Huaian, as the name suggests, has a whole set of white skirts. This set of white Hanfu is completely incompatible with the cheap white Hanfu worn by Liu Man when he met Xiao Keer.
This is the real Chinese dress. Its white is very correct, it is the white of cotton and linen, not the pure white of modern fabrics. If you look carefully, you can see the position of the skirt and skirt, and the flowers are embroidered with silk. The petals of Sophora japonica are very realistic, and what's more beautiful is that when the light hits these petals of Sophora japonica, the petals will turn into a very light green.
Green and white are both reassuring colors, maybe this is why the designer named it "Huai'an".
After Liu Man changed his clothes, Tao Zhiyao clapped his hands and praised, "The goddess of Hanfu has appeared again."
"White is standard," Li Xiaoru said with a smile.
Didn't Liu Man become popular in the beginning by wearing a white Hanfu
But in this place, Shen Mozhen is the protagonist, and Liu Man is a supporting role. The clothes are already very fashionable, so Miao Xiaomei lightened Liu Man's makeup, and only applied foundation and blush that suit her skin tone, making her complexion look brighter. Looks more even in spotlights. Miao Xiaomei combed Liu Man's hair in a relatively simple bun, not as complicated as last time.
After Miao Xiaomei finished styling Liu Man, the performance of Shen Mozhen and Wen Fangfei had already begun.
The two of them performed a guzheng duet, "Long Lovesickness".
This song expresses Bai Juyi's noun "Long Lovesickness": "The Bian River flows, the Surabaya River flows, and flows to the ancient ferry in Guazhou. Wushan is a little bit sad. Thinking is long, hating is long, and the hatred will not rest until you return. The moonlight people lean on the building."
Wen Fangfei played the beginning, and she played the first half solo.
Thanks to Professor Su's high-pressure education method, Liu Man not only knows about Bai Juyi's life, but also has just recited this poem, but she still hasn't heard the tune.
Since Wen Fangfei is Shen Mozhen's junior sister, her guzheng level is very high, there is no doubt that Liu Man has already learned it when she rehearsed with her.
From the sound of Wen Fangfei's piano, Liu Man can feel the sadness and longing. Probably this song, like its lyrics, expresses the resentment of the boudoir.
The first section in charge of Wen Fangfei ended, and the next section was played by Shen Mozhen solo. When Shen Mozhen's piano sounded, Liu Man's eyes suddenly lit up.
Because she felt a clear difference. The boudoir resentment is still the same boudoir resentment, but no matter how affectionate, how lonely, how much hurt and parting, it will be in the clouds and the wind.
Shen Mozhen's realm is much higher than Wen Fangfei's!
Perhaps this is the reason why Shen Mozhen is called the goddess of folk music. Her talent and understanding are indeed difficult for others to match.
At the end of the song, there was another burst of warm applause.
Shen Mozhen and Wen Fangfei stood up at the same time to greet the audience.
Wen Fangfei left the stage from the left, while Shen Mozhen looked to the right, with a smile on his face, making an invitation gesture.
At this time, the last song "High Mountain and Flowing Water" tonight was displayed on the screen, Guzheng: Shen Mozhen, Guqin: Liu Man.
The auditorium, which had always been solemn and quiet, suddenly had low voices of surprise and discussion at this moment.
Everyone whispered, is Liu Man that Liu Man
How many Liu Man are there in the Capital Conservatory of Music
When Liu Man appeared from behind the scenes and walked to Shen Mozhen's side, the audience was stunned.
It really is that Liu Man!
Liu Man who can play the guqin is the only one.
But aren't they rivals in love? Shen Mozhen is actually willing to invite her to be on the same stage! Everyone was very surprised.
Most of the audience had heard Liu Man's Guqin performance of "The Butterfly Lovers", and they were deeply impressed by her, and they also had expectations for this song "High Mountain and Flowing Water".
But in the audience, Wei Wanru, who had been suffering from heart discomfort for the past few days, suddenly felt refreshed, sat up straight, and leaned forward slightly, as if she was a little excited. Beside her, Shen Mozhen's father, the famous composer Shen Heng asked her curiously, "Who is this child? You all seem very excited to see her."
Shen Mozhen's mother, Yun Sa, a famous yangqin player, also looked puzzled. They are all elegant musicians and rarely pay attention to things on the Internet. However, Shen Mozhen had already told them that she and Tang Tu broke up, but did not mention Liu Man.
"She is a genius comparable to your daughter," Wei Wanru smiled mysteriously, "You will know after listening to her "High Mountain and Flowing Water" later."
Shen Heng and Yun Sa were very surprised. Wei Wanru cherishes words like gold, is a strict teacher, and rarely has such a high opinion of their daughter. How good is this girl that Wei Wanru values so much
Shen Mozhen only changed clothes twice in the middle of the game, one time before the collective ensemble, and one time before playing with Wen Fangfei. When she was on the same stage with Wen Fangfei just now, she was wearing the same Hanfu as she is now.
Her Hanfu is white on the top and light orange on the bottom, which is in line with her gentle and gentle temperament. A professional stylist also made her a retro Han Dynasty bun, and put on the delicate makeup that Miao Xiaomei didn't like.
The two girls are standing on the same stage, both dressed in gorgeous Hanfu, both young and beautiful, both classic and elegant, their styles seem to be similar, but their temperaments are quite different.
Shen Mozhen's temperament is more pure, she is a professional and refined artist, while Liu Man's temperament is unpredictable, she has a sense of literature and art, literature and art are usually associated with Xiaoqing, but her literature and art can be compared with The atmosphere is equated with generosity.
The two sat down in front of their respective instruments.
Shen Mozhen moved his fingers and played first.
They had rehearsed in advance and had a clear division of labor. Shen Mozhen was in charge of the main theme, while Liu Man performed the variation.
"Mountains and Flowing Water" is a must-play piece for all students who learn Guzheng, but few people can play the essence of the piece.
Shen Mozhen has played "High Mountain and Flowing Water" many times before, and her version has been highly praised by teachers, parents and classmates, and now she just performs it again.
But her condition is actually not good. Shen Mozhen is only 22 years old. This is the first recital in her life, the first long-term uninterrupted performance, and she has no way to hold the audience completely.
Playing continuously for one and a half hours, unlike before, you can exit with a perfect scenery after only playing one or two tracks. This is also completely different from the usual rehearsals. She is facing thousands of spectators, some of whom are holding live broadcasts on their mobile phones. In fact, she is under a lot of pressure and needs to be highly concentrated, let alone perform A musical instrument itself is a physical activity, and normal people will get tired.
When playing with Wen Fangfei, Shen Mozhen had already held on to the end, reached the limit, and almost couldn't hold on.
Playing with Liu Man again at this time, she occasionally looked a little dazed, and accidentally played one or two wrong notes, but she quickly realized the problem and corrected it immediately. Most people would not be able to hear her mistakes at all.