On the second day of filming, Kazuma discovered that the script had been changed.
In the new script given by the assistant director Aung San, the car chase part directly writes "the car chase scene, which can be cut into ten minutes of material".
He Ma couldn't help but glanced at the powerful bear sitting in the director's booth. This uncle was reading a newspaper with his legs crossed.
—Is this what you mean by completely delegating power to me
He Ma was thinking about it, when Producer Nagata came over and whispered, "This means completely delegating power to you."
He Ma: "I know."
"So, come on." Producer Nagata gave Kazuma a thumbs up.
He curled his lips with the horse—at first I just watched the girl fight so hard, thinking at least not to let her fall too badly, why do I feel like I was tied to the chariot now
If this is a mess, I probably won't have the opportunity to come to the set to criticize me in the future.
However, this is also very good, and Ma didn't want to make a movie at first, he wanted to take the police route.
After some psychological construction, go into battle with the horse lightly, what should be done and continue to be done, regardless of other things.
"Come on, camera No. 1 is here." He Ma started.
After shooting like this for an hour, I finally arrived at the first place where I used a high-speed camera to shoot slow motion.
This is the end of the whole car chase scene. According to He Ma's conception, the heroine landed steadily, and the actors fell around in slow motion. Anyway, it is a Matrix-style concave shape.
After talking about his idea with Ma, Fang Shan Zhishi asked suspiciously: "Do I really need to do nothing? Just stand in a concave shape?"
After thinking about it with Ma, he waved his hands and called the field manager: "Get a fan and blow it on her from this direction."
Tomoyo Fangshan: "Huh?"
"Hey what? Don't you have a move?"
"Is it the movement of the hair and clothes?"
Kazuma ignored her and continued to explain to the field manager: "It's best to blow up the skirt a little bit. It can't be completely blown up. It's better to blow up until the thighs are just exposed, and the white color is about to be seen."
Fang Shan Zhishi: "Today I am wearing blue and white..."
"Okay, very energetic!" Hema interrupted Fang Shan, "but you can't show it."
Field manager: "Whether this requirement can be fulfilled depends on the sky."
He Ma shrugged: "Then let's shoot more film. Anyway, the budget is sufficient and the film money is not bad."
And Ma's instructions were quickly carried out.
After more than half of the first filming, Hema shouted "ka", and then, under the expectant gaze of Fang Shanzhishi, he walked towards the actor who played the villain.
"When you fall, you should pay attention to the shape. Here are the props. There is a row of bicycles in this position. Thug B, you throw on the bicycles. You have to knock down all the bicycles like bowling. Come on." Patted with the horse. The shoulder of the dragon set returned to the side of the camera under Fang Shan Zhishi's expectant eyes.
In this way, the trick fell seven or eight times, and He Ma realized the effect in his mind.
"Fine, fine, that's it. This is the last action sequence for the car chase. What's the next action sequence?"
Fang Shan Zhishi ran over: "Wait a minute, is this the end?"
"Ah, it's over, it's starting to move, hurry up and touch up your makeup."
As soon as He Ma sent Fang Shan Zhishi to touch up the makeup, the assistant director Aung San came over with the script: "The next part is an indoor battle, the content..."
He Ma took the script and read it, and it was "can be cut into 15 minutes of indoor fighting scene material".
Okay, so play around with it.
He Ma has never made a movie before, so he didn't know that the material he shot yesterday could be cut into a movie of a few minutes, anyway, he just made it according to his own ideas.
Soon a group of people arrived in the studio, and Ma suddenly had an idea.
"Come on, there is a confrontation with the boss after this martial arts scene. I feel that the audience may be a little tired after watching the car chase, and the indoor fight may be a bit tired. They just go on stage and kill all the ambush tricks. Let the heroine be cool."
The assistant director Aung San asked suspiciously: "I'll ask the supervisor Sang, after all, he was supposed to be here for fifteen minutes."
Nodding with Ma, the assistant director trotted away immediately.
He watched the assistant director leave with his horse on his hips, and then turned his gaze to Nanjo, who was watching the excitement beside him.
The servants of Nanjo’s family brought parasols and other props, and she was sitting and drinking tea under the parasol next to them when they were filming exterior scenes with the horses, which is called elegance.
Now the parasol is put away, but the tables and chairs have been moved indoors by the servants.
