The song "Lost Love Front Alliance" instantly enlivened the girls in the class.
This song is very cheerful and has a strong rhythm, and the dance choreographed by Xu Yiyang is not difficult, so everyone is very involved and soon fell in love with this magical Internet celebrity dance.
Tong Yuewei ran to find Gu Sijia and was so shocked that she was speechless when she saw Xu Yiyang taking them to dance practice.
She never dreamed that Xu Yiyang, the treasure boy in her heart, had so many advantages that she had not discovered.
So, like a little fan girl, she held her chin with her hands and looked at Xu Yiyang with a look of obsession. Her eyes were faster, more accurate, and brighter than the spotlights on the stage!
When the dance practice was almost over, Chen Meng called Xu Yiyang and said, "Brother Xu, the hotel and KTV have been booked. You and your sister-in-law should come and have dinner first."
Xu Yiyang said: "Okay, which hotel?"
Chen Meng said: "It's the Cantonese restaurant my sister-in-law went to eat on the day she had a fever. I'm the host today, so don't compete with me for the check."
Xu Yiyang smiled and said: "Okay, but we need to add two more people tonight."
Chen Meng smiled and said, "I know, aren't they the deputy squad leader and her best friend who has a crush on you? I booked a large box, and it will be fine for eight more people."
Xu Yiyang said: "Okay, we will go there later."
"Hurry up, we're all here."
Xu Yiyang greeted the girls and said, "Everyone, that's it for today. It's getting late. Everyone should be busy, eat, and rest. We'll continue tomorrow."
Everyone thanked Xu Yiyang one after another, then packed up their things and left the classroom one after another.
Xu Yiyang invited Shen Lele, Gu Sijia and Tong Yuewei to have dinner together at a restaurant outside the school.
Tong Yuewei said shyly: "Xu Yiyang, I didn't expect you to be able to dance and choreograph! It's really amazing!"
Xu Yiyang laughed and said: "This is nothing at all, don't take it seriously."
After saying that, he changed the topic and said: "Let's sing together tonight, did Scarlett tell you?"
"Yeah!" Tong Yuewei nodded excitedly and said, "Sijia and I will not disturb your party, right?"
"No, no."
Xu Yiyang waved his hand and thought to himself, Sijia won't bother, but you will.
But of course, he still said with a smile on his face: "Let's go out and play. Of course, the more people there, the happier we will be."
Tong Yuewei nodded and said with a smile: "Sijia and I will invite you back another day!"
Now she was unwilling to let go of any opportunity to meet Xu Yiyang, even if it was a gathering with many people.
Xu Yiyang didn't take it seriously and took the three girls out of the school and went to the restaurant where Chen Meng and the others had been waiting for a long time.
At the dinner table, Xu Yiyang mentioned the cross talk talk to Chen Meng.
Chen Meng was confused after hearing this: "Brother, I have never heard of cross talk in my whole life..."
Xu Yiyang waved his hand: "It's okay. It's relatively easy to praise. It's just uh-huh, hey, hey, this is it. If you're smarter, it'll be fine."
In fact, the praise of cross talk is the real test of skill.
But most of the jokes really don’t need to have too high a technical content.
After hearing this, Chen Meng felt a little relieved and asked again: "What are we talking about? How about "Thieves, Inc."? "Universe Cigarettes" seems to be pretty good too!"
Xu Yiyang said: "We won't say what others have said. I will write a paragraph myself, and then you will say it according to the words."
"You wrote it yourself?" Chen Meng asked in surprise: "Brother Xu, do you still have this ability?"
Zhao Xin couldn't help but ask: "Old Xu, can you also write cross talk?"
Tong Yuewei said proudly: "Writing cross talk is nothing, Xu Yiyang can also choreograph!"
Tong Yuewei's expression was very arrogant when she said this, as if Xu Yiyang was her boyfriend.
Xu Yiyang was already indifferent to Tong Yuewei's nymphomaniac behavior, so he naturally filtered out her words and said to Chen Meng: "Anyway, you don't have to worry about this matter. I will write out the lyrics in these two days, and then we will Take some time, touch and match, and it’s basically done. When the time comes for the review by the organizing committee, we will go up and follow the instructions. Naturally, it’s best if we can pass. If we can’t, we can worry less. I It’s easy to get along with the class instructor.”
When Chen Meng heard this, he immediately breathed a sigh of relief and said with a smile: "That's easy, I'll listen to you."
