Kazuma still wanted to hear Kitagawa Saori sing, so he clapped his hands and said, "It's really good. Let me have another song. I want to hear "Sailor Suit and Machine Gun"."
Kitagawa Saori glared at Kazuma: "Why should I sing it to you? And I didn't like that song at all. It wasn't the movie that became popular, and that song wouldn't be popular at all."
Nichinan Licai: "This sounds like a jealous speech."
"That's right, that's right, in Hema's words, it's Cha Lemon speaking." Meijiazi said.
He Ma changed the Internet buzzword "Cha Lemon" in his previous life into Japanese, and even added a weird Kansai accent.
Kitagawa Saori didn't understand the meaning of the Kansai-accented word at once, but logically concluded that the word must be referring to her jealousy, so she gave Mikako a blank look.
"I don't have it. I know a person who is super strong and can write a song that is a hundred times better than that." Kitagawa Saori said.
He Ma: "Me?"
Kitagawa Saori turned his gaze to Kazuma, and Kazuma thought she was going to stare, but she didn't.
It seems that the girl has admitted that the song she wrote with the horse is very good.
After all, both He Ma and Ma copied famous songs 40 years later, which are pleasant to listen to in themselves, and have also made some progress in composing techniques.
In fact, the biggest difference between these forty-year-old pieces and those of the Showa era is in the arrangement, especially in the orchestration of the arrangement. The impact of technological development is very intuitive.
Composers in 2020 don't need to spend a lot of money to have a complete set of paid sound source libraries. Most musical instruments can be adjusted as long as they have software, and they can freely adjust various parameters.
The most important thing is that it can be modified in real time according to the effect while writing, and then the modified effect can be confirmed in real time.
Therefore, the music and arrangement of music in the 2020s are generally "gorgeous". Even those who deliberately pursue "minimalist beauty" actually have hidden secrets, which seem simple but are not simple.
But in 1981, composers couldn’t do this kind of thing. It’s normal to take a guitar and change it while playing. If you have a little money and an electronic organ, it’s not like having a workstation like your counterparts 40 years later, you can mobilize an entire " Orchestra" to help me compose.
If Kazuma can present these more advanced and gorgeous arrangements 40 years later, it will surely set off stormy waves in the music world.
But now he only has one harmonica with Ma, so he can't copy the arrangement.
Nevertheless, these later masterpieces are good enough in themselves to have the ability to shock people.
Kitagawa Saori obviously had to admit this too.
She lowered her head and began to pluck the strings again, and He Ma heard that it was the strings she had just played for "I Became Someone's Girlfriend".
He Ma suddenly chords and released a big killer.
He began to sing "I once thought about it too (拍が死のうと思ったのは)".
This is Mika Nakashima's famous song in 2013. At that time, she almost lost her voice due to illness. As a veteran singer, this hit her very hard, so when she sang this song, she was full of emotion and became famous in one fell swoop.
The song is said to have reduced the year-round suicide rate in Japan that year.
He Ma may not have experienced enough things in his life and was not hit hard enough. Of course, it may also be that he has really inherited the spirit of the martyrs as a successor. In short, He Ma did not have the idea of committing suicide in his previous life.
So he only thought the song was nice, and didn't have that much emotion.
But in this life, he went to the meeting alone less than a month after time travel—at that time he had actually decided to give up his life, "If you go and never return, you will never return", so I put this emotional experience into this song superior.
This is not a problem, after all, this song depicts the hope and courage of the heart in the face of desperation.
Kitagawa Saori listened to it for more than ten seconds, then changed the way of playing the chords.
As for chords, sometimes many songs can use similar chords, but after all, there is a big difference between "I Became Someone's Girlfriend" and "I've Thought About It Once" After all, it's a bit strange to use the same chords.
Kitagawa Saori adjusted the chords according to the somewhat lame melody sung by Kazuma.
When entering the chorus part, she dropped the line for a while. After all, she had never heard the melody of the chorus, so it was difficult to match the chords.
After singing the chorus with Ma Qing, Beichuan plucked the strings again.
Honami Nanjo and Mikako Fujii stood not far from Saori Kitagawa, listening to the song quietly, cherry blossom petals kept falling on their hair.
Mikako suddenly said, "It's the second one."
Honami smiled: "No way, we don't have that kind of singing voice."
