Ben Whishaw feels very innocent. John Riley and Renly are two old foxes. You come and go and let him get into a difficult situation by himself. To hold back his smile and avoid laughing, this is definitely a part of life. Great torture! Whishaw classmates expressed strong condemnation to the two guys righteously.
Dark humor can create such a comedic effect, and the lighthearted joy of the "Lobster" crew is absolutely unpredictable before the start, but... Maybe this is the chemistry? This also means that Oggs' casting vision is vicious, and he has gathered a group of excellent actors.
In the jubilant atmosphere of the audience, Ogus should be the only exception: although the problem of Whishaw's laughter cannot be ignored, it is not a fatal problem through the splicing of different cameras. Even if there is no reshoot, post-editing The production can be completed without worrying about revealing the stuff; what's more important now is the genius of Renly, which disrupted the original plan of the whole scene, but at the same time gave the characters more possibilities.
Judging from the effect of the whole scene, in fact, the tone of black and cold humor meets the requirements of Oggs' ideas, but countless emotions emerged in Oggs' mind, and the whole story began to spread out, as if being messed up by cats Like a ball of wool, Lala slag had to show a lot of clues, which looked dazzling, but he needed to find out the thread.
"Renly?"
Ignoring the cheerful atmosphere of the scene, Oggs took the initiative to come to the actor's side, motioning for John and Whishaw to stay where they were, while he came to Renly's side and looked Renly's eyes squarely, "Actually, I have a question, It's been there since the first day of filming, but I never found the opportunity to ask; this scene just reminded me again, so...why did you slow down your speech?"
After a short pause, Ogus explained, "I mean, your whole rhythm is slowing down, not slow motion, but slowing down the tempo... Is that so?"
At the end, Ogus also added a question to make sure that his judgment was not wrong.
"Yes." Renly answered in the affirmative.
Ogus nodded lightly to show his understanding, and then there was a moment of silence, and he had to ask repeatedly, "And then? Why did you do this?"
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"...Oh." Renly paused for a while before he could react, then his eyes fell on Oggs, and he quietly paused for a breath. "You mean that, right?" Slowed down a little. The rhythm of the words once again reproduced David's feeling, which made Oggs nodded in agreement, but the next words made Oggs a little abducted—
"There's no reason. It just feels right," Renly said.
What
Oggs looked at Renly with question marks all over his head. He originally thought that Renly would, as always, analyze more details about David from the perspective of personality and psychology, and then explain his reasons for acting like this. For example, David is an introvert, usually stays at home, and is not good at socializing; another example is David’s thinking speed is a little slow, and even the rhythm of speaking slows down; Life is out of tune with the surroundings, which is also the reason why he was arranged to get married... and so on, and so on, he is also looking forward to this reason to find more inspiration for the scene of the three-person dialogue just now.
But... what? No reason? What is this answer? Aren't liars joking? What kind of rubbish answer is this
Because Oggs' stunned expression was really too shocked, which made both John and Whishaw chuckle - the scene was indeed a little joyful.
The corners of Renly's mouth also rose, and he patiently explained, "There is no particular reason. On the one hand, I am indeed pondering David's character and characteristics, but those details have no essential roots, and they cannot be regarded as character frames. Being distracted is just a small detail; on the other hand, I am also studying comedy acting, hoping to find a way of acting that suits me and adds luster to the character."
Bala blah.
Bala blah.
Renly's speaking speed has returned to normal, switching from David mode to Renly mode, and he spoke a lot, Ogus savored it carefully, and finally came back to his senses, "What do you mean? , you just thought it had a sense of humour to act like this, so you acted like this?"
"Yes." Renly nodded affirmatively.
Ogus' face was full of love.
A smile appeared in Renly's eyes, "Why, isn't there much humor in such a performance? I thought you liked this kind of performance."
Ogus opened his mouth, but found that he couldn't say yes or no, "...I just," Is this sure it's not a fool? "I just thought you had more thoughts and deep meanings, just like before." Unconsciously, Oggs expressed his true thoughts in his heart.
John and Whishaw both laughed, and Whishaw couldn't help but complain, "Look, I'm not the only one!"
