Angel looked at it carefully for a long time, but did not understand what these irrelevant and incomplete magic marks were trying to express.
Also, why is it engraved on such a piece of armor
Angel didn't understand the meaning of this armor for a while. After thinking about it, he decided to put it aside for now and find the laboratory first.
As for the abnormality of this strange armor, if you still can't figure it out later, go and ask the tree spirit.
Thinking of this, Angel took a deep look at the armor blocking the road, then bypassed it and continued to walk forward.
Because of the appearance of the armor, Angel has determined that this road is different from the road that made him "circle" before, and he will definitely not let him walk for more than ten minutes without finding an end.
This was indeed the case. Angel walked about twenty steps forward, and saw a staircase going down.
This is a staircase that winds down like an entangled snake. When Angel went down to the first corner, he saw a door.
When approaching the door, the candlesticks on either side of the door were immediately lit.
Angel was worried about the linkage, and checked the candlesticks, and found that the two candlesticks did not contain lamp oil, but a kind of metal round block, which looked rough, like a semi-finished product of alchemy.
After Anger used the Eye of Nalda to identify it, he confirmed that the metal block was indeed a product of alchemy and was composed of dead phosphorite.
The characteristic of the dead phosphorite is that when it senses the breath of a living person, it will emit a dim light like a phosphorous fire.
Similar to the situation of this candlestick, this metal block probably sensed the breath of a living person from Angel, and began to illuminate.
Unlike the previous candlesticks, this one is not a mechanism.
After confirming that it was not an agency, Angel looked at the door. Although there are various patterns for decoration, this door is just an ordinary iron door.
On the door was a brass number plate, which read in the official font symbol: Drawing Room.
Below the living room, there is a row of very beautiful cursive characters: "Although it is used to receive guests, there are not many guests who are qualified for me to meet."
It can be seen between the lines that the person who left the message is definitely an arrogant person.
Angel guessed that this may have been left by the previous resident of the ruins, Tizallo.
Angel used his spiritual tentacles to explore the iron gate. As described on the door number, there was a very simple living room. Behind the red curtains, you could see long tables and chairs, as well as various It looks clean, but it is estimated that it has not been washed for hundreds of years.
Angel entered the living room and turned around, making sure that there was no energy feedback or traps in the room, and he walked out.
After walking out of the living room, Angel continued to walk down. On the next floor, I still saw a door. After Angel arrived, the candlestick was lit again.
With the light, I can clearly see that the bronze plaque on the door reads: Study.
At the same time, there is also a row of cursive characters below the study: "I don't need a bedroom, but I want a study where no one can disturb me."
"This is the study room?" Angel looked through the door with his spiritual power, and there were indeed rows of tall bookshelves behind the door.
The feedback of mental power is not dangerous. So, Angel pushed open the door directly and walked in.
There is indeed no danger inside. The bookshelves are neatly arranged, but they are basically empty. There was a desk in front of it. When Angel approached, the candlestick on the desk lit up directly, thinking that it was the alchemy product of dead phosphorite.
There are pen holders, ink, and blank paper on the desk, all neatly arranged. Before the ruins were sealed, someone deliberately cleaned them.
The shape of the bookshelf is a bit like the bookshelves of the library on the cloud, and there are even special magic patterns to restrict people's books, and the magic patterns can only be activated if the conditions are met.
However, now the magic pattern has no energy supply, and the mechanism has been cleared and no longer effective. Moreover, there are no important books on the shelves, only a few mortal works.
Angel walked around and confirmed that there was no abnormality in the study, so he continued to walk down the stairs.
What surprised Angel was that when he reached the third underground floor of the stairs, he came to the end.
This third underground floor is also different from before. There are two opposite doors here. There is a door on the left, and the bronze plaque on the door reads: Material Library.
The squiggly characters in the row below are: "The material library is built so big, it's better to expand the laboratory."
Angel looked at the typeface, and basically confirmed that it must be Tizallo who left this typeface, because according to the dryad, there are only two people who occupy this ruin and live for a long time, and regard themselves as masters.
One is the original builder of the ruins, and the other is Tizallo.
The cursive characters on the bronze medal are obviously a rant against the person who built the ruins. This also shows that the squiggly characters must be left by Tizallo.
Angel did not check the material library for the first time, but turned his head and looked at the door directly opposite the material library. According to Tizarro's complaints, Angel has basically determined that this door should be the laboratory.
Sure enough, there was a bronze medal hanging on the iron door, which read: Laboratory.
Below the laboratory, there are also Tizallo's cursive characters, but this time it's not a rant, but a very short line of words: "If you don't, please don't enter!"
The bright red font shows that Tizallo's attitude towards the laboratory is obviously different from other rooms.
This is probably the place that Tizallo attaches great importance to.
Angel looked at the laboratory and the material library, and finally decided to go to the material library first. After all, Tizallo attaches so much importance to the laboratory, indicating that there may be traps in it.
Pushing aside the material library, what comes into view is not a room, but a huge space.
Just like Tizarro's complaints, this material library is surprisingly large.
It was like a huge cave, several times larger than other rooms in both height and width, comparable to a medium-sized square.
In front of Angel is a staircase going down, which can reach the bottom of this space.
After reaching the bottom, Angel further confirmed that this might really be a natural underground cave. Because he saw a lot of stalactites, but the tops of these stalactites that emerged from the ground were cut off and transformed into tables and display stands.
Angel casually approached and looked at it, and found that there was writing next to the display stand near him.
Not cursive characters, but very regular characters: Secret Finance.
Secret financial gold is a special kind of magic material.
On this display stand, it says Mi Financial Gold, which means... This used to be the location where Mi Financial Gold was placed
Angel looked at the other display stands again, and sure enough, the names of various materials were written, and it was once the place where magic materials were placed. However, it is now empty.
Angel walked around the material library and understood why the material library is so large, because there is a miniature woodland for placing magic plants; there is also a hot melt area that simulates a volcanic environment, where various fire elements are placed. Materials... Vacuum areas, frozen areas, desertification areas, artificial lakes, etc., divide the material library into countless pieces.
It can be said that this is a very comprehensive miniature ecological material library.
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