"Aren't you very good at the piano, Nanjo?"
"It's just very good among amateurs. Ms. Beichuan is a professional. Besides, I don't plan to continue to follow in the footsteps of Kazuma in the field of music. My battlefield is elsewhere." Honami said softly.
Mikako was speechless.
Then she changed the subject: "He Ma, the song is about the feelings of that day, so he went alone..."
"Probably. At that time, we were not around him..."
"I'm here!" Mikako interrupted Honami, but immediately froze again, "I mean, I could have been here."
Jinguji Tamamo did not know when she entered the dojo once, and now she is standing not far behind Kitagawa Saori, leaning on the doorpost of the gate leading to the courtyard from the dojo, looking at Kazuma who is concentrating on singing — Kazuma The purpose of being so attentive is to prevent the singing from going too far out of tune.
However, Hema only has karaoke-level singing ability, and what he sang in karaoke all his life is "Camel Bell", "My Good Brother", "Brother Sleeping on My Upper Bunk", etc.
The characteristic of this kind of song is that it doesn't matter if you sing it badly, if it is rough enough, it will make people feel internal.
When the second verse of Hema was about the same, Saori Kitagawa couldn't take it anymore and began to harmonize with Ma - she should have memorized the main theme of the song.
Finally, he sang the whole song with the horse, and then kept his eyes on Saori Kitagawa.
Kitagawa Saori ignored Kazuma's gaze, sat there and fiddled with the guitar, adjusted something, and then she played a completely different chord from just now.
Then sang the first line.
Hema couldn't help but curled the corners of his mouth, and his whole expression became very "Dragon King".
- Doesn't that lock you up? Later, you will obediently tell me all the secrets you know!
But Kitagawa Saori stopped after singing a sentence, raised his head and frowned and stared at Kazuma: "What's the next sentence?"
"Don't you remember?" He Ma asked back.
"Who remembers those polite words! I'm the lead singer of a rock band! Our lyrics are very straightforward. What's next?"
He Ma said the next sentence "Recite", of course, in the eyes of others, this is his creation.
Honami was the first to speak: "This word... is really beyond my expectation. When I decided to take the entrance exam to Tokyo University a year ago, your national civilization was still your shortcoming. Now you can write this kind of word. .”
Amao interjected: "This morning, I saw Master looking at the cherry blossom trees at the entrance of the dojo alone. I must have been brewing a shocking haiku at that time. Now that I came out and recited a haiku by Matsuo Basho, I disturbed Master instead." .”
Hema murmured in his heart, no, you didn't, you misunderstood, don't continue talking.
This fast-forwards to me doing a live haiku, which is unbearable.
At most, I can only write haikus of the level of "the beer is so cold, and I'm still sitting by the big clock, I'm so sick"!
At this time, Jinguji spoke with great interest: "Haiku, I really want to listen to Kazuma's works."
Hema looked helplessly at which pot was not opened and which pot of eggs he picked up, and directly admitted: "Sorry, I tried it and found that I don't have the talent to write haiku. After all, this kind of ancient style has too many restrictions. I'm still used to…”
"Hey, what about the third sentence?" Kitagawa Saori interrupted Kazuma's words and asked.
Just now she has been singing the second sentence He Ma taught her in a low voice, repeatedly looking for the tune.
This time, Kazuma simply sang all the lyrics of the first paragraph.
Kitagawa Sayori didn't say anything, just found the lower key of the chord, and then began to sing.
He Ma can feel that she also poured her emotions into the song, and probably she also thought about it once and for all.
After the first verse was sung, Saori Kitagawa suddenly said: "Lying in the flower field and turning into dust with the corpses of insects, it feels a bit like a horror movie."
After she finished speaking, she tried a few chords and chose one to cut into the chorus.
Hema frowned. He recalled his own "cappella" when Beichuan stopped playing because he didn't know the melody of the chorus. Compared with his cappella, it was rubbish...
Kitagawa Saori only sang the first two lines of the chorus and stopped. Kazuma thought she had forgotten the words again, and was about to speak when the girl said, "I didn't forget the words, I was thinking about what chords to match."
And the horse shut up.
Saori Kitagawa continued: "Why is it that you have the ability to compose and write lyrics? It would be great if I had this ability.
"I have obviously worked very hard to study, knowledge of music theory, composition routines, and various analysis of famous songs, I have obviously worked hard to do it...