This time, not only Nanjo came over, Mikako and Jinguji Tamamo, who were not here yesterday, also came to join in the fun. A group of real high school girls in sailor uniforms just occupied a corner of the set, drinking tea, eating snacks and chatting leisurely.
People who didn't know thought it was a big-name female star who came to play a big role.
The assistant director Aung San came back soon, and nodded to Hema all the way: "The supervisor said yes, no problem. He will adjust the duration."
"Okay, then you all come here, and I will talk about how to shoot next. The heroine enters the room, and enters through this door, and then is ambushed, and the two of you rush out one by one from left to right to capture her.
"Then she raised her leg and kicked you all back in the air."
Kazuma originally wanted to demonstrate how to volley in the air, but his karate level is not high, and he still can't do such magical skills.
He was scratching his head, when he suddenly saw Butler Suzuki appear from Nanjo's side.
So he and the horse left the crowd who were still waiting for him to speak and ran over, and "borrowed" the butler Suzuki.
"Old man, if you do this, lift your foot once, don't change your foot, and kick people flying from two directions."
Butler Suzuki nodded directly: "I understand, but I don't need real people for the demonstration. I'm afraid I'll kick them. You throw bricks at me from two directions at the same time. Let me demonstrate."
Clapping with the horse: "Okay, hurry up and get in place. The field manager prepares two bricks."
After everyone was seated, Hema clapped his hands instead of hitting the board: "Aikesh!"
The two strong men of the prop team who had been on standby for a long time threw two prop bricks at Mr. Suzuki.
As soon as the old man raised his head, two consecutive kicks came, kicking the two bricks away.
He Ma always felt that this was a bit wrong with his imagination, but he was also pretty handsome so it didn't matter. He pointed to Mr. Suzuki and said to the stand-in: "Do it like this, do you understand?"
The stuntman frowned: "I shouldn't be able to go so fast."
"Slower is fine." He Ma said hastily.
The old man is a level 67 karate. If ordinary people can catch up with his speed and strength, then it will be hell.
The stuntman nodded: "Okay, leave it to me."
Fang Shan Zhishi: "What about me?"
"You are responsible for the close-up of the door, and the slow-motion close-up after the shot." He Ma said.
"I just have concave shape again? I want to try this!"
He Ma glanced at her suspiciously: "You can do it?"
"How do you know if you don't try it?" Fang Shan Zhishi said.
He Ma glanced at the entry above her head, thinking that she was really desperately trying to play this film well.
"Okay, you try it again. Or use this foam brick and take it."
Fang Shan Zhishi sat in his seat happily.
Then she was hit by a plastic brick without accident, and fell before she could stand still.
Butler Suzuki did not leave after finishing the demonstration. Standing by the side, he might want to offer some advice at any time. At this time, he looked at Fang Shan Zhiyo who was lying on the ground, and shook his head: "Miss, it's just that you don't have a foundation in martial arts. You can't even practice dance. Don't you have any foundation?"
Assistant director Aung San said: "I've learned pop dance and ballroom dance for now. Ballet, which has a relatively high level of body shape and control... Is it the minority who have learned this kind of dance?"
Butler Suzuki gave a "hmm" and didn't say anything else.
Fang Shan Zhishi was taken down by the on-site medical team to treat the thigh strain, and at the same time he finished filming the stand-in scene with the horse, and called Fang Shan Zhishi, who was still limping while walking, into a concave pose.
"Are you okay?" Hema looked at her legs with some concern.
"The doctor said it's nothing serious, it's just a little pain, and it will be greatly relieved tomorrow." Fang Shanzhishi looked quite disappointed, "But there will be bruises, so starting tomorrow, I will lengthen the skirt to prevent the bruises from being exposed too clearly .”
Talk to the horse.
He originally wanted Fang Shan Zhishi to have a pose like that of Lu Huiguang in "Drunken Master 2", but anyway, B-level movies can serve the audience, so he can only give up now.
But then again, the straight horse is not something that ordinary people can easily dent, but considering that Fang Shan Zhishi has a BUFF, He Ma may be able to dent it with hard work.
In a few words with Ma Sanyan, I finished Fang Shan Zhishi's play—anyway, she is just sculpting in front of the high-speed camera, simple.
The scene in He Ma's conception is all played on the dragons who fly out and land on the ground.
