The movie has been played to the present, and in fact, a general effect can be seen basically.
If the audience can still whisper, eat popcorn, and drink juice, it's usually not a good sign, because it proves that the film itself is not good enough to attract attention.
But now, audiences are so engrossed in such a strange protagonist in the film that they can't think of doing anything else.
They stared at the screen intently, for fear of missing something important with the wrong eye. At the same time, they kept guessing in their hearts: "What does he (Anderson) want to do? Will he really kill? He will kill Han. Professor Sen?"
However, Anderson's murderous appearance at the door of Professor Hansen's house seems to be just a slap in the face.
Although he repeatedly showed fierceness behind Professor Hansen's back, he did not attack for various reasons.
After going back and forth like this, the tensed nerves of the audience relaxed.
In their opinion: "Worrying for nothing, the protagonist will shout happily, and he won't be able to kill anyone at all."
But the next moment, Anderson on the big screen seemed to finally make up his mind.
He looked cold, took out a knife, and walked step by step to Professor Hansen, who was turning his back on him and bowing his head to boil water.
The originally relaxed audience suddenly held their breath.
Who knows, when Anderson was trying to figure out how to slash the professor's throat...
The camera suddenly cuts to Professor Hansen. The professor suddenly turned around, looked at him and the knife in his hand with confusion, and asked inexplicably, "Anderson?"
The audience was almost as startled as Anderson.
They stared at the screen nervously, not knowing how the protagonist should get through such a difficult time, or it was exposed.
The camera turns to Anderson again.
In the screen, the light came in through the blinds and fell on his face. Then, I saw him shrink back subconsciously, and under the high-definition camera, I could see that the facial muscles twitched slightly, and the background music became tense and rapid.
The camera moves slowly to Professor Hansen.
The gentle old man's face became more and more suspicious.
Then, the lens switches again.
Anderson returned to his expressionless face. Under the gaze of Professor Hansen, he continued to walk forward calmly, took an apple from the fruit bowl beside him, and said, "I'll peel an apple for you."
Under the camera, Professor Hansen showed a stunned look.
But after that, the professor's expression became more complicated.
Sammy's sequence of shot transitions works surprisingly well.
Obviously it's just a simple scene and plot, but it was shot very smoothly and freely, and it doesn't make the audience feel depressed and bored, especially the last sentence, many people were amused by the protagonist's 'I'll cut you an apple' I was dying of laughter, especially when I thought that it was a knife for killing mice, I wanted to laugh even more.
However, what is even more surprising is that…
Professor Hansen looked at Anderson as he lowered his head and peeled the apple, and sighed: "We are not suitable, Anderson."
Anderson was stunned.
The audience was stunned at first, but because of the perspective of God, they quickly reacted - the professor misunderstood again!
According to Anderson's idea, Professor Hansen is ill, I can visit the doctor, take the opportunity to try to kill, and complete the killer's great cause.
But for Professor Hansen, the students who had a crush on him disregarded his indifference, and came to visit the doctor again and again, and insisted on cutting apples for himself.
It was so much fun.
The elderly looked helpless with 'don't be like this', while the younger looked confused with 'what are you talking about'.
The audience started laughing again underneath.
They laughed so exaggeratedly that McGillon felt a little uncomfortable.
The underage fire dragon asked in a low, bewildered voice, "Sami, what are they laughing at? Am I not good at acting?"
Sammy didn't know how to answer. The filming was very serious and nervous, but the audience was always at the bottom, haha, what's the matter
The next plot is that Professor Hansen used himself as an example to persuade Anderson to change his ways and not easily go astray (like the same sex).
One was due to illness, and the other was the blow from his mother's letter, all of which made the old man a little vulnerable for a while, and thus lost his former stability and maturity.
Accompanied by "Don't Talk to Me" by Hello Band.
He shoved Anderson onto the sofa suddenly, and told in a vague and melancholy tone, when his sexuality was exposed, he had to face the great changes in the world, people's frontal hostility and rejection, and all the whispers behind him. And with a contradictory mentality, he bitterly warned Anderson not to repeat his mistakes.
Mick Lee's performance in this scene is brilliant.
Although he has never played a similar introverted role before, in this scene, he has handled the character's emotions very delicately, with a heavy tone mixed with despair and sadness, which is impressive.
As for Anderson...
In fact, when acting, Mickey doesn't need to think about how to act at all.
From the dragon's point of view, humans should be the animals that like to make rules the most in the world.
