The fire was raging, but the music stopped abruptly.
The lens changed again, and the screen suddenly brightened.
only see...
Professor Hansen, who was already gray-haired and had an old face, was leaning on the bed and was struggling to pull out a knife from under the pillow.
Then, he stretched out his finger and touched the cold and hidden sharp blade face with trembling, and the unforgettable face seemed to appear in his mind again, the slightly dull look, the simple eyes, and the occasional very The corners of the lips that are difficult to be upturned...
Everything is still like yesterday.
"Anderson..."
The old man's tone was as light as a sigh.
Hello Band's "I Give You Light" rang out low again, as softly as someone hummed softly in his ear:
[I know you have your fears and worries, I know you have your confusion and pain. Don't be afraid... I give you light...]
"Is it you? Is it you?" Professor Hansen turned his head sideways, as if listening to something.
Then, he actually stretched out his hand tremblingly towards an illusory place in the air, and asked excitedly, "Are you here to find me? Are you here to find me?"
But at this time, the audience in the theater could clearly see that there was nothing in front of him at all.
Only the curtains swayed slightly by the wind, as if someone was really responding.
So, Professor Hansen slowly closed his eyes in loss.
Then, the scene from decades ago reappeared before his eyes.
The young student lost a shoe and stood in front of the door a little embarrassed, but his expression was very excited and his eyes were shining.
Then, he stretched out his hand to himself nervously:
—They won't let me see you... but I still... uh, still like you.
—Let's get out of here together, to a place where no one knows us!
At this time, the camera pans, and Lana, who is also elderly, pushes the door and walks in.
She walked to the bed and seemed to want to help Professor Hansen tuck the quilt, but found that he had passed away in his sleep.
The background music sounded from low to high, humming over and over, repeatedly and low:
[Don't be afraid... I give you light... I give you light... ]
At the same time, a voice-over sounded:
-professor
-Why didn't the mermaid princess kill the prince
Many spectators burst into tears on the spot.
The next moment, the screen goes black.
The movie is over.
The theater staff did not give people time to relieve their emotions at all, and turned on the lights directly.
For a time, the lights were bright, and the first reaction of many audience members was to cover their faces with their hands, or cover their eyes in disguise.
The song "I Give You Light" reverberated quietly in the theater.
But it was no longer Mickey's soft voice, but replaced by the more powerful and magnetic original singer Colin.
Amid the music, subtitles from the cast and crew began to routinely appear line by line on the blackened screen.
At the same time, there are still a few beams of light hitting the crew of "Love You Will Kill You"...
Normally, in the face of such a situation, the audience should give some applause.
But this time, the theater was surprisingly quiet, and the audience was so busy wiping tears that it was too late to do anything else.
In fact, as early as when Anderson set fire to the ***, many people began to wipe their tears in front of the big screen.
At the end of the movie, "Professor Hansen's Reminiscences of the Past" even stabbed a lot of people and made them cry even harder.
Therefore, even if the movie is over, the audience is still too immersed, and their emotions still cannot be recovered.
Sammy doesn't feel anything about this.
In his way of thinking, I think it's a good shot.
For example, the scene in which Anderson set fire to *** can be made up from a different angle! I didn't capture the protagonist's scorched corpse. Maybe he just took a bath in the flames, just like Mickey Dragon!
of course.
If it were adapted like that, the movie would be a fantasy movie, or a supernatural movie.
But in short, the protagonist disappeared into the fire, maybe dead, maybe still alive.
Either way, it's going to be an open ending that viewers can imagine.
Sammy likes it this way: "I'll start, and everyone's rambling."
In his opinion, such an open ending is much better than those far-fetched happiness.
The directors of some Hollywood movies are just like having the happy ending syndrome. Every time they reach the end, they have to force a happy ending, so that the whole process is full of inexplicable and illogical, and it belongs to happiness purely for the sake of happiness, like a lunatic. .
How good is this now:
One was buried in the sea of fire, and although one died of normal old age, he could not forget the person he had let down when he was dying.
Look how cute the audience is crying!
Especially the female audience, they are the most fun, most of them can make up, and they love to be beautiful. While crying, they are worried that the eye makeup will be spent, so they have to use a tissue to press their eyes. The kind, but the speed of tears flowing out exceeds the water absorption of paper towels - the consequences can be imagined! If you are in a hurry at this time, the snot bubbles will pop up, which is really funny.
