Seeing the barrage sent by Annan, the delicious wind goose was taken aback.
Then he reacted quickly—
Yes, it is indeed necessary.
"This friend is very smart, and he is not bound by inertial thinking. He is half as witty as me."
The old goose praised casually: "I didn't read the letter just now. I subconsciously thought it was the same as the previous child god. But it is a new environment now, so I really need to confirm it..."
With that said, he opened the envelope.
The envelope still contained fragments of Alley's diary.
Delicious Wind Goose realized it when preparing the backboard as usual.
This diary mentions that "Amos's painting hangs on the wall and looks like a corpse outside the window", which is actually a psychological suggestion.
After the homeless children read this letter, they turned around and saw the corpses in the hall, and then realized that "it was the painting that became the corpse". It is precisely because of the foreshadowing of this letter that the sense of fear will become more profound because of "anticipation"—or, in other words, the ability to react immediately.
This is a technique used in many horror games and horror movies.
The producer will mix some fragmented information with the main information and give it to the audience, using curiosity, fear and other methods to arouse the user's attention.
For example, the audience will become nervous when "suddenly seeing blood stains"; while "seeing people with their backs or bowing their heads" will subconsciously want to know the front; seeing "a group of people gathered together" will want to know what is inside. What is it; after finding the "closed cupboard" and entering the "closed space", you will want to know what is inside.
This principle has a simple application.
In the early years, some scary old pictures were popular on the Internet. Generally speaking, it is similar to the kind of very long suspension bridge, but when you pull it to the end, you will suddenly see a grimace.
This is because when flipping down, the curiosity in people's subconscious is mobilized. That's why people can realize the horror at the moment of seeing a grimace, instead of reacting in a daze - there is no doubt that the latter will greatly dilute the sense of fear.
The same is true for turning back after reaching the end and opening the door to enter a new strange space. It is precisely because the sense of curiosity is fully mobilized that people can expose themselves to those horrible things in the state of the strongest learning ability and the most sensitive to things.
Only those who have this letter can clearly realize the fear of the painting becoming a corpse; and when the shadow changes, the "someone outside the window" appears in the mind for the first time, instead of thinking that they are dazzled or It was a mistake.
Then the problem comes.
This letter is on the fourth floor and is said to be useless.
It might be the key to get the diary in the cupboard... like the knife is the key to the tomato on the second level.
If a tomato represents food and blood, a knife represents cutting and death. Then the diary and the fragments of the diary must also indicate something...
— No, not only that.
What if you get the knife on the second floor, but instead of entering the nightmare of the second floor... you go straight to the third floor
On the third floor, you have a weapon in your hand. Then maybe it won't be such a disadvantage to Brother Sledgehammer.
If you're lucky, you might be able to beat him back once...
Delicious Wind Goose turned quickly in its mind, and murmured:
"Yes... yes...
"If you got the clothes on the first floor and the knife on the second floor, then you can put the knife in the clothes. If you didn't hesitate after taking the diary just now and walked forward, you can let Brother Sledgehammer directly appeared behind him.
"—At this time, the distance between him and Amos can be wounded by a knife!"
Delicious Wind Goose suddenly became enlightened.
Annan also realized what he meant—
"...I see, I totally get it."
Annan murmured in a low voice: "The reason why there are no nightmares on the first floor is because there is nothing in the display cabinets on the first floor.
"There is a piece of clothing on the coat rack, implying 'there is a way beyond the nightmare'. That is, the existence of the negative layer.
"There are tomatoes in the display cabinet on the second floor, and the key is a knife. After the tomato is cut with a knife, a lot of blood will flow out... This implies that those homeless people were lured here because of food. Maybe their fate... It must be squeezed into juice. The tongue in the tomato may refer to Amos's eloquent tongue, deliberately tricking them into being fooled.
"So... those dark shadows under the chandelier may be those homeless people."
Annan thought of the blood and black flesh that were everywhere in the basement during the live broadcast one by one.
That is definitely not the weight of one or two people.
But if all the homeless people he tricked were killed and thrown into the basement for bloodletting... that amount would be about the same.
Annan tapped his thigh lightly with his fingers, and the light in his eyes became brighter and brighter:
"The key words on the third layer are the diary and the fragments of the diary. The diary undoubtedly alludes to the key information point of the 'study room' pointed out in Ai Lei's diary, and the fragments allude to the ceremony of the 'Skeletal Lord'. The fragments were extracted from The act of tearing out a page in the diary... no doubt foreshadows the end of Ai Lei's 'eyes' and 'hair' being taken away after the ceremony."
The core mechanism of this dungeon is nothing else...
It's that display case!
What is in the display cabinet represents the key words of the nightmare on this floor!
And what should be in the display case
painting! !
Think again, the hallucination Jiu'er fell into on the second floor...
So those small copies, will be displayed as "Gallery: xxx"
Because they are actually in the illusion created by Amos' works...
— No, not right.
Players take on the role of Amos.
So this should be Amos entering the hallucination he created...
Annan suddenly realized that he, the players, and the priests of Yinjue had all overlooked an important point.
They seem to be subconsciously... linking the horror elements that can be seen everywhere in the copy of the gallery with the sledgehammer who hunted down Amos.
But if...
Are those terrifying traps not in the same group as Sledge Hammer
What if this layer upon layer of never-ending galleries...is actually a means of escape set up by Amos himself
It's not impossible.
On the second floor, Jiu'er had already shown Annan. Amos can control the space in this building at will... He can easily create complex, twisted, and messy architectural structures.
Just can't confirm the location of others.
Then, Annan suddenly had an idea in his mind.
Brother Sledgehammer chased after him on the second floor and suddenly disappeared... When he was chasing and killing on the third floor, he couldn't chase into the gate.
That's probably because of this complex, terrifying gallery.
Actually helping Amos escape!