Tianyang did not leave Crescent Bay and the forest directly.
Instead, he appeared in the forest.
This 'forest' does not really exist.
It existed in a tiny dimension higher than the real forest.
That is to say, when the gods peek into the forest, the first thing they see is the forest that is closer to the 'illusion'.
And if they enter, they will also reach the forest used for camouflage.
After appearing in the 'forest', he mobilized many 'essences' and began to change this space.
Added new mechanics, for example in 'camouflage', it becomes more diverse and, every once in a while, adjusts its own camouflage.
This includes some fake animals in the forest, so that when gods like Mireya look here again, they will see animals, and Kun Tianyang did not leave Crescent Bay and the forest directly.
Instead, he appeared in the forest.
This 'forest' does not really exist.
It existed in a tiny dimension higher than the real forest.
That is to say, when the gods peek into the forest, the first thing they see is the forest that is closer to the 'illusion'.
And if they enter, they will also reach the forest used for camouflage.
After appearing in the 'forest', he mobilized many 'essences' and began to change this space.
Added new mechanics, for example in 'camouflage', it becomes more diverse and, every once in a while, adjusts its own camouflage.
This includes some fake animals in the forest, so that when gods like Mireya look here again, they will see animals, and Kun Tianyang did not leave Crescent Bay and the forest directly.
Instead, he appeared in the forest.
This 'forest' does not really exist.
It existed in a tiny dimension higher than the real forest.
That is to say, when the gods peek into the forest, the first thing they see is the forest that is closer to the 'illusion'.
And if they enter, they will also reach the forest used for camouflage.
After appearing in the 'forest', he mobilized many 'essences' and began to change this space.
Added new mechanics, for example in 'camouflage', it becomes more diverse and, every once in a while, adjusts its own camouflage.
This includes some fake animals in the forest, so that when gods like Mireya look here again, they will see animals, and Kun Tianyang did not leave Crescent Bay and the forest directly.
Instead, he appeared in the forest.
This 'forest' does not really exist.
It existed in a tiny dimension higher than the real forest.
That is to say, when the gods peek into the forest, the first thing they see is the forest that is closer to the 'illusion'.
And if they enter, they will also reach the forest used for camouflage.
After appearing in the 'forest', he mobilized many 'essences' and began to change this space.
Added new mechanics, for example in 'camouflage', it becomes more diverse and, every once in a while, adjusts its own camouflage.
This includes some fake animals in the forest, so that when gods like Mireya look here again, they will see animals, and Kun Tianyang did not leave Crescent Bay and the forest directly.
Instead, he appeared in the forest.
This 'forest' does not really exist.
It existed in a tiny dimension higher than the real forest.
That is to say, when the gods peek into the forest, the first thing they see is the forest that is closer to the 'illusion'.
And if they enter, they will also reach the forest used for camouflage.
After appearing in the 'forest', he mobilized many 'essences' and began to change this space.
Added new mechanics, for example in 'camouflage', it becomes more diverse and, every once in a while, adjusts its own camouflage.
This includes some fake animals in the forest, so that when gods like Mireya look here again, they will see animals, and Kun Tianyang did not leave Crescent Bay and the forest directly.
Instead, he appeared in the forest.
This 'forest' does not really exist.
It existed in a tiny dimension higher than the real forest.
That is to say, when the gods peek into the forest, the first thing they see is the forest that is closer to the 'illusion'.
And if they enter, they will also reach the forest used for camouflage.
After appearing in the 'forest', he mobilized many 'essences' and began to change this space.
Added new mechanics, for example in 'camouflage', it becomes more diverse and, every once in a while, adjusts its own camouflage.
This includes some fake animals in the forest, so that when gods like Mireya look here again, they will see animals, and Kun Tianyang did not leave Crescent Bay and the forest directly.
Instead, he appeared in the forest.
This 'forest' does not really exist.
It existed in a tiny dimension higher than the real forest.
That is to say, when the gods peek into the forest, the first thing they see is the forest that is closer to the 'illusion'.
And if they enter, they will also reach the forest used for camouflage.
After appearing in the 'forest', he mobilized many 'essences' and began to change this space.
Added new mechanics, for example in 'camouflage', it becomes more diverse and, every once in a while, adjusts its own camouflage.
This includes some fake animals in the forest, so that when gods like Mireya look here again, they will see animals, and Kun Tianyang did not leave Crescent Bay and the forest directly.
