"The first floor is Mr. Bai, the second floor is red, and the third floor is a group of invisible monsters. What will be on the fourth floor?"
Chen Ge stood alone in the corridor, not even breathing too hard, his pupils shrunk a little, and his muscles tightened.
"Since it's here, let's take a look."
Moving his footsteps, Chen Ge's figure was slowly engulfed by the darkness.
In the dark corridor, the only light comes from the elevator display screen. The bright red number is like a smiling face cut open by a knife, which cannot be healed, and can only smile with pain forever.
"crunch..."
After walking a few steps away, Chen Ge found another art-related room—the model storage room.
The door itself was not closed, and a crack was exposed, as if someone was lying behind the door peeping at the moment.
Chen Ge slowly pushed open the wooden door, and the scene inside the house was a little weird.
There are no test utensils, just pieces of white cloth "towering", giving the impression that a person is standing in the room with a white cloth on.
"This is?"
Chen Ge approached decisively, stretched out his hand and took off the white cloth closest to him. He wanted to know what was under the white cloth, but he was afraid that what was under the white cloth was very dangerous, so he had to take a risk, and wanted to take advantage of the opponent's failure to respond. Strike first.
The white cloth slipped, and underneath was a skinned human sculpture.
"This material doesn't seem to be plaster or artificial glue." Chen Ge frowned slightly, and under the white cloth was a skinless mannequin.
The muscles are in a state of exertion, and the blood vessels are wrapped around the flesh, which is lifelike and restores every detail.
"The art students of this school, shouldn't they just use this thing to practice drawing?"
He looked at the mannequin, and the model was also looking at him, those eyes dipped in blood vessels and bones, staring at Chen Ge.
"There are rows and rows of bloody paints in the paint storage room, and piles of skinned models stand in the model storage room. I can't imagine what will be in the final art room."
Covering the white cloth again, Chen Ge learned the lesson of the last time, and left without staying in the same place too much.
When he turned to close the door, his eyes swept to the inside of the model storage room, a piece of white cloth fell to the ground, and the contents inside disappeared.
Leaving the model storage room, Chen Ge found the painting paper storage room on the other side of the corridor, which was full of half-processed or already-made "painting papers".
Touched by hand, the surface of the treated "oil painting paper" is smooth, and I don't know what is smeared.
What aroused Chen Ge's alarm was the untreated and only half-treated "painting paper", which felt very similar to human skin.
After not staying long, Chen Ge wiped his hands with his overalls and exited the room.
"What is this laboratory building used for testing?"
Chen Ge continued to walk forward, and finally found the art activity room in the deepest part of the corridor.
"As I guessed before."
Successfully found the art activity room, and Chen Ge's purpose of entering the experimental building has been half achieved.
He stepped forward quickly and pushed the door.
The wooden door opened in response, thirteen easels were placed in the room, and the walls were covered with various paintings.
At first glance, this is a very ordinary studio, but if you look closely, you will find that there are countless scary details hidden in this room.
The paintings on the walls are all kinds of strange, with faces, distorted souls, portraits, and mutated bodies. The contents of the paintings are completely different, but all the people or "ghosts" in the paintings, without exception, are all upside down.
The background of the painting is upright, but the people in the painting are upside down, they seem to live in another world, and only their shadows are drawn in the painting.
The paintings on the walls gave Chen Ge an indescribable shock. Walking in it, his eyes were attracted, and there was an illusion of walking through a nightmare.
When they came to the center of the studio, there were thirteen unfinished works on the thirteen easels, three of which caught Chen Ge's attention.
There is a painting of two upside-down doors, one blood red and the other ordinary.
Both doors were open, and inside the door stood a painter with a pen. He looked down at his upside-down self, thinking about something.
The title of the work is - Me on the Door Side, and there is a line of scribbled blood under the title of the work - enough despair will open the door, and if the despair is cleared, will the inside of the door return to normal.
This work is the only painting that Chen Ge has found with the name of the work, and the author obviously knows the existence of the door.
The second painting that caught Chen Ge's attention was a bit scary. It was this studio.
In the upper part of the painting, thirteen painters were sitting on chairs to paint, and the lower part of the painting was blood red. Thirteen painters died tragically on their seats in different ways of dying. The most suffocating thing is that in the upper part of the painting, the painters painted on the drawing board exactly what they looked like when they died tragically.
"These painters seem to know their fate, but they are still painting because the result is doomed and cannot be changed?"
The third painting that caught Chen Ge's attention was the least finished. The first half of the painting showed a child standing facing a mirror. The world around him was normal, but the mirror was blood-red. He was covered in blood in the mirror and slapped the mirror hard.
The second half of the painting is still the child. The world around him is blood-red, only the mirror in front of him is clean and bright. He is covered in blood and slaps the mirror, trying to strangle the uninjured self in the mirror.
"I've seen blood-red mirrors in the repair room. The mirror in the ghost school has the same function as the door? No, I seem to have overlooked a very important thing!"
Chen Ge knew that the four-star scene was completely different from the previous three-star scene, and many of his previous experiences were no longer applicable.
"The door and the mirror, the blood door and the blood-red mirror behind the door..."
The clues in his mind were slowly connected, and Chen Ge had a bold guess in his heart.
"Maybe I should keep this painting." There is another reason why Chen Ge attaches so much importance to the third painting. There are three words in the artist's signature under this painting - Lin Sisi.
This painting may have been painted by the real Lin Sisi, and cracking the mystery on Lin Sisi's body is very helpful for Chen Ge to understand the world behind the door. It can even be said that this is the main task he has arranged for himself.
Reaching out to the easel, Chen Ge didn't even touch the painting, and a huge change occurred in the whole studio.
There were drops of water dripping from the top of his head, and Chen Ge reached out to touch it and found that it was not water at all, but blood.
The air became humid, a strong odor quietly emerged, the walls began to seep blood, and blood footprints continued to deepen one by one on the ground.
The original normal world seemed to be overlapping with another blood-red world, all the paintings in the studio became distorted, and a black shadow suddenly flashed out of a certain painting and went straight to the door.
The figure, Chen Ge, looked a little familiar. He immediately stopped what he was doing, grabbed the nail, and slammed into the door at full speed.