It is an extremely arduous task to completely replicate such fine and dense textures. In terms of "Prelude to Death" in normal proportions, it can only be depicted on small and medium-sized alchemy items.
If you want to portray a tiny alchemy item like the "Golden Arrow", you need to scale down the magic energy array. The normal scale "Prelude to Death" is already pitch black, and then shrinking it, it becomes even darker. The naked eye can't tell the difference, and even if you draw with a brush tip as thin as a hair, it may be too thick.
However, scaling down is a very late thing. Before that, he must at least successfully portray the lines of "Death Overture".
Angel did not immediately start to describe, but took out "Enchanting Encyclopedia - Advanced Chapter" and continued to scroll back.
The pattern of "Death Prelude" is very complicated, but its function is very simple: once this magic energy array is activated, a very low sound frequency can be released to make the energy imbalance within the undead, which is already chaotic, to achieve the purpose of destroying the undead.
According to Angel's understanding, this is an infrasound attack. A sound wave with a frequency lower than 2ohz is an infrasound wave, which is a sound wave with an extremely long wavelength and is not easy to die in ordinary media.
Angel guessed that the extremely low sound frequency released by "Death Overture" must have resonated with some energy inside the undead, resulting in an imbalance of energy, thus causing the undead to collapse.
Of course, this is Angel's speculation. He also doesn't have a sound wave spectrum tester, so he can only analyze it with logic.
Angel finished reading the chapter of "Prelude to Destruction", but did not stop there, and continued to turn back. He wanted to see if there were any other enchantments to destroy the undead besides "Prelude to Death", and the best pattern was simpler than "Prelude to Death".
It took Angel a long time to scan the "Enchanting Enchantment - Advanced Chapter". There are nearly 10,000 enchanted patterns of the magic energy array. After reading it, Angel only felt dizzy and dark. one slice.
Almost all the patterns are similar in difficulty to "Prelude to Death", and the difference between the patterns can only be seen if you look closely. From a distance, they are all pitch black. In "Advanced Chapter", Angel also discovered 13 kinds of magic energy array enchantments to deal with the undead, and some of these magic energy arrays are not specifically aimed at the undead.
For example, a magic energy array called "Mass Huazhang" was originally used to purify the filth and drive away the darkness, but it can also be used to purify the filth inside the undead, so that the soul can be sublimated.
The effect of "Mass Huazhang" is outstanding and the scope of application is extremely wide. Correspondingly, the number of magic patterns that make up it is also astonishing, as many as 36, and each magic pattern is extremely complicated. Moreover, it is recorded in the book that the "Mass Huazhang" is basically depicted on large-scale alchemy items, and the materials that can fit the "Mass Huazhang" are also invaluable. Once successfully produced, they can be used as strategic props.
With Angel's current ability, let alone whether he can draw it or not, the cost of materials alone is not something he can afford, which is estimated to be equivalent to the century-old income of a small wizarding organization. However, it may not be possible to buy them together. Some of these materials are close to extinction in the wizarding world and the pan-wisdom world. In the end, even if you buy it, if you want to smelt these materials, there is no way to smelt these materials at Angel's level. Maybe try it when he's a full-fledged wizard.
To sum it up in two words: No drama!
Most of the other magic energy formations to destroy the undead are also like "Mass Hua chapter", either there is no drama, or the complexity is more than "Death Prologue".
Therefore, in the end, Angel can only return to the "prologue of demise".
Before that, Angel hesitated and clicked on the next folder - "Enchanting Enchantment - Perfect Chapter".
This folder was only opened by him when he was organizing document pictures, and then he never moved it again. Angel had never read the content inside.
After opening the folder, dense pictures appeared in front of me.
Angel glanced slightly, about 2ooo pictures. If a magic energy array occupies two pictures, one is the pattern and the other is the interpretation, then about 1ooo magic energy arrays are recorded in this folder.
Compared with the previous introductory articles, basic articles, and advanced articles, there are obviously a lot less things recorded in the perfect article.
But the difficulty... Angel opened a picture.
With just a cursory glance, he closed his eyes in fright.
What did he see? - Dense texture.
The simple pattern Angel had been used to before, but the reason why this pattern made him close his eyes in fright was purely because... This is not simple!
Are you sure it's a magic circle? instead of solid geometry? !
This magic energy array does not look difficult. There are only 16 magic patterns, and the arrangement is not too dense. The blank part can be seen with the naked eye. But... these 16 magic patterns are not all on the same plane, and several magic patterns actually have three-dimensional intersections, three-dimensional overlaps, and mirror image staggered layers.