So, Sammy looked around and looked at the girls who were crying. He didn't care much about the cold scene at this moment. Instead, he took out his mobile phone in a happy mood, pressed his fingers skillfully, and quickly tweeted: [A very happy premiere! Happy movie, happy life. ]
It's just a movie after all.
Even if you are immersed in it again, there will be a time to slow down...
So, after a few minutes, the audience in the cinema finally stopped crying.
They began to stand up one after another, giving the crew a sparse applause.
But after the applause, some people couldn't help but stare at them.
They clearly resented the ending part of the film.
Sammy's mental quality is so good that he didn't see it at all.
He lowered his head very leisurely and whispered to Mickey: "Look at the girl on the left, the tip of her nose is red from crying..."
Michaelon super principled condemnation: "Sami, you are wrong!"
Then, he said softly: "My whole body (scales) is red, just look at me."
On the other end, when the audience's eyes were red from crying, they finally wiped their faces and sorted themselves out. After walking out of the cinema, they just took out their mobile phones and wanted to express their views on the movie...
Director Sammy's Twitter swaggered in front of him: [A very happy premiere! Happy movie, happy life. ]
Happy movie
happy life
Thousands of grass and mud horses galloped past in the hearts of countless audiences.
They looked at the tweet in confusion, and while retweeting it, they typed a "?" slowly.
More viewers wrote directly on Twitter: [Confused? Where are you happy? Where are you happy? Please speak up and let me hear! ]
Sammy's fans are also forwarding: [Director Sammy's confusing speech Get-watching "Love You Will Kill You", I am very happy. ]
The black fans directly scolded: [Damn! Happy P! Sammy Griffin, are you sick? Are you sick? ! ! ]
They stormed the comment area with righteous indignation: [You have the kind to come to reality that we are due for a heads-up! What do you mean by destroying the protagonist every day? Is this the first one you've killed? Executioner! ]
Oh, scold, scold!
It's like this again and again, and it's not tired.
Sammy felt that these people were nothing new all day long.
And, heads-up? Hehe, who doesn't even have a dragon has any qualifications to ask someone who has a dragon to go head to head!
However, the premiere was largely a success.
At that time, there was a newspaper called "Film Weekly", which gave "Love You Will Kill You" an almost fanatical praise.
And, in the paper, the critic who gave the film rave reviews offered a much-admired insight.
He believes that the 'homosexuality' in the film can be ignored for the time being and focus on another thing, that is - the confrontation between free will and the rules of reality.
The newspaper's reporter analyzed at length the symbolic meaning of the character of the actor Anderson, saying that this character belongs to the 'existence that implements free will from beginning to end', while the other protagonist, Professor Hansen, is Belongs to the 'compromising side of free will before reality'.
As the so-called 'the essence of sin is that man refuses to obey God's will, does not let God decide the course of life, but chooses his own path'.
If God is understood as a social rule, then the world does not allow people with free will to appear.
This is exactly what people do in real life. In fact, most people's thinking methods are affected by the surrounding environment, and are gradually shaped in the subsequent daily education and the information they usually come into contact with. At this time, once someone tries to break the inherent framework, they will immediately be attacked by the surrounding people and become a 'guilty' person.
Therefore, Professor Hansen, who 'returned to the right', died, and Anderson, who insisted on not changing, could only choose to end his own life, because in the reality of being unable to be free, choosing death became the only freedom he could make.
The film critic's narration in this way has won the approval of many people, who think that his analysis is pertinent and very thorough.
It has become an authoritative reviewer for the film.
So much so that when the paparazzi were lucky enough to block Sammy in the bathroom, they did not forget to ask: "Director Sammy, what do you think of the analysis by XX film critic? This film is really about free will against reality. ?"
Sammy was stunned: "Uh, first explain, what is free will?"
The paparazzi reporter was also a little stunned. After two seconds, he stammered: "Consciousness, the initiative of consciousness?"
Sammy has a weird 'what are you talking about' look on his face.
Paparazzi reporter: …
However, after Sammy read the review carefully, he was successfully persuaded.
Because "this is much taller than my previous idea of falling in love", so 'that's right, I'm shooting that freedom... freedom consciousness, no, it's free will'.
In addition, his nemesis Bobby Hans is also among the first to issue film reviews.
He wrote in the film review: ['I'm going to make a lead character like me this time', says Sammy Griffin. ]
Sammy: I'm not, I didn't, I didn't say it, can you please not speak for me indiscriminately.