Although it is a good and very good thing to say that rules can promote the establishment of order quickly. But sometimes, some rules don't seem so necessary and reasonable. For example, about who a person should like, in the dragon's view, whoever likes is who he likes. This should be decided by oneself, but human beings must. More often than not, and even create rules to limit...
So, when Professor Hansen made a statement, Mickey's Anderson was sluggish.
In fact, he is completely natural, and there is no trace of acting skills.
Then, Professor Hansen finished his example.
He began to persuade seriously: "Let's turn back from this road before we get too deep."
At this time, Anderson stared blankly at Professor Hansen, and a mental activity appeared.
Like he had written in his diary before, a familiar voice-over sounded: "He actually thinks I like him? Well, liking something is a bit boring. So shall I kill him now? No hurry, I have a new idea! Maybe , I can also do things more carefully, and it is more difficult to be discovered. For example, I can continue to pretend to like him according to his wishes, so that I will have more opportunities to kill him , kill him without a trace."
So, on the screen, Anderson showed a fake smile without a smile at all: "Sorry."
He said bluntly: "But I still... uh, still like you."
Professor Hansen stared at him blankly, looking touched;
Anderson stared hard and looked back with a serious look, but his expression was inevitably a little dull because his heart was not fluctuating.
But it is clear that these two people are talking about chickens and ducks.
But this scene was surprisingly ambiguous.
At this time, the background music played again.
The low and magnetic voice of the lead singer of Hello Band sang affectionately: [Oh~! Love is so beautiful... Love is always-so-beautiful...]
Audiences:…
Have no idea what's going on!
Everyone was still looking at the screen quietly, wondering how the two protagonists could develop next.
But the music came out suddenly, and the lyrics are still like this
As a result, the audience quickly separated from Professor Hansen's sad past, sighing and sadness were completely swept away, and they couldn't help laughing again.
Mickey couldn't help looking around, more and more confused as to what was going on.
He quietly poked his human with his fingers and whispered, "Sami, everyone is laughing again."
Sammy's round face almost ballooned.
He was puzzled: "Damn it, what's so funny? Isn't this scene showing the beginning of love romantic? Isn't it emotional? Isn't it warm?"
Obviously, his romance is not the same as everyone else.
Everyone's thoughts were not connected at all, and there was no way to understand the deep meaning of director Sammy when he filmed this scene, such as two lonely people meeting; two people who are not generally accepted by society encounter and so on.
But anyway, the overall atmosphere of the plot changed again.
Afterwards, Professor Hansen regretted his words that day and wanted to escape; however, for the sake of his killer career, Anderson relentlessly chased after him again, and he kept pretending to like it clumsily all the time.
So, one to chase, one to hide.
The bizarre plot, which can't be called love, actually made the audience very happy.
At this time, Professor Hansen was obviously distraught, and his actions gradually became less rigorous than before;
As for Anderson, as a would-be killer, he seems to have ignored the rules of the entire world from the start.
In this way, the two careless people quickly leaked some traces.
As a result, things started to get bad, especially for Professor Hansen, in addition to the previous 'immoral feelings', he also had a crime of 'seducing teenagers to fall'.
Professor Hansen quickly got into trouble.
Although the school did not dismiss him, it suspended his job, and everything around him seemed to be repeating the sad things he had in those days, that is, the hard years when he just revealed his sexuality. Dare to go out, because once you step out of the house, you will inevitably face people's pointing and even blatant insults.
The audience couldn't help but look worried and looked at this scene with some worry.
They were worried that the professor would not last.
However, what I didn't expect was...
Anderson rang the doorbell again!
He sneaked out of the house.
Along the way, the camera is chasing his vigorous running figure, and the fast music also adds a bit of warm atmosphere to this scene.
Professor Hansen opened the door and looked at him in surprise.
Anderson lost one of his shoes, panted on his knees, raised his head for a long time, and again with a mechanical fake smile that mobilized his facial muscles, he said, "They won't let me see you... but I still... uh ,still into you."
Professor Hansen was stunned.
Anderson continued: "Let's get out of here together to a place where no one knows us."
At this moment, the audience finally got the romance of director Sammy.
They watched this scene excitedly, and some girls clasped their hands and silently shouted in their hearts: "Promise him! Promise him! Promise him quickly!"
Professor Hansen agreed impulsively.
Anderson finally showed a relatively sincere smile.
Then, the voice-over sounds:
[Get out of here with him, go to a place no one knows, and kill him! ]
The author has something to say:
[Note] Don't easily go to places you don't know with strangers, you will be killed if you are careful!