"Then look at the seventh painting "Shadow", its theme is color," Zhu Haowen looked at Wei Dong, "Is there any professional reference?"
Wei Dong recalled for a while, and said: "To say that this painting, on the surface, seems to express the artist's devotion to color, for example, he does not allow even the slightest contamination of color.
"But if you look deeper, the origin of the painter and the legend of the girl in the flower hole actually imply the artist's fanatical or even extreme worship of black.
"What impressed me the most in that painting was the interlacing and visual impact of two extreme colors, black and white, that was displayed in front of us every night, as if in the eyes of the artist, the world was either black or white, and He's on the black side."
"So the implication of this painting is darkness, or the evil represented by darkness?" Fang Fei said.
Ke Xun had a "Made mental retardation" expression on his face: "The behind-the-scenes of the painting implies that it is evil? It doesn't matter if it implies no, of course it is evil. Isn't this suggestion a bit superfluous?"
Wei Dong waved his hand and said while thinking: "I don't think it's so straightforward, but if you want me to analyze the essence through the surface like the big guys do, I don't have the ability, I can only analyze the color correlation. Think about the angle.
"If you want to simply analyze black and white, they are the two extremes of color, which is equivalent to positive and negative... And when it comes to positive and negative, the first thing that comes to mind is the + and - signs, and then the + sign And - sign, I think of two definitions related to color: additive color mixing and subtractive color mixing.
"I won't talk about too complicated concepts. To put it simply, additive color mixing is the mixing of all colors of light, and the mixture is white light; subtractive color mixing is the mixing of all colors of solid pigments, and the mixture is black.
"Look, the same colors are mixed together, showing two extreme colors. The only difference is that one is light and the other is solid, and the artist is on the side of the solid... ah? I don't know. What am I talking about, that's all I can think of anyway, what do you think?"
Ke Xun: "...Well, it's pretty good."
Wei Dong: "...you get up and let the boss talk."
The boss said: "Weidong's analysis is very useful, but the concept of light and entity has extended a new idea for us. Maybe 'light' also represents the light of the sky, which is 'heaven', then the opposite entity is 'Earth'. The artist advocates black, and perhaps the painting implies the ground or the underground - of course, this is a temporary guess, but it can be listed as an alternative.
"In addition, the statement of positive and negative is also very interesting to me. White and black, positive and negative, are easily reminiscent of the yin and yang fish in the Tai Chi picture, so whether the white and black in this painting also means yin With Yang? So, if the painter advocates black, does it imply... the two realms of yin and yang
"Alternatively, black and white, positive and negative, imply a game between two opposing forces, then it once again confirms our previous speculation about this. Behind the incident in the painting, there is indeed one positive and one negative. There are forces at work."
When Mu Yiran mentioned "the two worlds of yin and yang", everyone shuddered in unison, and Wu You hurriedly said, "I think it should imply two forces..."
"Hmm, I feel the same way." Luo Yu nodded in agreement.
"So far, it has basically become more and more obvious," Zhu Haowen raised his eyes to look at everyone, "every painting we have entered is indeed implicitly, or in other words, we have tried our best to show our appreciation to us. Suggestions were made. Perhaps when we have accurately analyzed and linked together the suggestion of each painting, the final truth will be fully revealed before our eyes.”
Everyone nodded in unison, and couldn't wait to continue their summary.
"The fifth painting, "Breaking the Ground," is probably the painting that is closest to real life," Qin Ci said. "It's themes are the general public, the people's livelihood in the tube tower, and the joys and sorrows of small people. What if it implies something? , I can only think of the upward force that broke out of the ground and wanted to get rid of the suffering of reality. It seems to be full of positive energy. Is this also what the evil force of 'painting' wants to imply to us? "
"Hey, I don't think so." Ke Xun smiled and put his arms around his shoulders, "I'll pour chicken soup - the same thing, a person with a bright and positive heart can realize positive energy from it, but he has always been accustomed to People who think about things from a malicious and negative perspective will see negative energy first.
