films released by Sony Pictures' several labels, this year's global box office is only 1 billion US dollars. 1.27 billion US dollars. In comparison, just the box office performance of New Line Films is almost catching up with one of the top seven Hollywood. What's more, Kenneth Horn is in charge of the entire production and distribution system of New Line. He has more power than the individual head of Firefly Pictures or Bowei International, so why is he dissatisfied? Oh, in the final analysis, it is still a matter of strength. Firefly can provide Kenneth Horn with a big pond, and Fox can For Weinstein, it was just one swim."
Even though she knew what Eric said was true, Elizabeth rolled her eyes in dissatisfaction: "I hit you."
Miramax's performance in recent years has been very good, and Fox is absolutely unwilling to part ways with the Weinstein brothers.
Elizabeth frowned and thought for a while, then said to Eric in the back row: "I think Fox can also support Harvey in developing big-budget films, as long as they are commercial films?"
"Harvey's business thinking has been limited to literary and artistic films. Let's not talk about whether it will be successful if he gets involved in the field of big-budget commercial films. If successful, how do you plan to balance the two producers of 20th Century Fox and Miramax? The relationship between factories?"
Elizabeth asked back: "Hasn't New Line already started making high-budget films? How do you deal with this?"
"Firefly's positioning for New Line Films has always been very clear, focusing on low- and medium-budget genre films, which can be commercial or artistic. The average cost of producing films for New Line has also remained below 20 million US dollars in recent years. The high-budget film you mentioned must be the "Bad Boys" series and the "Rush Hour" series. The budget cost of the first part of these two series is only 20 to 30 million US dollars. Because of the increase in the cost of the sequel due to commercial success, This is inevitable, and it is only a special case, which does not change the positioning of the new line."
"Since Harvey can produce the current ambitions, doesn't Kenneth Horn, who is in charge of the new line, have no idea of directly participating in big productions?"
Eric shook his head and said: "New Line's global box office totaled more than 1 billion US dollars the year before last, and last year's global box office figures were the same. All the films released by Sony Pictures' several labels, this year's global box office is only 1 billion US dollars. 1.27 billion US dollars. In comparison, just the box office performance of New Line Films is almost catching up with one of the top seven Hollywood. What's more, Kenneth Horn is in charge of the entire production and distribution system of New Line. He has more power than the individual head of Firefly Pictures or Bowei International, so why is he dissatisfied? Oh, in the final analysis, it is still a matter of strength. Firefly can provide Kenneth Horn with a big pond, and Fox can For Weinstein, it was just one swim."
Even though she knew what Eric said was true, Elizabeth rolled her eyes in dissatisfaction: "I hit you."
Miramax's performance in recent years has been very good, and Fox is absolutely unwilling to part ways with the Weinstein brothers.
Elizabeth frowned and thought for a while, then said to Eric in the back row: "I think Fox can also support Harvey in developing big-budget films, as long as they are commercial films?"
"Harvey's business thinking has been limited to literary and artistic films. Let's not talk about whether it will be successful if he gets involved in the field of big-budget commercial films. If successful, how do you plan to balance the two producers of 20th Century Fox and Miramax? The relationship between factories?"
Elizabeth asked back: "Hasn't New Line already started making high-budget films? How do you deal with this?"
"Firefly's positioning for New Line Films has always been very clear, focusing on low- and medium-budget genre films, which can be commercial or artistic. The average cost of producing films for New Line has also remained below 20 million US dollars in recent years. The high-budget film you mentioned must be the "Bad Boys" series and the "Rush Hour" series. The budget cost of the first part of these two series is only 20 to 30 million US dollars. Because of the increase in the cost of the sequel due to commercial success, This is inevitable, and it is only a special case, which does not change the positioning of the new line."
"Since Harvey can produce the current ambitions, doesn't Kenneth Horn, who is in charge of the new line, have no idea of directly participating in big productions?"
Eric shook his head and said: "New Line's global box office totaled more than 1 billion U.S. dollars the year before last, and last year's global box office figures were the same. All the films released by Sony Pictures' several labels, this year's total (to be completed) continued.)