Because it is an indoor studio, there is a small platform on the ceiling for the camera to shoot down. He Ma asked someone to move the small platform over, let the two villains jump down from the small platform, and the camera filmed the moment they landed, and edited it It's the feeling of landing after flying out.
After the first shoot, He Ma always felt that something was missing.
He thought for a while and understood: "Prop group, get something that can be knocked over, and pile up a stack of empty oil barrels here."
The actor who played the dragon armor immediately showed a crying expression: "You don't want me to jump on these things, do you?"
"It's nice to still have a buffer." He Ma didn't care, "Show some instincts! You still want to start... want to make a movie?"
The dragon set has a resigned expression.
He Ma turned to another actor who was scheduled to fly out, and said, "You, let the props set up a wall later, you hit the wall, and then slide down the wall."
As soon as I finished talking with Ma, the prop team pushed the wall over—it turns out that there are wheels under the wall, which can be pushed, so that it is convenient to reconstruct the structure of the indoor studio at any time.
Morita, who was in charge of the props, came to ask Kazuma: "Do you think this wall is okay? How about I change it to an iron one? That one will make a louder sound when bumped."
This last sentence is obviously a gloating joke. Most of the ambient sounds in the movie were dubbed in the post-production stage. No matter how loud the impact is, there is no microphone to record it.
Kazuma didn't respond to the teasing, and directly said to Morita: "You hang a clock on this wall."
"Okay, what kind of money do you want?"
"When you want to tell the time on the hour, a cuckoo will come out of the clock and call cuckoo cuckoo."
Morita scratched his head: "You want... this kind?"
"Why, can't you get it?"
"This... Well, let me go to the children's movie studio next door and borrow one. They should have this kind of gadget."
"Okay, let's go quickly."
Next, I waited for another half an hour to wait for the clock to be in place, but anyway, the original booking was to shoot material that could be edited into a 15-minute film, so Kazuma had a lot of shooting time, so it didn’t matter if I wasted a bit.
When the bell was brought, Kazuma had already commanded the props team and readjusted all the furnishings in the studio.
Thinking that after the two actors danced, most of these decorations would be knocked down, and if they couldn't go through them all over again, they would have to put them up again, and He Ma felt like a pain in the ass.
He won't participate in the re-positioning, let the props team do it by themselves, even if the details are a little different from He Ma's directing the posing, he still intends to turn a blind eye.
"This clock not only has to be hung up, but you have to make the whole mechanism. Later, when the two of them fall to the ground and 'do not move', everything falls down, and after the dust settles, you let the clock fall by itself. On the ground, start telling the time."
What I said to Ma is a very common way of expression, and many later movies dealt with it this way.
For example, in the classic battle in the elevator lobby on the bottom floor of the building in "The Matrix", after the fight, Neo and Trittini got on the elevator, the scene did not cut away immediately, and the empty elevator lobby was still filmed, and then at this time A piece of the wall that had been knocked loose came crashing down.
But in this era, this technique is still generally used in "cartoons", such as "Tom and Jerry" and "Bugs Bunny".
Movies generally only use these techniques in comedies.
But Spielberg also used a lot of cartoon techniques in the serious action movie "Raiders of the Lost Ark", adding some comic effects, and it turns out that the audience really liked it.
The idea of Hema made the props team busy again, but this time they only took three minutes to finish it: they tied a rope to the clock and pulled the rope from behind the wall, so the clock was actually held together by the wall. The colored rope is hanging, and when the clock needs to fall, the man behind the wall lets go and it's over.
As for the cuckoo jumping out and calling, this clock was originally designed as a remote control, and it was used by the studio next door for comedy effects.
After everything was ready, Hema announced that they were all in their places.
"Axe."
Although Fang Shan Zhishi was very dissatisfied with the fact that he only used concave shapes, he still made the concave shapes very professionally.
The fan was blowing at her, lifting up the lapel and skirt of her sailor suit. To be honest, it was very cold to be blown by the fan while wearing a thin sailor suit in winter.
But Fang Shan Zhishi was completely unmoved.
He Ma only glanced at her, and all his attention was on the villain's side. After all, whether the villain fell well or not is the criterion for judging this shot.
Fortunately, this time the two fell very professionally. The one who hit the wall bounced on the wall very professionally before falling to the ground and rolling a few times.
He and Ma waited for the pile of things knocked down by the dragon armor to fall to the ground before signaling: "Zhong, let go!"
