Although the crisis is temporarily resolved, but with such a big movement just now, I am afraid that the mother Jiao around now is on the way to hear the news. Ning Shan stood up and looked at the crowd. Behind Guo Huihuang and the Ripper also limped out of the darkness and returned to the team. After the chaos, there was no loss of personnel. Although it was already exhausted, there was still hope.
"Leave here quickly." Ning Shan said.
Everyone quickly packed up, put on their pitiful backpacks, and left this messy tunnel. But it was too late. The mother Jiao moved surprisingly fast. Soon we heard the familiar dragging sound, and it was a very rapid sound. A female Jiao is coming quickly.
The crowd retreated in the opposite direction.
Because there are too many people and the tunnel is narrow, it is inevitable that there will be confusion and scattered people. When the tunnel in front of me was full of people, and the dragging sound behind me got closer and closer, the desire to survive drove me out of the large army and ran in the other direction.
When I gradually stopped and had time to catch my breath, I found that there was no one around me, and no one knew where I was.
This is an embarrassing fact. I didn’t care about the route when I was escaping, so I don’t know where I am at the tomb of Yu Ji. I need to check the surrounding terrain carefully and match it with the three-dimensional map in my mind. , So that you can determine where you are.
I tried to communicate with other people on the walkie-talkie, but found that I don’t know when it broke. It seems that the backpack was used as a shield when fighting the female flood, and the waterproof layer was worn through. When I was escaping for my life, I panicked and fell into the silt at an intersection of a pile of rocks, and got out of the silt. After getting up, the dragging sound behind him was already very close, and he didn't care about him and continued to run forward.
I opened my backpack and saw that except for compressed biscuits, everything else was unavailable, including the walkie-talkie.
I simply took out the biscuits and threw away everything else to reduce the burden. Now I only have a little food and the diving light I have been holding in my hand.
Slowly check the surrounding terrain, and leave a mark where you have moved so that others can find me.
When I sneaked through the surrounding tunnels, and carefully checked the top and corners of my head, I became more and more confused, because this seems to be an area that has not existed on the map.
After checking, I basically know the surrounding terrain, but it doesn't match the map in my mind at all. No area belongs to where I am.
This is fucking weird.
Could it be that Ningshan showed me a fake map? Not so much, no matter what, he is also a pro-brother, and he is also a Ning family.
Then there is only one possibility left. The area where I am located belongs to the "silt area" marked on the map.
The silt area belongs to an unknown area, and it is blocked after the silt inflows, and belongs to an area where no information is obtained. But when Ning Shan showed me the map, he also said that there is a certain possibility that there is an unobstructed area inside the silt area.
If you are in the area inside the silt area? How did you get in
I began to reminisce about the route I took to flee for my life in a panic, and found that the most suspicious was the time I fell into the mud. At that time, I was almost drowned inside, and my whole person lost the sense of direction, crawled out of the mud, and came here.
Could it be that the chain reaction of the big explosion brought about by the country of wet floods, the rock formation collapsed, causing an entrance to this silt area accidentally appeared, but oneself ran into it by mistake
That luck is too bad. Because even if there is space inside the silt area, the topography is unknown, it is a maze, and the entrance I entered is probably the only exit. How can I still find it
The more I thought about it, the more I felt sweat came out on my head, because I recalled the three-dimensional map in my mind and felt that the silt area where I was located was probably the largest silt area in the entire Yuji’s tomb, lying on the second floor. Between the first floor and the first floor, the two floors have almost occupied a part, and the entire area was originally blocked.
This is a huge maze in the mist, and the maze is likely to have only one exit.
I can only tell myself to calm down. The first thing I need is to find the boundary of this labyrinth. The boundary may be rock formations or silt. If you move along the boundary, you may find the exit. However, this area is not a simple plane figure, but a three-dimensional space with a shape similar to a sphere. To find a point on the inner wall of this sphere.
I adjusted the light of the light source in my hand to the darkest mode, and ate another compressed biscuit. I almost choked to death. After regaining some strength, I started to walk forward lightly, leaving a mark as I walked.
I don't know when, the surrounding rock formations began to change. It is no longer the original single black-gray rock, but has become a pale loose rock mass, with many densely packed loose pores distributed on the rock. In addition, the rock mass is also inlaid with fossils of marine life, shellfish, algae, and fish. I can recognize some shapes that resemble a seahorse.
The graininess under the feet is also very clear, which are coarse salt grains naturally precipitated after the seawater evaporates.
I think this should already belong to the first floor area.
The first floor of Yuji’s tomb is the oldest and the deepest. The former oceanic plate was lifted out of the ocean by geological movements.
This is also the oldest stronghold of the Wet Jiao civilization.
Curiosity drove me to move on.
The more I move forward, the more it changes my impression of the civilization of the Wet Flooding Land.
Throughout the second and third levels, the wet Jiao civilization gave me the feeling that a kind of productivity is inferior to the primitive society of mankind. Because human beings in primitive society have been able to build houses, make tools, and even make primitive artistic creations.
And when I walked from the third and second floors, I didn’t see these things. The wet floodwaters are like primitive beasts, stubbornly living in the underground of the Changshan Mountains, just like polar bears as long as there is ice and snow. As long as fish have water, sheep can live as long as they have grass. They have not pursued and created more things.
But in the most primitive ancestral land of the wet dragon, I saw something even more different.
The second and third floors only have undesigned tunnels, not even honeycombs.
But on the third floor, I saw a wide and neat tunnel. I saw the wide caves neatly arranged on both sides of the tunnel. I even saw murals in the caves.
When artistic creation appears in a group, this group can be called civilization for the first time.
These murals were concealed under a thick snow-white salt crust. I accidentally smashed a salt crust and discovered the creation of another civilization underneath. They came from the depths of the ocean hundreds of thousands of years ago in that wild era.
They are completely different results from human artistic creation, because their creative environment is in the ocean.
I stripped off the salt crust covering the entire rock mass, only to get a glimpse of that civilization.
This is a rock with a smooth and smooth surface. The pattern depicted on it has no color, but there are changes in depth, something similar to our hollow creation. The above depicts the life of the wet floodwaters in the ocean, and there is no narrative description, more of a decorative effect.
I tried to find text on it, but I couldn't find it.
In addition to the murals in this cave, another thing worth mentioning is an experiential huge hollow sculpture. Why is it experiential? Because if there is still sea water here, then the wet dragon can freely walk through this hollow sculpture, but due to the limitations of the environment, I have no chance to see the overall image of this huge sculpture.
The space on the third floor is in order. The space for human activities is flat, but the wet floods living in the sea are not restricted by gravity. Their space for activities is three-dimensional. Therefore, the daily urban architectural design has more suspended designs. Although it has been covered by salt crusts, I can still feel the inspiration of those artists hundreds of thousands of years ago. (End of this chapter)