Instead, he appeared in the forest.
This 'forest' does not really exist.
It existed in a tiny dimension higher than the real forest.
That is to say, when the gods peek into the forest, the first thing they see is the forest that is closer to the 'illusion'.
And if they enter, they will also reach the forest used for camouflage.
After appearing in the 'forest', he mobilized many 'essences' and began to change this space.
Added new mechanics, for example in 'camouflage', it becomes more diverse and, every once in a while, adjusts its own camouflage.
This includes some fake animals in the forest, so that when gods like Mireya look here again, they will see animals, and Kun Tianyang did not leave Crescent Bay and the forest directly.
Instead, he appeared in the forest.
This 'forest' does not really exist.
It existed in a tiny dimension higher than the real forest.
That is to say, when the gods peek into the forest, the first thing they see is the forest that is closer to the 'illusion'.
And if they enter, they will also reach the forest used for camouflage.
After appearing in the 'forest', he mobilized many 'essences' and began to change this space.
Added new mechanics, for example in 'camouflage', it becomes more diverse and, every once in a while, adjusts its own camouflage.
This includes some fake animals in the forest, so that when gods like Mireya look here again, they will see animals, and Kun Tianyang did not leave Crescent Bay and the forest directly.
Instead, he appeared in the forest.
This 'forest' does not really exist.
It existed in a tiny dimension higher than the real forest.
That is to say, when the gods peek into the forest, the first thing they see is the forest that is closer to the 'illusion'.
And if they enter, they will also reach the forest used for camouflage.
After appearing in the 'forest', he mobilized many 'essences' and began to change this space.
Added new mechanics, for example in 'camouflage', it becomes more diverse and, every once in a while, adjusts its own camouflage.
This includes some fake animals in the forest, so that when gods like Mireya look here again, they will see animals, and Kun Tianyang did not leave Crescent Bay and the forest directly.
Instead, he appeared in the forest.
This 'forest' does not really exist.
It existed in a tiny dimension higher than the real forest.
That is to say, when the gods peek into the forest, the first thing they see is the forest that is closer to the 'illusion'.
And if they enter, they will also reach the forest used for camouflage.
After appearing in the 'forest', he mobilized many 'essences' and began to change this space.
Added new mechanics, for example in 'camouflage', it becomes more diverse and, every once in a while, adjusts its own camouflage.
This includes some fake animals in the forest, so that when gods like Mireya look here again, they will see animals, and Kun Tianyang did not leave Crescent Bay and the forest directly.
Instead, he appeared in the forest.
This 'forest' does not really exist.
It existed in a tiny dimension higher than the real forest.
That is to say, when the gods peek into the forest, the first thing they see is the forest that is closer to the 'illusion'.
And if they enter, they will also reach the forest used for camouflage.
After appearing in the 'forest', he mobilized many 'essences' and began to change this space.
Added new mechanics, for example in 'camouflage', it becomes more diverse and, every once in a while, adjusts its own camouflage.
This includes some fake animals in the forest, so that when gods like Mireya look here again, they will see animals, and Kun Tianyang did not leave Crescent Bay and the forest directly.
Instead, he appeared in the forest.
This 'forest' does not really exist.
It existed in a tiny dimension higher than the real forest.
That is to say, when the gods peek into the forest, the first thing they see is the forest that is closer to the 'illusion'.
And if they enter, they will also reach the forest used for camouflage.
After appearing in the 'forest', he mobilized many 'essences' and began to change this space.
Added new mechanics, for example in 'camouflage', it becomes more diverse and, every once in a while, adjusts its own camouflage.
This includes some fake animals in the forest, so that when gods like Mireya look here again, they will see animals, and Kun Tianyang did not leave Crescent Bay and the forest directly.
Instead, he appeared in the forest.
This 'forest' does not really exist.
It existed in a tiny dimension higher than the real forest.
That is to say, when the gods peek into the forest, the first thing they see is the forest that is closer to the 'illusion'.
And if they enter, they will also reach the forest used for camouflage.
After appearing in the 'forest', he mobilized many 'essences' and began to change this space.
Added new mechanics, for example in 'camouflage', it becomes more diverse and, every once in a while, adjusts its own camouflage.
This includes some fake animals in the forest, so that when gods like Mireya look at this place again, they will see animals and insects.
(This chapter is not yet finished, please turn the page)