It’s not that the external style is not good, it must explode when it’s time to explode. But for the ninety minutes of the movie, it is impossible to be in the explosive stage every moment. There is dormancy, ups and downs in the middle, and the aftertaste at the end. What these stages require are delicate and rich layer transformations.
If you think about it this way, although her performance in "The Tempest" is indeed a little better than that of Shang Feier, it also takes advantage of her character and her face. Her face would be the focus of any movie she appeared in, unless she deliberately acted ugly. In the explosive scenes, she has more tension and vitality than Shang Feier. However, she is a little stiffer than Shang Feier in some delicate transformations. It's just that her appearance was so shocking that the audience ignored the details and only saw her face and performance.
Bo Yan felt the subtle sense of dissonance, but since it was his first time as a director, he didn't express it immediately. But it was obvious that both he and Xia Siyu were aware of this at this time.
Xia Siyu has a lot of airs, her manners have been specially practiced, and she has read the script for a long time, so she has accumulated all the shells. But she is still too superficial. In this movie, all the sharp edges in her body are worn away, and only her subtle expressions, slight ups and downs of tone and very few movements are used to express the character's emotions.
After all, Chen Bailu in the play is only a few days away from committing suicide.
Moreover, both Bo Yan and she had a feeling that if Xia Siyu could play the role to the fullest and fully express this flavor through a few details, she would definitely win the three major Chinese awards in the future. From the outside to the inside, this is a big breakthrough, which will make her acting skills a qualitative leap.
This kind of reminder is actually something that directors from other crews would also ask actors to do. This is why some movie stars, who perform very well in movies, end up landing on their faces in TV series. Because TV drama directors rarely get to this point, even taking one shot dozens of times. If Xia Siyu were to act in a TV series, she would definitely succeed in that one just now.
It's a good thing that a director can be polished. If Bo Yan hadn't been the director, Xia Siyu had just gone berserk on the set and would have actually been classified as a drama tyrant. In the future, the director may not teach drama again, and he may not ask her for his next drama. This is an improvement for her, not deliberately seeking trouble.
However, this was her husband, and even if she ignored him, she still wanted him to coax him!
So she snorted and turned her face away from him. Bo Yan asked her softly: "Do you want to go back, adjust and start again?"
Xia Siyu snorted again and turned her head to the other side.
Boyan stood up: "Okay then. In this case, you take a rest first, and I'll ask my aunt to perform."
As soon as he finished saying this title, Xia Siyu looked up at him with confusion in her eyes. Bo Yan paused and said, "It's not my aunt, it's my aunt? No, it should be my aunt?"
Only then did Xia Siyu realize that he was talking about Li Yiru, and her expression suddenly became tense.
Bo Yan pretended to be serious: "Why are you laughing? If we have a child, she will be a grandma."
Li Yiru is not even thirty yet, and she is about to become a grandmother. Thinking of this, Xia Siyu wanted to hold back her laughter, but couldn't hold it back and burst out laughing.
With this smile, the cold arrogance she had just pretended melted away.
(End of chapter)