"It's like the painting "Faith", in which there is a Buddha in the heart, and what you see is the Buddha, and there is a demon in your heart, and what you see is a demon.
"So, the painting "Breaking the Earth", Brother Qin, you can't think about it from your own perspective. In your opinion, it is a positive energy from breaking the ground, but if you look at the evil side of the painting, this hint is very likely It is the negative energy that broke out of the ground.
"Combining with the clues implied by the painting "Shadow" just mentioned, black and white, yin and yang, heaven and earth, and even the yang and the underworld, can it be understood that this breakthrough refers to the black , is it Yin, is the earth, is it... Underworld? And the power that broke out of the ground is likely to be the evil force behind this terrifying incident."
"So does this painting prove once again that the power behind the painting comes from the world below?" Zhu Haowen pointed to the floor.
"I think it's very possible." Wei Dong nodded.
"The next one is the fourth painting, Faith," Ke Xun said. "Its theme is people's beliefs, but the deeper meaning should be the good thoughts and evil thoughts in people's hearts, right?"
As he spoke, he looked at Mu Yiran.
Mu Yi nodded: "Good and evil, like light and darkness, black and white, have a little connection with the painting "Shadow", but I am more concerned about the good and evil in the painting "Faith" One God, the 'oneness of good and evil' here, I don't know if there is some kind of implication."
"Whether there is or not, just write it down first." Shao Ling typed quickly.
"Following this is the third painting, "Bai Shi", which is also the first painting that Ke Er and I entered," Wei Dong said. "Its theme is... the harm of feudal backwardness to people? Or, it is the awakening from ignorance. Or, could the locust tree also be a hint?"
"The most impressive thing about this painting is the sackcloth sashes with the characters written on them. The original meaning of the characters they represent makes people chill." Ke Xun said as he secretly glanced at Mu Yi. Ran a glance.
In fact, what impressed me the most was the fateful encounter with this person.
Mu Yiran's eyes moved slightly, as if he had a consonance, and they were meeting his. The fleeting tenderness in his eyes was not missed by Ke Xun. , As soon as he tilted his body, he stuck to his true destiny.
Qin Ci: "..."
"Hey hey hey, what are you doing, what are you doing here! Pay attention to the influence!" Everyone protested the two people's sudden behavior of throwing dog food.
"Well, I haven't finished talking yet," Ke Xun said, not intending to take care of the emotions of the singles in the audience at all, while holding his boyfriend's hand in his own and kneading, "I remember that The ancestor of Lijia Village seems to have been an official called 'Zongzhu'.
"I have said that Zongzhu is an official who is in charge of praying to the ancestors and the ghosts and gods. This official position has the nature of a wizard.
"And yesterday, when we analyzed the "Shan Hai Jing Tu", we also said that the "Shan Hai Jing Tu" is a sorcerer's book, and its author is a sorcerer. I think there is an inevitable connection between the two.
"The painting 'Bai Shi' may imply the clue 'related to witches'."
"It makes sense!" Everyone nodded when they heard the words.
After Shao Ling recorded this, he looked at Mu Yiran and Qin Ci: "Then what about the second painting you entered?"
Qin Ci said: "The name of the second painting is "Spiritual Pivot", and its theme is medical treatment. Everyone has heard us say about the specific process, so I won't repeat it, but only say that the key to finding the signature is finally found. On the eight extraordinary meridians of the human body.
"The eight extraordinary meridians are different from the twelve main meridians of the human body. The so-called twelve main meridians are the meridians to which the twelve zang-fu organs of the human body belong. They connect the inside and outside of the zang-fu organs and play the function of communicating the upper and lower. For example, if the twelve zang-fu organs are one If there are various important institutions in the city, then the Twelve Zhengzheng is the road connecting these institutions.
"And the Eight Extraordinary Meridians are the link between the Twelve Meridians. If the Twelve Meridians are highways, then the Eight Extraordinary Meridians are the overpass that connects these roads together.
"The function of the Eight Extraordinary Meridians in the human body is to accumulate and perfuse the Qi and blood of the Twelve Serious Meridians, and in the final analysis, it and the Twelve Serious Meridians are serving the entire set of human internal organs.