Alchemy props are three-dimensional, yes, but how do you describe the three-dimensional magic energy array? !
"Hehe, goodbye." Angel silently pressed the "x" in the upper right corner, he would not open this folder again, at least... advanced wizards would not open it before.
Angel once again returned to the pattern of "Death Prologue".
After a lot of tossing, when he looked at the pattern of "Prologue of Death" at this time, he felt very relaxed and very simple. He had to know how to appreciate and cherish such a simple and unpretentious pattern.
Although the pressure in my heart is much less when faced with the lines of "Death Prologue", how to practice it is still a problem that needs to be solved urgently.
Angel quickly figured out the solution.
The texture of the normal proportion is too dense and dark, so let's zoom in!
Angel adjusted the projected data and easily enlarged the "Prologue of Death" by a factor of 10, which was absolutely impossible for other alchemists to do. Although proportional enlargement and proportional reduction are indeed the basis of enchanting alchemy. However, other people only spend a lot of time and energy trying to scale up and down proportionally after they have mastered the normal proportion of the pattern.
Angel will zoom in directly when he starts, and he can quickly find the most suitable ratio for his own practice. In this way, his growth in enchanting alchemy is naturally far farther from others.
After magnifying the "Prologue of Death" by 10 times, obvious blank spaces can be seen between the lines.
Looking at the full of lines, Angel sighed: "This is too much work. It is estimated that it will take a day or two to copy it completely. No matter, try to copy it first."
The second time to copy the magic energy array, Angel has only one goal:
See if the joint shaft between the two magic patterns can transition smoothly.
Magic energy array enchanting involves some kind of mysterious law of operation. For other alchemists, mere memory is not enough, and it is necessary to understand the meaning of magic patterns. But Angel is copying, and it stands to reason that there should be no blurred memory, but he needs to experiment to be sure.
The first copy, the goal was not achieved. When I reached the 69th stroke, the sweat on the tip of the nose fell on the barrel of the pen, and it trembled slightly, causing the lines to be skewed.
The second time I copied, the goal was still not achieved, and it failed at the 419th stroke.
The third copy, failed.
The fourth time to copy... The fifth time... The sixth and seventh time...
Until the eighth time, Angel finally successfully copied a magic pattern. Next is the critical moment. Can you smoothly fit the shaft and smoothly transition to the second magic pattern
One tick, one swipe, one turn, and then a circle, when two-thirds of the way is reached, go back counterclockwise…
After half an hour of engaging the shaft, the nib finally entered the second magic pattern after a diagonal pull!
At this point, Angel's heart overflowed with joy, and when he lost control of his emotions, the lines under his brush took a little nap, marking the end of this copying.
Although he failed to copy again, Angel was still very happy. At least he could confirm that by cheating, he should be able to draw the magic energy array completely.
But here comes the problem.
Even if he can completely copy the magic energy array, it is limited to white paper.
When the alchemy is officially performed, the depiction of the magic energy array requires a stable and continuous output of magic power. It will take two days to copy it once, not to mention whether the energy can make him persist for so long, just his magic power consumption is a problem
Even if he copied the "Death Prologue" to a very skilled level, it still took a day or so to describe it.
Angel calculated it by himself. If he only stably output magic power to enchant, he should be able to hold on for half a day.
Where to find the total amount of magic power for the remaining half day? In addition, when he was portraying, he also had to ensure that the hand of hot melting and magic was uninterrupted, which was another big man eating magic.
So... until the problem of magic power is solved, he can't continue.
…
A week after Angel disappeared, he came to the Prome Alchemy Shop again.
When he came, it happened to be the most leisurely time of the day, and David was quietly wiping a rough-shaped machete with some kind of green juice prepared on the counter.
A machete with a completely different style from the wizarding world, its name:
- Chinese kitchen knife.
Angel gave most of his alchemy works to David for sale. This kitchen knife was his second alchemy work, which was refined for the purpose of experimenting with one-piece molding.
Apart from being sharper, it has few advantages.
It wasn't until David covered the green juice completely on the kitchen knife that he noticed that there was another person in front of him.
"Angel?"
David put the kitchen knife aside and said, "You can count, Master Prome has been waiting for you in the store these days, and didn't go back until last night."
Hearing that Promi had been waiting for him for a week, Angel faintly felt guilty in his heart. These days he was addicted to cultivation and couldn't extricate himself. He never thought that Promi would always wait for him in the alchemy shop...
"There are too many misleading information, cough, I searched for a long time to find some signs." Angel turned his head sideways, covered his mouth with his fists and pretended to cough twice, and said vaguely.