CP sense is really a metaphysics.
Sometimes, even if couples who have been married for decades stand together, they may not feel connected. It doesn’t necessarily mean that only good-looking people have a sense of CP. In some plays, the male and female protagonists are very good-looking, but when they stand together, they feel like you are not good enough for me, and I despise you. Instead, there is no sense of CP. Some male protagonists are too greasy. If he weren't handsome, his way of trying to hook up with girls would make people want to call the police. Some heroines have their beauty turned on to the maximum, always looking innocent, silly and sweet. There is no sense of CP when these two people come together.
Although the sense of CP can be achieved by relying on acquired acting skills, innate conditions are still too important. The scenes between men and women sparkle, and as long as there is a tacit understanding in the eyes, it may be better than a real couple. Of course, TV may be able to use editing to cut out the feeling, but movies really rely on real conditions and acting skills.
Another strange thing is that some real lovers or couples, when acting together, can't let go. On the contrary, in the ambiguous stage, or the stage of good feelings between men and women, the attraction between two people is the strongest. Maybe it's because the real couple has been together for too long. Although they have a good understanding, there is always a familiar feeling of left hand holding right hand. The heartbeat of a man and a woman meeting for the first time, the twists and turns in the process, and the hesitation, cannot be expressed.
Especially, if there's also a boat scene. Even if they are two actors with very good acting skills, the feeling of strangeness and familiarity is completely different. You may think your performance is good, but on the big screen, every move, every expression, and every muscle tremor is magnified countless times. If you want to win an award, you have to be paused and pondered over. If the emotional scenes are not important, then it doesn't matter. The most important thing is that the emotional scenes are the main focus.
Li Yiru watched intently. However, Xia Siyu and Boyan chose well this time. They didn't choose a drama where a man and a woman fall in love at first sight or have strong physical contact. The play "Sunrise" is their reunion after a long absence. We obviously still have each other in our hearts, but we have been apart too much and reunited too little. Because of social changes and different life experiences, the gap is too deep and there is no turning back.
If their love goes smoothly, it is indeed difficult to find feelings. But they had fallen in love and broken up before, and although they were married, they were strangers. Looking back now, although it was just the twists and turns in their emotional experience, when the emotions at that time were put into the play, it was easy to empathize with the characters in the play.
Just like Bo Yan, when he looked up at Xia Siyu, he was thinking that if he hadn't acted, he would have been persistently competing with Bo Yi for the Bo family's property. When he and Xia Siyu met again four years ago, she was already a big star, and he was still a little-known university lecturer. The gap between them was just like Fang Dasheng and Chen Bailu in the drama. If he hadn't taken that step bravely, would they not be together now
As for Xia Siyu, what she was thinking was that if she had not agreed to marry Boyan at that time, they would never have crossed paths in this life. Oh, maybe there will be, just like the heroine and the hero in the play, when two people meet, they will nod and say a few words. If we still have work to do together, then pretend that nothing happened in private, and maybe even cooperate in the hype about CP. But my heart is still desolate.
(End of chapter)