The clock on the wall fell to the ground, rolled a few times and stopped, and then the cuckoo began to tell the time: "Cuckoo cuckoo..."
"Okay! Card!"
He Ma was excited for a shot, and the chairman's voice came from behind: "Student He Ma! Master! It's time to go home and review!"
He Ma turned his head and said, "Okay, I got it!"
Then he glanced at the watch in the studio and muttered, "It's only eight o'clock..."
To be honest, it was quite fun to make a movie for the first time.
And the horse is a bit reluctant.
But Jinguji has always been very reasonable. In order to be admitted to the University of Tokyo, he should go back to study.
So, he clapped his hands, and after attracting everyone's attention, he announced loudly: "That's the end of today's action scene, thank you everyone!"
"You've worked hard!" All the staff and actors saluted Kazuma together.
This is not to say that each of them respects Kazuma. This is a very important etiquette in the Japanese workplace, and it should be the same for the boss.
After finishing the final procedure with the crew, Kazuma threw the director's tube to the assistant director Aung San, then assumed Nobi Nobita's classic pose, crossed his hands behind the back of his head, and walked towards his sisters with an unrecognizable pace.
Fang Shan Zhishi seemed to want to stop Hema and say a few words, but hesitated for a moment, gave up, and just watched him leave.
**
That night, the fifth editing room of Taiying Films.
The powerful bear pressed the pause button of the player and turned to ask his guests: "Senior, what do you think?"
"It's an interesting technique," the sixty or seventy-year-old man who has been sitting next to Da Neng Baoxiong watching the film said slowly, "Slow motion is not used to show details, but to highlight the characters. This idea Very novel."
"Yes, I first heard that slow motion was going to be used, and I thought he was going to shoot thrilling shots such as flying cars."
In this day and age, that's what slow motion is for, to let the audience see clearly the thrilling shots that have been taken with great difficulty.
Da Neng Baoxiong continued: "I also thought about shooting thrilling scenes like flying cars, but we are not Hollywood after all, no matter how rich we are, we are not as rich as them..."
Although the bubble era will soon come, Japan will enter an era when it is said that selling all the land in Tokyo can buy the entire United States. If you are so rich, major magazine publishers like Shueisha can sponsor F1 racing cars.
But this is not yet the bubble age.
Even if the so-called "big production" of Japanese movies, the cost is definitely not as good as Hollywood.
There are few in the history of Japanese film that are as generous as Akira Kurosawa's "Ran".
"Indeed, this Kiryu Kazuma has done his best under the condition of limited cost. Many of his fights look like Hong Kong Kung Fu movies. But the idea of this concave shape is also different from that of Hong Kong. Kung fu movies are totally different."
The old man spoke for a long time, took a sip of water from his teacup, and then continued: "It's a bit wasteful for such a talent to be a cameo for an action guide. He should be persuaded to go to an art school.
"Even if he doesn't become a famous director in the end, he will be a first-class action film star in Japan. We are short of action film talents now. Hollywood action films on the market have beaten us to pieces. We can only rely on Takakura Ken to save us. A little face."
Da Neng Baoxiong sighed: "Yeah, watching American action movies make money, everyone wants to make action movies, and then they are not as rich as others, but they can't shoot other special effects. Don't talk about the United States, our action movies The film can't even beat Hong Kong... "
After speaking, the two generations of Japanese filmmakers, one old and one young, fell silent.
After a while, the old man suddenly asked, "Is it possible that there is a lot of investment in Chuanjiao? But there is no news of them coming out to shoot action scenes. Are they all studio shots?"
The film industry also plays espionage, and when they go out to shoot locations, they will not only be targeted by entertainment weekly magazines like Zhou Fang Chun, but also commercial spies.
But most of the time, Fang Chun's material collection class of the weekly magazine will also work part-time as a commercial espionage.
Da Neng Baoxiong pursed his lips: "I don't know. If they are all studio shots, no matter how big the scene is, it will be the same. But the news about their location shooting that can be received now is not related to action scenes. Wenxi."
"That's weird... Could it be that this is actually a literary film?" The old man muttered, frowning.
Da Neng Baoxiong shook his head again and again: "Impossible, impossible, you see, even the machine gun is on, the machine gun! Can this be literary?"
The old man curled his lips: "Yes."
"Speaking of which," Daneng Baoxiong suddenly thought of something, "Kiryu Kazuma has been advising us not to make action movies."
