"Don't stop investigating the clues of "The Classic of Mountains and Seas"," Ke Xun said, "and the coordinates of the art museum. These are likely to have an important relationship with the final breakthrough."
Shao Ling nodded: "Continue your work yesterday, and hand over the information to me to investigate Qin Chao."
"I can help..." Gu Qingqing raised her hand.
"Okay," Shao Ling looked at Fang Fei and Wu You again, "If the two of you have no other arrangements, come and help."
Fang Fei and Wu You responded.
After dinner, the girls did not rush to leave, but seized the time to work with everyone to investigate the clues.
Everyone is headed in front of computers, notebooks, mobile phones and books, and there is no other sound in the room except the sound of typing keys and flipping books.
Ke Xun clicked on his Weibo and found that there were more than 6,000 comments, thousands of forwarded comments, and hundreds of private messages. Checking them one by one was also a very energy-consuming and time-consuming task, so he simply sat by the window, right. Looking at the dark night view outside the window, feeling the slight chill that seeped in through the cracks in the window, I cheered myself up, and then clicked to comment.
Most of the comments are nympho licking his face or making fun of him, and the serious answers to the questions are almost all of the answers with high overlap. Later, even the Chinese knot and the old red rope came out, although Ke Xun thought it was unreliable. , but still wrote down everything related to the rope.
I kept scrolling through the comments one by one until my eyes started to get tired. I glanced at the time, it was already past ten o'clock at night, and then I glanced at Fang Fei and the three girls, who were still following Shao Ling to check. The information, completely forgetting the time, is enough to fight.
Ke Xun stretched and was about to greet the men to escort the three of them back to the hotel to rest, but a message was swiped in the comment area under his eyes, and he hurriedly looked at it carefully. There is a saying: The center is the earth, the emperor Huangdi, and the back earth, who hold the rope and control the four directions. It means that the back soil hand takes the ink rope to assist the Yellow Emperor in managing the affairs of the Quartet. The ink rope is a tool for woodworking. I don't know if it has the power of gods and ghosts.
Ke Xun hurriedly wrote down the ink string, and then flipped through it, and found that the netizen with the ID of "Killing the paper will kill people" has posted more than one comment, and there are several more.
Those who knock on the essays will die: "Taiping Yulan" has a saying: "It is said that the heaven and the earth were opened up, but there were no people, and the Nuwa was a man with loess. The drama was too much to give, so she pulled a rope into the mud and raised it as a human being. The rich and the noble are the people of Huang Shangren. The poor and the common people are also the scumbags."
Ke Xun: "..." So the three of us with Jomon bones are poor people
Looking back -
Knock on the paper will kill people: you want to know what the most awesome rope in Chinese mythology is. In fact, using a rope to manage things in the four directions and using a rope to create a person is not the most awesome. The most awesome rope is the "earth dimension" ".
Knock on the paper will kill people: what is the ground dimension? "Lie Zi Tang Wen" has a cloud: "Afterwards, Gonggong and Zhuanxu competed for the emperor, and they were angry and touched the mountains that were not around, breaking the pillars of the sky, and defending the earth." This "dimension" is the rope that maintains the earth. The ancients believed that the sky is round, the earth is square, and there are large ropes at the four corners of the earth to pull the pillars of the sky, so it is called the earth dimension.
Ke Xun stared at these words for a while, then got up and went to Mu Yiran's side, and handed him all the rope names listed on the phone: "Yiran, I think this place is the most popular. The rope that Weihe Nuwa used to make people, and if I were to choose, I think the earth dimension is the closest. What do you think?"
Mu Yiran stared at the phone screen with a slight movement, and after a while he raised his eyes to look at Ke Xun: "There is only one rope for Nuwa to create a human being, and there are four in total for Diwei. Now all three of us have rope patterns, maybe Another Jomon will appear on one of the other three people out of ten of us. So, I also think 'Earth dimension' is the most likely."
Ke Xun scratched his hair and said, "The rope that holds the earth together is so... so grand, we are just the most ordinary people among hundreds of millions of people. When this kind of thing is applied to our body, we feel... life. Unbearable weight."
Mu Yiran rubbed his messed up hair and said, "Maybe this is just an image, just like a tattoo, it's just a symbolic expression, just like the door god we put on our door is just two paintings. , not two real gods, both are the same, don't have to be too stressful. What we need to know is what role this bone aspect will play, or what it means."
