There must be no answer to this question. Old Chen proposed to take a look at the gilt bronze statue, which can be photographed and preserved by the U.S. Army, and buried in the ground with a lot of effort, must have its special features.
Bai Amai did not refuse, and took people to a well-restored house. The roofs were covered with brand new tarpaulins. As soon as they entered, everyone smelled a smell of soil.
At a glance, the small room was filled with things they dug out of the soil. Obviously, the gilt bronze was only one of them.
Old Chen said with emotion: "Brother Bai, you have dug so many things out, are you still crying poor?"
"Things are in hand, but people are in Vietnam, and there is no way to get rid of them. I heard that a group of tombs of Hu Chao had been dug up recently. I think there must be a lot of domestic Taoists who have heard the news. Let Li Zhongfu go to Hanoi. As for the things dug up, you can take a closer look."
The problem can be seen from this view. These things are basically not from Vietnam’s craftsmanship. Not only are the production areas extremely scattered in space, but also in a long span of time. There is the Guanzhong jade bi of the Han Dynasty and the northern Xianbei style in the Southern and Northern Dynasties. Old Chen’s eyes were straight when he saw this copper coin from the Chu regime of Tanzhou in the Five Dynasties and Ten Kingdoms period. It’s not an exaggeration to say that it is a rare treasure. It is now handed down to the world. But two digits. Of course, there are also gilt bronze statues with snake heads and snake bodies from Tibet and Nepal during the Ming and Qing Dynasties.
In addition to these valuable or worthless artifacts, there are dozens of corpses, wrapped in tarp paper hastily, and placed on a shelf made of tung oil.
"Brother Bai, why did you even dug up the capital of the corpse?" Seeing that there were too many corpses, Old Chen took it for granted that they were the corpses that were buried.
"Because the age characteristics of these corpses are not the same. Some thousands of years old corpses have rotted into scum, and some of the more recent corpses..." Bai Amai squatted down and picked up the tarpaulin paper on a corpse. "You yourself Look."
This is a white bone. The clothes on his body are covered in mud. The original color is no longer visible, but it can be recognized. It is a jacket. Bai Amai kicked the mud lump that was set aside with his foot. "This is a camera."
Old Chen squatted down and watched for a long time, and he actually recognized the mud shell: "This is the world's first camera made by Casio in 19887 that uses a CMOS chip as a photosensitive material."
Bai Amai said: "As expected of Chen Lisi, this can be recognized."
"The palm eye must know everything. It's a pity that this machine, if it hadn't been buried in mud for decades, and it still has great collection value until now."
Bai Amai pointed to the corpse. The sky was already dark by this time. Depending on the situation, they seemed to have no power. They could only be a Vietnamese holding a torch to come in and illuminate, "Look at the hair of the corpse, this should be a Westerner."
The entire corpse had turned into white bones, and the skin that connected the hair must have disappeared. The hairs were all scattered on one side, wrapped in mud, and everyone bent over to see that the hair was indeed curly and yellowed unique to Westerners.
"Even foreigners have them. No wonder they can afford to use this kind of camera. This is strange. Why are there so many corpses in different time and space around this tomb of Yu Ji, and they also carry funerary objects with the characteristics of their respective eras? "(End of this chapter)