Of course, this was just a small episode, and Deng Yuntian didn't take Mu Chenhao's response to heart. In fact, he had been playing a big game.
His target has never been Orange Pictures, but the entire M Moser Group!
Of course Nalan Lei doesn't understand this, and Mu Chenhao won't know either, because he is facing the next problem, which is the interview!
For applicants, this is a problem. In fact, for employers like Mu Chenhao, this is another problem. Because of his lack of professionalism, he could not judge who was more capable. The conference was approaching and he had to find the right candidate as soon as possible, so Mu Chenhao took Ma Huayun, Shennu and several other current members of the team with him Together, we have prepared a professional program for painters participating in recruitment
interview. "After the company's selection, you have passed the preliminary examination. Today, I, Mr. Ma Huayun, the general manager of Sweet Orange Pictures, and our Sweet Orange chief writer, will conduct a re-examination on you. I must remind everyone that only if you show your Only by doing your best can you pass the test." Mu Chen.
Hao said.
"Now, the assessment officially begins!" Ma Huayun then announced the news of the start of the assessment.
This assessment is in the form of interviews one by one. In order to prevent unfair factors such as advance preparation, the assessment questions are randomly presented by the examiner on the spot. The purpose is to assess whether employees can perform well under pressure. Personal expertise.
There are a total of 10 people who have passed the preliminary examination, but unfortunately, the first nine are either arrogant and disobedient to management, or are blindly arrogant, have limited talents and knowledge, or have weak psychological endurance and cannot face the pressure...
In short, they were all eliminated one by one. When Mu Chenhao was a little disappointed, the tenth artist entered the interview room.
This is a very ordinary-looking young man, wearing a clean shirt, with a hint of tiredness from staying up late, and the whole person looks very comfortable.
"I think he should be able to do it." The goddess quietly said to Mu Chenhao who was standing aside.
"Him?" Ma Huayun heard the goddess's words and couldn't help but said, "Nine people have already passed, can he pass?"
"He seems quite confident." Mu Chenhao did not refute.
Ma Huayun curled his lips and thought, "Confidence? Who doesn't have confidence? These days, there are so many people with high ambitions and low hands."
Mu Chenhao didn't say anything more and just said lightly, "We'll find out later."
The young man had actually heard their conversation, but he didn't say anything. Seeing the young man's calm attitude, Mu Chenhao couldn't help but give him a high look.
Ma Huayun no longer said anything, but sat upright and spoke with a scrutinizing gaze:
"Today your interview question is, within half an hour, use characters as the theme, no background is required, the composition is required to be according to the body proportions of Asian women, the posture is random, the angle is random, a simple light and dark relationship is required, and the luster of the hair can be simplified , can it be done?”
The goddess watched carefully from the side. This topic was set by her, and this requirement was also studied. Tiancheng wanted talents, so the assessment standards were also very high, almost comparable to some international mainstream animation teams.
This requirement seems very simple, but there are many skills hidden in it.
First of all, there are the requirements for women. In terms of human body structure, the female body is much more difficult to draw than the male body. Men pay attention to sharp edges and corners, while women are like "clay figures."
It is as soft and supple as a ball of mud, but it is by no means shapeless like mud. On the contrary, the physical characteristics of women are more difficult to grasp. If a painting is not good, the soft and beautiful characteristics cannot be reflected at all. Therefore, female characters account for a large proportion in world-famous paintings.
And she also specifically stated that she is an Asian woman. In fact, there is a mystery hidden here!
The biggest difference in stature between Asian and European women is not shoulder width or hip width, but height.
Of course, it goes without saying about the silhouette. European and American women have a typical eight-headed body, and their figures are basically perfect, but Asian women mostly have seven to seven and a half heads.
The goddess pointed out that she was an Asian woman, obviously to test the young man in front of him of his grasp of the human body structure. If he drew an exaggerated nine-headed beauty, he would have ignored the proportions and would be easily eliminated.
After looking at Mu Chenhao and others in front of him, the young man took out a few pieces of A4 white paper from the drawing board he carried with him. He did not rush to start writing, but continued to carefully consider the goddess's request.
What he is considering now is not actually the first two. The most difficult one is actually the third one, which is the requirement of invisibility!
"Any posture, any angle!"
When Ma Huayun said these two sentences, he seemed to be understatement. If he were not a professional painter, he would definitely ignore this problem and paint a bad work!
These two sentences test the soul of animation: the tension of the picture!
What posture does a person make and which body part is placed at the front of the picture? This seems simple, but it is a knowledge that absolutely tests the layout of the picture.
A fist or a hand can be placed in the front several times larger than the figure in the painting, just to give people a visual impact. This is an exaggerated way of expression.
There is no tension in the picture. If it happens to be a passionate genre, then it can almost be said that this work will never make people passionate unless the plot is very exciting.
For half an hour, the young man frowned and considered for nearly ten minutes before he carefully made the first stroke.
Composition begins!
In order to make everyone realize his value in such a short period of time, the young man decisively chose to copy. It was also mentioned in his resume that he is good at copying the works of various internationally renowned cartoonists.
The first step was to draw a line frame. The young man drew a pencil line in the lower middle position of the picture. The goddess knew at a glance that this was his waistline.
Then there is another one, which is the line of the neck, and another one, which is the knee.
Three lines took only a few seconds in total, and then he roughly sketched the body posture of a character as if he were drawing a robot.
This person has no facial features and no hair. His head is a concave and convex oval shape, and his arms and body are all barrel-shaped. He looks like a tin robot.
Her left hand seemed to be holding something, and her right hand was raised high. Two dotted lines scattered out of her hand and rushed out of the screen, reaching the end of the paper. Her body was as tight as a bow, and her knees were slightly bent. You could tell at a glance, We are waiting for you. With just a few strokes, the goddess actually sat up straight. As soon as the expert made a move, he would know whether it was there or not. The goddess knew that the young man in front of them might be the new member they had been waiting for!