Ke Xun looked at the screen of his mobile phone and sighed: "Either you say that the power of the masses is great. I didn't expect the answer to come out like this. Or should I ask the masses about Shanhaijing again?"
"Okay." Mu Yiran looked at him and smiled, "It seems that you are better than us."
"You don't know if I can do it or not?" Ke Xun put his face in front of his face and whispered with the tip of his nose touching his.
"This statement is very ambiguous." Mu Yiran glanced at him, raised his hand and squeezed his chin and shook it slightly from side to side.
Ke Xun quickly kissed him on the cheek, then sat up again, writing a new Weibo content on his mobile phone, and said casually: "If there are four people whose bones are Earth-dimensional, then there are nine people whose bones are the same. "Shan Hai Jing Tu", so why the four of us are not the "Shan Hai Jing Tu" but the earth dimension? There must be a reason..."
"The nine people are the "Shan Hai Jing Tu"..." Mu Yiran's eyes suddenly narrowed, and Ke Xun hurriedly stopped and looked at him.
"I thought of a possibility." Mu Yiran pondered.
Xu Shi's voice was a little louder in the last few sentences of the two of them, and everyone paused their work and followed the prestige.
"As for the origin of the "Shan Hai Jing Tu", there is another way of saying besides the 'Witch Map'," Mu Yiran said slowly, "It is said that in the early summer, Dayu divided the world into Kyushu, and ordered the government to manage the Kyushu. Zhou Mu donated bronze and used these bronzes to cast nine tripods to symbolize the nine states.
"Dayu sent people to paint the famous mountains and rivers, places of beauty, and strange things in these nine states, and selected skilled craftsmen to inscribe these paintings on the nine tripods.
"Because each tripod covers famous landscapes, plants, beasts and monsters in one state, these nine tripods are equivalent to covering all things in the world, so since then, 'Jiuzhou' has become synonymous with China, while 'Dingding' and 'Aspiration' has also become a symbol of the Lord of the world.
"Therefore, some scholars believe that the ancient pictures of the "Shan Hai Jing" originated from the engraved pictures on the Jiuding, and the "Shan Hai Jing Tu" is the remains of the Jiuding.
"If there are nine people in the painting who have the "Shan Hai Jing Tu", then we may be able to determine which version of the "Shan Hai Jing Tu" bone picture is - nine tripods made by Yu, and mountains and seas engraved on the tripod. The mountains and seas on our bones The picture is the original version, the Yu version."
Everyone was shocked and stunned, and looked at each other in dismay.
In this vast river of history, every individual person is just a grain of sand and a drop of water, humble and insignificant. And at the origin of the huge and turbulent long river, in the age of mythology that exhausted all imaginations and could not describe the details, there is such a grand ancient artifact that can determine the universe, control mountains and rivers, and engrave ghosts and gods. existence is inextricably linked.
This is really unpredictable... For a time, everyone felt the fear of "the unbearable weight of life" that Ke Xun had just experienced.
"Really... is this really going to be the case?" Luo Yu still had a hard time believing that this unimaginable thing would fall on his head.
"It's probably like this." Shao Ling took a breath, "... It's really just because of being in this mountain. If Mu hadn't thought of this, I wouldn't have thought of this. I also have some related memories in my memory. data of.
"There is a detailed record of this in Zuo Zhuan, the content is roughly saying that Yu had people engraved the images of hundreds of things, ghosts and evil things, as well as ghosts, poisonous insects, beasts, ghosts and spirits in the mountains and forests of Chuanze. Only on the tripod, let the common people know them, so that they can take precautions. In the future, when they go out for a long journey, when they enter the mountains, forests and rivers, they can have countermeasures when they encounter these things, which can be used to ward off evil spirits, drive away demons, and send ghosts away. The ancients also believed that various gods and monsters were attached to these nine tripods and possessed supernatural powers.
"Yang Shen, a scholar in the Ming Dynasty, once argued that the "Shan Hai Jing Tu" is the remains of Yu Ding. , The wonder of the beast, the nine tripods are completed, to view all countries.
"Qing Dynasty scholar Bi Yuan pointed out that in the "Shan Hai Jing", those with country names, mountains and rivers, and strange gods are the pictures on the nine tripods, while others, such as the "Great Wilderness Jing", are later generations. added by people.
"So, this further confirms that "The Classic of Mountains and Seas" is a super painting that is different from all the paintings we have entered, and its size is equivalent to a big world. It can 'view all countries', and its world has It is completely different from the landscapes, plants, animals and spirits of our world.