Renly looked innocent, "I'm just trying to be a comedian."
"..." Ogus couldn't refute.
Renly is serious, and presents the role of David in a comedy way. Obviously, there are many ways to perform. He carefully analyzed David's character and the subsequent plot, and finally chose a "turtle" style performance. , to show the innocence and restraint of David's character.
But if it is said that pure and kind-hearted characters all talk and act like this, then it is not necessarily. There are bound to be many different ways of performing and performing. It's just that Renly chose this way, hoping to create a A contrasting cold humor, invisibly infiltrating the comedy effect.
Regarding comedy performances, Renly is still pondering and exploring. "Lobster" is obviously different from "Super Marines". He needs to interpret his own style in the style frame of Oggs, which means that he needs to inject more Effort, especially those blank spaces without lines, is very important for comedic effect.
Seeing Ogus' depressed expression at this time, Renly asked earnestly, "Why, don't you like it? Still not suitable? Do you want to adjust all the previous parts?"
"No, no, no." Ogus waved his hands again and again, "I'm just curious..." After a pause, Ogus raised the topic of discussion with a little urgency, "I'm just worried, David's behavior during the conversation is Isn't it too radical? On the contrary, it is unnecessary to force the audience to guide the audience, as if it is forced to tell the audience how to think about the scene. This seems too low-level."
"Oh." Renly dragged the end and seemed to be thinking, "Then do you need me to modify the way of acting? Or should I delete all the lines that were played on the spot? Or just suppress the whole emotion, as much as possible. Bury those emotional clues a little deeper?"
Renly was engaged in the discussion intently, without any cynicism. In fact, the on-the-spot performances are not necessarily all positive, but more inspired by the full understanding of the original performance foundation. Naturally, there are good and bad, and the final choice still needs to be decided. So he threw the question to the director to see what the director needed.
On the contrary, Ogus hesitated. If it was before, he might have suspected that Renly was joking; but now he knew that Renly was sincere. Always being extra focused, it also meant Oggs needed to rethink the scene.
To change, or not to change, that is a difficult question.
"No, I mean, I like some parts, but I don't like some parts." Ogus was somewhat contradictory, but after thinking for a while, he still decided to follow the "old rules":
Repeat the shooting several times, and then in the post-production process, select the clips that you are most satisfied with, and edit them to become the final work.
This decision made Whishaw groan in pain, covering his cheeks with his hands in annoyance, "God, please forgive my poor soul."
That depressed look made John laugh loudly, "Ben, don't you know that the more you are like this, the more you can stimulate us?"
Whishaw quietly put down his palm, and looked at John with some confusion and confusion, as if he didn't quite understand.
Then Whishaw turned to look at Renly and cast a questioning glance, but Renly shook his head repeatedly, "No, it's just him, it's nothing to do with me. I have no prejudice against those special hobbies, but again, I There are no special hobbies, and I think we should treat John with a sense of normalcy."
What special hobby? abuse? Or abused? what or what
Renly's meaningful hints shocked the surrounding staff, and all those wonderful glances were projected towards John.
Renly also said to John, "Right, John?"
John blinked and turned to look at Whishaw. "Has anyone reminded you that you have to be careful with Renly? I finally understand what that means now."
In a cheerful and relaxed atmosphere, shooting resumed.
Not only Renly, but John and Whishaw also began to adjust a little, trying to rub different sparks in the performance, and the whole shooting process was full of laughter:
Sometimes, Renly can still create new inspirations and interpret the character with different feelings; sometimes, Renly needs to change the rhythm and content to explore the role of David; Xiao cooperated and rubbed sparks in the chemical reaction of the three people; other times, he completed the performance in a normal and step-by-step manner to see if it met Oggs' needs.
This was originally a relatively long scene, and three different shots had to be adjusted before and after to complete the shooting; moreover, a large number of lines also needed to be kept in a stable state, which invisibly added variables to the shooting, which also caused the three people to go back and forth. After shooting seventeen times, I got the nod of Oggs, and finally ended the torture of this long night.
Poor kitty Whishaw, finally liberated.