"Oh? What does he want us to film?"
"I remember Producer Nagata said... Ah, by the way, he wanted us to buy the right to adapt a science fiction novel by a man named Yasutaka Tsutsui, called "The Girl Who Leapt Through Time", and then shoot that."
The old man smiled contemptuously when he heard it: "Sci-fi? Is this a brain teaser? Although sci-fi is shot with models, it is super expensive to achieve that level of models, and there are things like convincing Taoism." , in Japan now, it is already the limit to reach the level of Godzilla and Ultraman.
"Sakyo Komatsu's "The Sinking of Japan", we worked hard to shoot, and with the support of the Maritime Self-Defense Force, we managed to make it like that. Did you see the scene of the volcanic eruption? I laughed when I saw it. But it can only be done like that, otherwise Mount Fuji can only really erupt once."
The old man shook his head again and again: "No, no, it seems that he is just a talented rough stone. To achieve some achievements, he needs more polishing. But since he is going to be admitted to the University of Tokyo and take the police route, probably in the future, our film industry will Nothing happened to him."
"Maybe there might be some scandal?"
Da Neng Bao Xiong said.
"Are you stupid? A high-ranking official has a lover. This is not a gossip. Maybe it will allow actresses to take on more roles. After all, everyone wants to see what the Chinese master's woman looks like."
Da Neng Baoxiong said worriedly: "Is it okay to say this? Be careful that the walls have ears, senior."
"Hmph, what are you afraid of, there is no special high-tech now." "Senior" said disapprovingly.
Da Neng Bao Xiong shut up decisively and did not continue.
**
On the way home, Mikako, who was sitting in the stretched luxury car of Nanjo's family, suddenly said, "That Tomoyo Fangshan will probably come to our dojo after filming the movie. I can tell by her expression!"
The chairman said calmly: "Is this not good? If the movie becomes popular, she will become a celebrity immediately. If she learns kendo with us, many fans will come to enroll immediately. Chiyoko has been worrying about money. Immediately That's it."
Mikako: "You and Nanjo can calm down, but I can't. I'm not as competitive as you."
At this time He Ma said: "Don't worry, even if she comes, she is just an ordinary apprentice."
"Before, you also said that Nanjo was an ordinary apprentice! Later, you said that Nichinan was an ordinary apprentice."
"Nanjo aside, Nichinan Licai is indeed an ordinary apprentice." Hema spread his hands.
Mikako: "Oh! Nanjo is really not ordinary! I knew it! Chairman, let's go to the broken-hearted party together!"
The chairman put his arms around Mikako, and put on a posture of saying lines in a drama performance: "Don't be sad for Mikako, run forward, run to a place where he can't catch up! But in the end, he will definitely catch up, because he There is no doubt that she once loved us!"
He Ma: "Wait a minute! Don't get into the role so quickly! At least let me say something!"
At this time, the Suzuki butler who was driving in front turned his head and said through the small window between the driver's cab and the rear compartment: "I am very glad that you chose our lady. I will inform the master of the good news..."
"Master Suzuki! Master! Let me go, Master!"
Because Mr. Suzuki taught Wazuma karate, it is true that he is Wazuma's master.
Grandpa Suzuki let out a hearty laugh and didn't speak any more.
Then Mikako and the Chairman quarreled for a while before giving up.
After calming down, Mikako opened the small refrigerator in the car and took a bottle of drink—she was completely used to the high-end car of the Nanjo family.
After drinking the drink, Mikako wiped her mouth and asked again: "So, if Fangshan Zhiyo came to learn kendo, you plan to take this apprentice, right?"
"Of course. Album royalties alone aren't enough to put me through college."
Originally, He Ma thought that the royalties of the tapes should be able to get a lot, but after actually getting the contract from Oikawa Houyi, he knew that was the case.
Oikawa Houyi also said earnestly: "Composers are the same as writers, you have to be famous to make a lot of money, but don't worry, according to the contract, the sales of this tape will definitely increase when you become famous in the future, and it will even be 'reprinted'. Then the royalties are still yours."
"Reprinting" is a standard in the Japanese publishing industry, and works that can be "reprinted" are big sellers.
This concept was later extended to the publishing of comics and audio-visual products.
All in all, royalties for music albums and tapes cannot completely solve Hema's economic problems.
