"I hope nothing happens." Brady drew a ten on his chest, zipped up the tents of his companions one by one, and sat by the fire to keep vigil.
Curtis first found a large banyan tree according to Brady's framing requirements. The banyan tree is fat and lush, with many roots and branches growing low, making it easier to shoot the scene on the ground.
Then Curtis chose a prey that was not too big to eat, soaked in the water and had a good night's rest.
Early the next morning, Curtis came back in high spirits before dawn.
Brady came out of the tent and saw Curtis. He raised his eyebrows in surprise and said, "Good morning, Curtis."
"Morning." Curtis replied pleasantly, which made Brady even more different.
It seemed like he had a great time last night.
"I'm really surprised to see you in such good condition, but it's just right, let's go find the filming location." Brady said without mentioning the topic of "ending the cooperation", as if nothing was wrong.
Curtis said: "We've already found him, come with me."
"Huh?" Brady was dubious, but still asked his companions to follow him on the road.
Curtis had chosen the best route at night and cleared the roadblocks, and they arrived under the banyan tree in less than half an hour.
From a distance, this banyan tree looks like a forest. When you walk under the canopy, you will find that there are no other tree trunks. The light is dim, and there is a faint white mist floating on the ground. It is blown up by the morning breeze, outlining the dreamlike beauty of wisps of gauze.
"It's so beautiful." Brady exclaimed, immersed in the beautiful scenery, and it took him a while to wake up.
"It's more in line with my imagination. Let's start now, before the fog clears." Brady said and added: "Oh my god, it's so beautiful. I must take a photo of this beautiful scenery." Come down, if you can’t take pictures, continue tomorrow.”
The assistants immediately started to prepare, setting up equipment and putting on makeup. They worked against the clock to prepare and successfully arrived at the best shooting time.
Picking up the camera, Brady seemed like a different person, exuding a serious and unquestionable aura.
He first took pictures of the scenery for a while, and then directed Curtis to prepare: "You walk over there first, and I'll see the effect."
Curtis followed his instructions. The area under the banyan tree was very large, because there was no light and there were not many weeds on the ground. Curtis walked quickly and finished the walk in a short time.
Curtis's previous works were all static paintings, either standing or lying down, which are completely different from the video screen.
The speed made Brady feel nothing at all. He frowned and said, "No, that's not right at all. You should be lazy and casual. Walk slower and let's try again."
Curtis slowed down and walked again.
This time the speed was slower, which seemed to meet his requirements, but it was not at all what Brady had imagined.
"How could this be? I always feel like something is wrong." Brady looked at Curtis suspiciously, and seeing the true emotions that Curtis inadvertently revealed, the suspicion immediately dissipated.
Kodi is exactly the character in the magazine he was photographed in. There is no problem of inconsistent image, but they just didn't find the most suitable opportunity.
Brady lowered the camera and asked, "How did you do that before?"
"Take whatever you want." Curtis said lazily.
Brady thought for a moment and said, "Then you can move around as you like, and I'll watch and pat you."
"Yeah." Curtis looked up at the tree crown. He liked this big tree quite a lot.