Since it is a reply in the post, there is no question.
After reading many comments about celebrating more than one year, it finally looks like it. From the beginning of casually flipping through the first volume, to now gradually getting into the plot, I can't help sighing secretly: I'm afraid another big family is born suddenly, well, it's definitely not the kind of earth-shattering birth.
The writing is like a small bridge and flowing water, the wind is clear and the clouds are calm, elegant and lively but not lacking in kindness. Yes, when I read the second volume, the first thing I could think of was to use these two words to describe Maoda's writing style. The slightly mischievous approach cannot conceal the elegance between the lines and a trace of self-admiration (maybe this word is not used well) pride.
The author's ability to control words and literary background seem to be so incompatible with popular writers in this so-called era of Internet literature, oh, or to say supernatural? Looking at the kindness brought to me by such words, I had the same familiar feeling in many literary classics a long time ago. To use a very vulgar summary: everyone's demeanor
I always feel that a good book has a soul in every line and every sentence, and always conveys a sense of beauty. For such a book, even if you put aside the ups and downs of the plot and the provocative description, just reading such a text is still a kind of enjoyment.
It is difficult for me to explain this feeling to others or to refute other people's views. Perhaps the love and preference for words can only be attributed to a feeling. After all, these elves that only jump between the lines are not like specific storylines that can capture what you like plainly and easily.
In fact, in the so-called Internet literature that pursues short-term pleasure, people who write and read like this should not appear. Such an abrupt thing will inevitably attract criticism from others, and in this circle, there is nothing wrong with such a person.
I just like this kind of feeling that I haven't had for a long time, so I like "Celebrating More Than Years" with such text, and I also hope that this feeling can last until the end.
This book will be the fourth one I would recommend to a friend on the Internet, right
The first is "Wukong Biography", an old book read almost ten years ago, a poignant love story under the cover of a familiar plot? A fantasy prose full of philosophy? Perhaps it is more like an essay exposing the cruel and dark side of reality? The most recommended boutique in online literature, the recommended objects are male and female, regardless of age.
The second book is Obscenity. I admire how Yanda can construct those cruel, insidious and reasonable plots, giving you hope but destroying the struggle of hope. It was only later that I learned that Yanda had such a prominent past as the chairman of a listed company. I couldn't help but understand that the road in reality is also full of thorns. The protagonist with incomparable personality, the ups and downs of the plot, bloody violence, seductive eroticism, and dark humanity; all popular elements are included, but behind the unscrupulous, blood, sweat, and tears are how many people can read ? "Let there be light!" In fact, who can really be God
It will only be recommended to young and optimistic male friends, it is really not suitable for children.
The third book is "A Good Man in Tang Dynasty". Also has an ugly name. Most of the masters seem to have an almost precise control over the development of the plot, mundane but reasonably smooth like everyday life. It’s the rare network that makes me feel warm and natural, and it’s the only network where I don’t want to see an end because I’m as afraid of seeing it as I am of the interruption of my daily life.
The writing style of "Tang Nan" is also quite good, but it is in the style of slang in the market, and it is hilarious from time to time; and the exquisite carving between the structures also makes people smile knowingly. Perhaps the writing style of "Celebrating More Than Years" is too generous and solid, but the plot transitions are not as natural as "Tang Nan".
Perhaps "Tang Nan" and "Celebrating More Than Years" have impressed me so far in terms of pure writing. The former is the warm and comfortable plot control, and the latter is the writing skills of everyone's demeanor. This is the feeling that I personally admire, and I only rely on my feeling. If someone refutes it, I am speechless. Just like when I recommended these two books to others but was compared with a certain yy and came to the conclusion that I was speechless: because there is no comparison between them
A reminder to Mao Da: Regarding the level of martial arts, it should not be simply measured by grades, it is too formal and Westernized. Perhaps Mao Da was too lazy to choose such a ready-made routine? In fact, this film is more oriental, like the old generation of martial arts, it only roughly and vaguely defines the style of the so-called masters, and no one knows who is the most powerful until they fight. As for the measurement standard: they are all masters , guess for yourself.
Although I know it's impossible to change it, I still can't help but talk about my feelings