What's more, this is still part of the royalties paid in advance.
The real royalties can only be paid after the actual sales are calculated and paid, and they may not be available next year.
In He Ma's life, when he first came out of society, he was always in a hurry. He always felt that if something was not done quickly and immediately, it must be a fraud.
Later, he gradually understood that it is normal for companies to cooperate for half a year and a year. Sometimes, after a year of negotiation, a big project is settled, and the first batch of project funds will arrive after half a year. This is a normal rhythm. .
So he didn't make things difficult for Oikawa Houyi, it would be quite interesting if he promised to pay the advance royalties before March next year.
Still have to accept apprentices to make money.
Boss Chiyoko was not happy about blasting away those male students who were not pure-minded before Kazuma.
Chiyoko's theory is that it's impossible for Nanjo and the others to be taken away by these students anyway. The most these male students can do is to look twice more at ordinary times without losing a piece of meat.
But He Ma still drove away these students.
His reason is also very high-sounding: Kiryu Dojo only accepts people who are dedicated to the pursuit of swordsmanship.
Then Chiyoko was immediately exposed.
Chiyoko also asserted that there will soon be rumors that "the Kiryu dojo only accepts women, and Shifandai is an LSP".
He Ma thought to himself, if there are male students with good intentions, of course I will accept them.
As soon as she thought of this, Mikako sighed and said, "I think Kiryu Dojo will soon become a women's dojo. It's better to just change to naginata directly."
Although the Japanese naginata was originally not a weapon designed for women, it has now become a recognized "weapon for women".
It's not uncommon for men to learn naginata, but when it comes to naginata, what comes to mind is a sassy woman holding a naginata.
The chairman suddenly said: "Naginata is more for ceremonial purposes. Optical naginata techniques are not acceptable. You need to learn Kagura dance and other things, including playing Taiko. Does Mikako want to learn Taiko too?"
Mikako shook her head again and again: "No, no, I don't want to."
Kazuma noticed that when Mikako shook her head, her cheeks were shaking very smartly, so she couldn't help reaching out and pinching her.
"Ah! What are you doing!"
Mikako slapped Kazuma's hand off, then punched Kazuma's temples with two fists, and started to spin—this was also a trick Mikako used to use when they were fighting together.
It is only after Hema travels that he realizes that this trick is not the original skill of Crayon Shin-chan and his mother Meiya.
By the way, when Mikako wants to use this trick, a certain part of her must be very close to Kazuma, just within easy reach.
It took a lot of effort for He Ma to restrain his urge to bury his face in it.
—Ah, I really want to bury it!
Now no one is selected, and the result is that no one's breasts can be buried, and they can only watch... torment...
At this moment, Mr. Suzuki stepped on the brakes.
Sit with the horse on the front seat of the carriage, with your back to the direction of travel.
So at this moment, he saw the ultimate truth of the universe.
"Everyone, here we are... Oh, ahem, although you are in the car, you are still away from home after all. You need to pay attention to your image, you guys."
Mikako pushed Hema's shoulder, sat back in the back row, and smiled: "It's an accident. As childhood sweethearts, we have such accidents from time to time, and we have long been used to it."
Hema wiped the snot from being knocked out, nodded: "It was indeed an accident."
At this time, Chiyoko opened the car door from the outside: "Brother, I came back earlier today than yesterday. Tell me about Nichinan, she's going to stay in the dojo again!"
As soon as the words fell, Nichinan's voice came from inside the dojo: "My parents had a big fight last night, and it seems that there is still a cold war today. I am taking refuge!"
At the same time as the voice fell, Nichinan appeared at the door of Kiryu's house in house clothes.
He Ma: "Where did you get your home clothes?"
"Because the evacuation has been scheduled tonight, so I brought it! I also brought my pajamas." After Nichinan finished speaking, he made a V hand with the horse.
He Ma hadn't spoken to him yet, but Nanjo leaned over from the back row and said to the butler Suzuki in the driver's cab through He Ma: "Master Suzuki, I'm staying at the dojo tonight, please send me my pajamas and home clothes. .”
"learn."
Mikako: "It's a slumber party!"
As soon as she finished cheering, she heard the Chairman close the handwritten materials that had been spread out on his knees with a snap, and pushed his glasses: "Very good, let's hold a late-night study session tonight! It just happened that the progress of filming fell behind." Fill!"
Mikako screamed, "No!"