"Why is the song I wrote still mediocre?"
He Ma didn't know how to answer for a while.
You can't say "I'm mediocre too, I just copied everything".
At this time, everyone may subconsciously not want to disturb Saori Kitagawa's creation, so they all kept silent, and the sinking sunset cast the last red light in the yard.
Beichuan Shaxuli suddenly raised his head, glanced at the crowd and said, "Don't worry about me, you continue to prepare for the flowers."
Chiyoko: "This one is actually ready. After all, it's just for viewing flowers. In fact, there is nothing to prepare. The Nanjo family and the Jinguji family have prepared the snacks to eat, and the others..."
At this time, Gan Zhongmeiyu patted his head suddenly: "You guys should have said earlier, I still have two barrels of yogurt made from horse's milk that I haven't finished eating, just bring them here."
Looking at Meiyu Ganzhong, Hema thought to himself, Nima, your yogurt is calculated by bucket
Kitagawa Saori glanced at Kanaka Miu, and then asked Kazuma: "I just wanted to ask in the car, what happened to that elementary school student?"
Meiyu Ganzhong took out her student ID card with skillful movements: "I'm a college student! Look, the student ID card of Dongda University! I'm a senior in junior year!"
Beichuan Saori let out an "oh", obviously not concerned about it, at most he just complained about his "fraternity" with horses in his heart.
She took a deep breath and sang the first verse of "Once I Wanted to Get It All Over" from the beginning.
This time her performance was better than last time, and the appeal of the whole song was close to the version of Nakashima Mika in Kazuma's memory.
After the first verse was sung, Saori Kitagawa looked at Kazuma.
He spread his hands with Ma, deliberately pretending that he didn't guess what she meant.
"The second paragraph." Sayori Kitagawa said helplessly.
Hema pushes forward: "Is this the attitude of asking others?"
"Please tell me the lyrics of the second verse, Mr. Kiryu."
Originally, Kazuma thought that Kitagawa Saori would be extremely reluctant, but he didn't expect that he would politely ask him.
It seems that Saori Kitagawa really likes this song and wants to learn it completely.
Kazuma began to teach Kitagawa Saori the lyrics of the second paragraph sentence by sentence.
After teaching, Saori Kitagawa whispered, "Thank you."
"What? I can't hear." He Ma put his hands on his hips, "In my dojo, if Shi Fan says he can't hear you, he just can't hear you!"
"Go to hell!" Kitagawa Saori cursed, and then began to play the piano.
He Ma wanted to tease her a few words, but when she opened her mouth, He Ma had no choice but to shut up.
The entry of sounds of nature is really powerful.
Mikako whispered to Honami: "This song is so nice. When I sang it with the horse just now, I just thought it was so nice..."
Honami Nanjo raised her finger to her lips and made a "shh" motion.
In the huge courtyard, all the people in the Kiryu Dojo were listening attentively to the singing of Kitagawa Sayori.
At this time, there was a noisy sound outside the gate, and everyone from the Kendo Department of the University of Tokyo arrived.
Senior Huacheng directly led everyone around the house and entered the yard. As soon as they entered, someone in the team shouted: "Wow! This cherry blossom tree!"
Kazuma turned his head to look at the seniors who were approaching, and made the same "shh" gesture as Honami Nanjo did just now.
And Kitagawa Saori was not affected at all, and continued to play and sing.
After all, she often played and sang beside the busy streets, and this level of hustle and bustle has long been ignored.
Just when the chorus entered here, Kitagawa Saori suddenly raised her voice and let go of her voice to sing as if she was about to shout.
Full of emotion bursts out with the singing, telling the girl's eulogy of hope and courage.
Everyone in the Kendo Department of the East University was still confused and didn't understand what was going on, but now they were immediately overwhelmed by Beichuan Saori's singing, and they became completely quiet, all eyes focused on the singer playing and singing.
After the song was over, the whole yard was so quiet that only the sound of the wind remained.
It seems that the melody is still lingering in the yard just now, and it has not dissipated. This is the so-called lingering sound.
Hema applauded first, and then everyone clapped like a dream, and the men from the Kendo Department whistled.
Kitagawa Saori stared straight at Kazuma, ignoring the applause.
"You have to be careful," she said suddenly, "one day in the future, you will regret giving me this song here. I promise."