"If there is any suggestion from this painting, I think it is probably the relationship between the eight extraordinary meridians, the twelve serious meridians and the viscera, which is similar to the relationship between each painting we have entered and the truth behind the whole incident. .
"That is to say, when we just entered the second painting, one of the two forces behind the game has already hinted to us that 'every painting will point to a clue, and each clue will point to the truth behind the scenes'. It's an important clue, but unfortunately we didn't realize it until today."
Everyone nodded again.
"The rest is the first painting that Lao Qin and I entered," Mu Yiran said, "basically, it is certain that this painting is also the first painting of our group and this round of painting events.
"The title of the painting is "Testimony of a Free Mind," and its theme is crime. In that painting, we went through several different types of cases, but they all have one thing in common, that the line between right and wrong is very blurred.
"It's like the identification of justifiable defense and excessive defense, manslaughter and intentional homicide. The defender is kind and helpful, and has a very good reputation, while the victim who died because of his defensive behavior has a very poor reputation, and more than once humiliated and hurt defenders.
"Then when judging that the defender caused the victim's death due to the defensive behavior, it is necessary to carefully identify whether the good defender had evil thoughts at the moment when the defensive behavior was made, and deliberately changed the original legitimate defense behavior. It was made of excessive defense and whether there was an intention to kill intentionally.
"Free testimony is the principle that judges are not bound by mechanical rules, but according to the specific circumstances of the case, according to the rules of thumb, logical rules and their own rational conscience, to freely judge evidence and determine the principle of fact.
"Then in the case of the above situation, it is very important for us, as 'judges', to make judgments based on our own hearts.
"The deep meaning of this painting probably refers to the fact that the law is not sympathetic, or that the law is also sympathetic, but from the perspective of what kind of hints it provides, I think it is more likely to be a 'freedom of heart-evidence decision' Good and Evil'.
"To put it bluntly, the good and evil we see with our own eyes are not necessarily the real or real good and evil, but need to be judged by our experience and 'heart'..."
Having said that, Mu Yiran suddenly lowered his eyes and fell into thought. Everyone didn't dare to disturb him, so they just watched Shao Ling record in his notebook.
After Shao Ling finished recording, he read it from beginning to end and said, "There are some clues in the paintings that are a little confusing, or it's hard to justify it."
Everyone was stunned when they heard the words, hurriedly crowded around him, and all looked at the entries in the notebook.
"These are the clues that point to the world," Shao Ling said, pointing to the screen, "'Reboot' implies the alternation of the old and new worlds, and 'Schrödinger's Cat' implies multiple universes, or multiple worlds.
""Reverse Journey" implies two opposite worlds, "Scarlet Beast" implies two side-by-side worlds inside the city and outside the city - to say that the two worlds are actually a bit forced, both inside and outside the city are actually one world .
"Pure Land implies multiple worlds, Animal World implies the replacement of two worlds, and Burning Rhinoceros at Sea implies a virtual world and a real world.
"Looking at it this way, "Reboot", "Reverse Journey", "The Scarlet Beast", "Animal World" and "The Burning Rhinoceros at Sea" all imply two worlds, while "Schrödinger's Cat" and "Pure Land" imply All are many worlds.
"So, are there just two worlds or are there multiple worlds? According to the clue of the interaction of the forces of black and white as implied by Shadow - if this clue is correct, then 'there are two This world's clue is more likely.
"If this is the case, the hints of "Schrödinger's Cat" and "Pure Land" may have nothing to do with the world, and there should be other hints that are worth reconsidering.
"And among the several paintings that hint at the clue of 'two worlds', "The Scarlet Beast" actually has only one world, and it only divides the inner city and the outer city, and I don't think it can be classified into two. the clues of this world, so it may have other hints as well.
"In addition, the hints of 'two worlds' in "Animal World" and "Burning Rhinoceros at Sea" are actually a little reluctant. Strictly speaking, they both have only one world, one is a species replacement, and the other is an illusion in the real world. I think we should also think more about the possibilities of these two paintings."