Ruins negative second floor, bedroom.
Or in the library.
Angel and the tree spirit stood in front of a wall covered with mottled patterns, surrounded by bookshelves that they had removed.
"Behind this wall, there should be the hidden room shown on the map." Angel reached out and touched the wall, his mental power turned into filaments and wanted to drill through the wall, but like the rest of the ruins, Spiritual power penetrated about a meter behind the wall, and could no longer probe inwards.
Angel reluctantly withdrew his mental power and looked at the tree spirit: "Lord Shuling, since you know that there is a hidden room behind this wall, can you just smash it open?"
The reason why Angel asked this was because he once thought about smashing the wall, but the tree spirit said at the time that the relic body is in the void and can hover in the void for a long time, not afraid of void energy and void creature erosion, the ruins The shell must have special properties. In other words, the ruins are a seamless structure. Any damage to the integrity of the ruins will directly expose the ruins to the void, making it easier to become a target for void creatures.
Moreover, it is very difficult to destroy such relics.
Therefore, Angel's previous proposal to break the wall was refuted.
But now Angel thinks that behind this wall is a hidden room, and breaking it should not affect the external void, so he proposes a method of breaking through the wall to track.
After listening to the dryad, he shook his head: "According to the map, although the hidden room is adjacent to the study, it is not close together. There is a large blank space in the middle, which is still empty. Otherwise, your spiritual power will directly penetrate the wall. And pass without being blocked.”
In other words, breaking the wall is still an inadvisable approach. Unless, you really choose not to have this ruin, let it break, let it drift in the void, then it can be destroyed.
However, for a relic that can hover and hide in the void, the construction materials are very expensive. For a hidden room of unknown value, Angor personally feels that it is not worthwhile to give up this relic.
But on the premise of not destroying the ruins, it is difficult to find the hidden room.
Angel shook his head: "I originally thought that repairing the broken magic pattern on the door would give us a glimpse of the truth of the ruins, but the reality is still helpless."
The tree spirit also sighed: "The clue is now there, and the location of the hidden room has been found, but what's the use? If there is no correct way to enter, it is better to have no clue, at least don't expect it."
After the tree was inspired, he turned and walked towards the door: "I'll go look at the map again."
The Dryad wanted to see if there were any missing clues on the map.
Angel also followed. When they left the study and closed the door of the study, their eyes saw the bronze medal on the door again.
Tizarro's rant was displayed in front of them in flamboyant swashes—
"I don't need a bedroom, but I want a study where no one can disturb me."
"Tizallo modified this house number before he left the ruins. It seems that he found a map showing the broken magic pattern on the door." Angel: "Has he entered that hidden room?"
The dryad shook his head: "I definitely haven't been in, but I really did, and I will tell according to Tizallo's character."
While they were talking, they walked towards the gate of the ruins.
The three-dimensional map at the door is still slowly rotating with dim light, showing every room in the ruins comprehensively.
They carefully observed for a long time, and their eyes have been focused on the hidden room.
Angel also noticed during his observation that what the Dryad said earlier was true. Although the study room and the hidden room are separated by a wall, there is indeed a blank space in the middle, which represents the void.
The hidden room is not connected to the study itself. Therefore, the high probability of entering the hidden room is through short-distance teleportation.
This is the same as their previous inference, just like the knight's armor inexplicably appeared in the corridor, there is no other means, only spatial displacement can do it.
But I didn't see any magic patterns related to spatial displacement in the ruins...
When Angel was puzzled, the tree spirit shook his head and sighed: "No clues have been found. It seems that the only way to enter the hidden room is to start with the knight's armor."
Angel also knew that the knight's armor might hide clues, but the magic pattern on it was too broken, and there were too many magic energy arrays that could be combined, making it extremely difficult to repair.
For a while, they seemed to have fallen into a vortex of incomprehension again.
"I don't want to, I can't think of anything." The tree spirit stood up, pushed open the door of the ruins, and walked straight to the tree clone at the door: "I'll go back and talk to Rhine first to see if there is anything he can do. If there is really no way, just let it go for the time being and talk about it later.”
The luminous spirit body of the Dryad merged into the big tree, and finally disappeared.
Angel also rubbed his temples and closed the gate of the ruins with regret.
…
The Wilderness of Dreams, Ocean Theater.
Angel sat on the empty seat and frowned. It wasn't until the jumping notes began to ring in his ears that Angel slowly recovered and raised his head to look at the theater stage.
I don't know when, Jon came to the stage, sitting in front of the black and white piano, his hands flying.
Jon is playing a piece of music that Angel has never heard before. It is very leisurely and lazy, like a lazy sea breeze, blowing slowly on the calm sea... Although the music is simple and calm, it is like the sea In general, what is revealed is Enron, and what is hidden is endless power.
After playing the song, Angel applauded, and Jon walked off the stage with a smile.
Angel: "I don't think I've heard this song before?"
"This piano piece, the first chapter of the "Sailor" trilogy, was taught to me by Popota a few days ago, and I played it a bit jerky. According to Popota, it was created by their clan. Jon sat next to Angel, with emotion in his eyes: "Although it is quiet, it can make people feel the movement of power. Popota's people are very outstanding in musical attainments, and they are definitely a palace. master class."
Jon: "The interpretation of music and art in this world is no worse than that of the earth. If there is a chance, I really hope to meet such a master of music."
Angel: "..." I'm afraid it's impossible to meet. Popota's so-called clansmen, only Dodolo still exists. Dodoro, in Angel's impression, does not seem to be able to play the piano. The clan mentioned by Popota is estimated to be the predecessor of the Baiyuan clan.
Angel was not easy to explain the situation of the Baiyuan clan. After a moment of silence, he changed the subject and said, "Why didn't you see Popota?"