Shift! The Side-Character Heroine

Chapter 12: Ways to exit

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After Su Li came back to her senses, she couldn't help but said: "I admit that what you said makes some sense. This passerby character is indeed different from other female characters, but she is a passerby character now after all. I will not prioritize it. . And I almost got involved by you. My "Pure Love" is originally a campus harem comic. What readers want to see is the interaction between the male and female protagonists and the scenes of the female protagonists selling meat, rather than learning. It seems that men these days also prefer 'sexy bitches' who take the initiative to cheat, right?"

Zhang Ziqiang was slightly disappointed when he heard such a response. This was simply because he felt that the interaction between the male and female protagonists and the meat-selling scene were too boring. He hoped that "Xu Jing" could come to the top and some more interesting plots would appear, but it was a pity that Mr. Su Li Still insisting on his opinion.

While he was disappointed, he also felt admiration, because this should be the attitude of a professional cartoonist. Today, the most popular heroine of "Pure Love" is still his sister Yang Qianqian. Everyone is used to the style of this work, so they changed it rashly. That's nonsense.

This is just like in an online novel, an author has been writing according to the routine, and the results have been okay. But one day, he decided not to follow the routine, and wanted to try something new and write a plot that readers can't guess. Take it off…

This is the so-called "Since ancient times, true love cannot be retained, only routines can win people's hearts." Sometimes the author thinks that he has written a sincere plot, but the readers just don't buy it, which is very helpless.

"Is it necessary to reduce the number of appearances of the character 'Xu Jing' and slowly make her invisible?" Zhang Ziqiang asked.

To his surprise, Su Li smiled slightly and said calmly: "That's not necessary. Instead, I will slowly increase her role, starting from a passerby to a supporting role."

"Why?" Zhang Ziqiang was a little surprised.

"Because I was persuaded by you, and I also think this character is a bit interesting. Let her be more prominent. Let's see the readers' reactions. Just because we both find it interesting does not mean that the readers find it interesting. My focus will always be on On the most popular female character among readers." Su Li answered with great confidence.

"As expected of Teacher Su Li, I, as an assistant, have really learned the lesson this time. Sure enough, Teacher Su Li achieved such results in his first full-length series. It's not without reason." Zhang Ziqiang sighed.

Su Li was no longer modest, smiled, and continued to devote herself to her creation. She didn't know if it was her imagination, but she felt that when she was drawing the character "Xu Jing", she was "writing like a spirit". This character has his own soul and will, and she can't control his actions at all!

She was not surprised, but instead thought of many creators. When talking about the fate of a certain character in their works, especially some tragic characters, readers strongly requested to modify the ending of the character, hoping that it would not be so miserable. Those creators pretended to tell readers that there was no way to modify it because the character in my work was no longer under my control. She had her own will and soul, and she was destined to be a tragedy!

Su Li has always felt that this is some creator who prefers to cause depression to blame, because in a sense, the creator is the creator of a certain world, and all the characters are his puppets, how can they exist? An ending that cannot be changed

But now, in the process of creation, she suddenly understood that she did not want to distort the will of a certain character, but only wanted to make her move on her own. Those works with particularly well-drawn group portraits should be typical of using characters to create Promote the plot, right

It's just a pity for Su Li that she only felt this way when she was portraying the character "Xu Jing". When she drew other characters, she still felt dry. Comparing the two, she actually felt that more of them were drawn. It was the right thing to spend time on "Xu Jing", but she restrained this desire in the end because she didn't know whether readers would like it or not.

Zhao Youyue, the guy who makes trouble in secret, naturally doesn't know that she has gained the favor of the creator. This is actually not a good thing, because Zhao Youyue feels that it is good to study peacefully in the gate of dimension, which can make up for her in reality. She is lazy, and if she is favored by the creator, she will inevitably have more interactions and interactions with the main characters in it. Wouldn't this be a waste of her precious study time

Zhao Youyue was also sorting out more information about the Dimensional Gate. Then she realized that today's mobile phone was confiscated and she was called on in class. It was not accidental, but the negative consequences of the last time she messed up. To put it more mysteriously, it was her consumption. This lesson made her use the dimensional gate more cautiously, and she would never casually destroy the hard work of other creators.

At the same time, Zhao Youyue also figured out how to leave a certain animation, game or novel world.

First, naturally, just like she did before, she randomly set up passerby characters, transformed into a terrifying demon, and killed the protagonist, completely destroying the balance of the entire work and causing it to collapse. However, the consequence of this was that her luck in reality decreased. Bad luck abounds, and the more popular works she ruins, the more serious the price she pays.

The second is the death of the character she possesses. If a passer-by character dies in obscurity, that's actually okay and does not have a negative impact on the entire work. Then she will not have bad luck in reality, but it is just a waste of time. A precious opportunity to enter the dimensional gate.

And if she possesses a major female character and then dies in an inexplicable way, then refer to the first point, so as a heroine, even if she dies, she will die from a "plot kill", not from a slip and fall into the water. Such nonsense methods as drowning or choking on drinking water will be a plus if the "plot killing" arouses sighs and strong reluctance from many readers.

Third, the character she possesses has already achieved extremely high popularity, and she will have the right to choose to leave this work. This is the ability that readers wish to gain after their death.

In other words, as long as she becomes a classic character considered by readers, she can exit. However, the author may destroy this classic character in the subsequent portrayal of this character, such as "Transformed Female Academic Bully" "The heroine Wu Di was very popular and classic in the early stage, but was completely ruined by the author in the later stage, so the abilities she inherited were gone.

So in fact, the most perfect way is to let the character die when he is at his most glorious and attracts the most attention! At the same time, ensure that in reality, the creator does not resurrect the character on a whim and destroy the character's image...

Fourth, if the work ends normally (for abnormal endings, please refer to Article 1), then of course she can exit. This condition can avoid the tragedy of the character and end it when she is at the peak of her popularity, saving her from deliberately seeking death.

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