"And the most important and most unexpected thing is that the painting "Shan Hai Jing Tu" was not painted on paper or silk, it was 'painted' on nine tripods.
"If the "Shan Hai Jing Tu" on the Jiuding is the origin of the whole event, then the first batch of people who entered the painting should have entered the "Shan Hai Jing Tu" on the Jiuding. As for how they entered, maybe It is related to the "Shan Hai Jing Tu" which is a witch map.
"Jiu Ding is made of bronze, and bronze is a 'divine tool', which the ancients regarded as being able to communicate with the gods.
"The ritual vessels made of bronze consist of food vessels, wine vessels, water vessels, musical instruments, weapons, etc. When used, these things have a strict order, and these arrangements are the rules to be followed when practicing witchcraft. .
"So can we think that these nine bronze cauldrons were triggered by their divine power during the practice of magic, so the "Shan Hai Jing Tu" engraved on them was expanded into a 'painting' the real world?"
Shao Ling's analysis left everyone just breathing in. Ke Xun felt that he was about to be poisoned by oxygen, so he coughed twice and said, "Mr. Shao, your analysis makes sense to me. Here's a look: Yu engraved all things in Kyushu on nine bronze tripods, because bronze is an artifact and can communicate with spirits and ghosts. When sacrificing or practicing witchcraft, these nine tripods were stimulated with divine power, and they put all things in Kyushu on the tripod. The mountain and sea map has been embodied... This is not right, it was the mountains and seas of all things in Kyushu that existed first, and then was engraved on the cauldron by Yu, and the cauldron was stimulated with divine power, and it was impossible to materialize a Kyushu world, because—Yu He Ding was originally in the world of mountains and seas in Kyushu!"
Shao Ling was also stunned, and then felt that this kid Ke Xun was becoming more and more like a logical genius.
This question made everyone ponder for a while, and time passed. Ke Xun saw that Luo Xun had started to yawn non-stop, so he suggested to continue tomorrow and send the girls back to the hotel first.
Leaving Luo Yu at home to sleep first, the group went out together to send them off.
The snow outside is already very thick, and the snow flakes are still falling down one after another. The street lamps in the community sprinkle a thin yellow light on the flat snow surface, like an old rice paper spread on the ground.
"I have a question," Wei Dong said with a white sigh, "How big is it to be able to draw the cauldron of all things in Kyushu? Jiuding may also be made up in mythology, and it is not surprising that the things in mythology can draw all things in Kyushu, but now... it seems that the myth has been confirmed as reality, so we have to consider practical issues, this Ding is afraid Doesn't it have to be as big as a building?"
"No one knows how heavy the Jiuding made by Yu is," Shao Ling said, "but because the Jiuding symbolizes the supreme power in the world, many monarchs in later generations wanted to recast a set to demonstrate their imperial power.
"In "Zizhi Tongjian", it was recorded that Wu Zetian recast the nine tripods, the largest one was 1.8 feet high, the rest were 1.4 feet high, and the nine tripods used a total of more than 567,000 catties. of copper.
"As for Yu Ding, I think it will only be heavier and more majestic than Wu Zetian's Ding. You must know that in the Xia and Shang era, Ding was a symbol of power, status and wealth. The number of Ding reflects the level of status and the importance of Ding. , signifies the size of power. When enjoying rituals, only the Son of Heaven, the lord of the world, can enjoy the Jiuding, and the Great Yu unified Kyushu, such a power like the sky, the Jiuding that represents this power must not be small.
"It was mentioned in "Warring States Policy" that 90,000 people were needed to move one cauldron, and 810,000 people needed to move nine cauldrons—of course, this is definitely an exaggeration. But its real weight must not be underestimated.”
"Then where is the Jiuding made by Yu now?" Ke Xun asked, "Since we don't understand the issue of the initial entry into the painting, we might as well go to Jiuding to investigate in person."
Shao Ling smiled bitterly: "If I could go, I would have said it long ago. The nine tripods made by Yu had disappeared as early as the Warring States Period."
The author has something to say:
Weidong: Wow! Snowflakes are still floating in the sky~ Huh? There seems to be something else flying in the sky besides snowflakes
Ke Xun: That is the brain hole of the readers.
Weidong: Why do everyone's brains fly into the sky
Ke Xun: Because I was blown away by the author.