Xu Yiyang nodded, already thinking about which part of Guo Degang he should talk about when the time comes.
Guo Degang has too many classic crosstalks, including traditional crosstalks, innovative crosstalks, and many crosstalks derived from Internet hot spots and Internet jokes.
Traditional cross talk is more troublesome, especially those with allegro, Ping opera, Peking opera, drums and even Taiping lyrics. Xu Yiyang can enjoy it, but if he comes by himself, he really can't do it.
Therefore, we can only find a more suitable one from Guo Degang's cross talk.
The first thing Xu Yiyang thought of was "My University Life" that Guo Degang and Xu Deliang talked about at Yenching University. But if you think about it carefully, most of his jokes there are based on the perspective of a graduate. I wrote it because I am now a freshman in college. Naturally, many of the jokes in it cannot be used. I have to re-create them, and the task of re-creating them is still huge.
From the perspective of saving himself the most time and effort, he immediately mentally passed this section.
Then, he thought about it and finally thought of a suitable one.
"I Want to Travel" from Guo Degang's "My Words" series.
This cross talk is one of the more classic ones in Guo Degang’s Wo Zi series.
The most important thing is that this joke has no identity or background and anyone can say it.
For example, many of Guo Degang's crosstalks have identity backgrounds, such as "Dream of the Western Expedition". The outline of the story is about a middle-aged man who is good for nothing and dreams of going to the United States to help Bush fight terrorists. If it is a married middle-aged man For me, it's fine and there's nothing wrong with it, but for an eighteen-year-old, it's inappropriate.
Another example is "My Life". The story mainly describes one's past failures and the absurd situation he is currently experiencing. It is not suitable for an eighteen-year-old young man.
As for "Jie Wa", "Buying Noodles and Tea", "Giving Wife and Sacrifice Children" and the like, they are even less suitable for young people.
However, the joke "I Want to Travel" is so suitable.
Because, in the joke, Douchi has no obvious identity background or obvious age group. The main line tells the humorous story of Douche traveling around the country. Not only is the content interesting, but it also includes many well-known tourist attractions and tourist features at home and abroad. They were also brought in to create comedy. These familiar place names can arouse the audience's sense of involvement, which is perfect.
Moreover, this section is very funny and contains all kinds of classic baggage.
For example, say MSN as SM;
For example, Hong Kong’s “bikini” park;
For example, the Dai people are referred to as the Dei people;
There is also a story about copying ancient paintings. The old paintings were sold in the antique market to foreigners who like Chinese culture. As a result, the foreigners bought them back and came back to ask them why your ancient paintings get so horny when it is cloudy and rainy...
The most famous one here is the folk dance joke.
He said amusingly that when he arrived in Yunnan and Guizhou, someone stopped him and asked him if he could see folk dance. He said disdainfully: "Folk dance? There is it in Yanjing."
The other party asked him again, have you ever seen folk dance without clothes
At this time, he suddenly had a huge thought and asked the other party: "No clothes? You don't wear clothes, I know what nationality you are from?"
It can be said that in this program, every three sentences is a joke, and every five sentences is a joke, and there are constant jokes.
If this kind of cross talk can be performed well, the rhythm is controlled, and no big mistakes are made, the effect on the scene will be explosive.
After all, Xu Yiyang is also a tightrope. He can't say that he can bring out all the skills of the class leader, but it is not a big problem if he can play at 60 or 70%. For such a good book, if he can play at 60 or 70%, the effect is already very good.
As for Peng Ke, Chen Meng himself is relatively humorous. Although he has never acted in cross talk, he has the common advantages of Northeastern compatriots: a sense of humor and the ability to speak well, so I believe he will get started quickly when the time comes.
Such high-quality "original" language programs should be unmatched, at least in university performances, and passing review should not be a problem.
The class teacher said that he should strive for a program that can finally pass the review. The cross talk should be stable. Gu Sijia's modern dance is not only beautiful, but also has the magic of brainwashing. There should be no problem for such a program to finally pass the review.
Since this performance involves the whole school, a class cannot choose one program on average, so if my class can choose two, I, as the monitor, should have completed the task.
As for whether Shen Lele can pass the solo performance, Xu Yiyang is not sure. He has not heard Shen Lele sing before and doesn't know how she sings.
However, if I go to KTV later and listen to her sing two songs, I can basically get a general idea.
(End of chapter)