The 70th Venice Film Festival officially kicked off.
"Gravity" debuted as the opening film, and vigorously raised the banner of the 70th anniversary celebration. Whether it was the thunderous applause that lasted for 15 minutes, or the enthusiastic crowd that did not want to leave for a long time after the screening, all All of it shows that this movie has undoubtedly become a much-anticipated blockbuster!
But unfortunately, because "Gravity" did not participate in the main competition unit, the official journal did not include relevant media comments on this work, which also made the audience lose the platform to stream professional media comments in the first time. The feedback information becomes fragmented and cannot be accurately connected.
In a sense, for most audiences, good reviews are good reviews, but there is almost no substantive content. The film is still covered with a veil in the clouds and mist, and the mysterious temperament is always lingering. further increase expectations.
In fact, the first wave of praise is already on Twitter and Facebook.
"The undisputed best of the year 2013!"
"Every frame is a visual enjoyment, the most wonderful viewing experience after 'Avatar'!"
"Wonderful! Wonderful! Wonderful!"
"Best movie viewing experience in movie history? It may be controversial; but, best movie viewing experience after the millennium? Without a doubt!"
"Perfect! From the director to the acting, from the script to the visual effects, everything is perfect!"
"The right way to turn on 'Gravity': walk into a movie theater, choose IMAX and 3D, and really feel the magic of cinematic light and shadow."
"Ah, the best of the year! Absolutely and definitely! A movie beyond words!"
"If someone is on my knees and watched the whole movie, then you go into the cinema and feel the same way."
"Rising applause! Personal best of 2013! Even though Renly has contributed a wonderful work of 'Drunken Country Ballad', the shock of 'Gravity' is still irreplaceable!"
"Please let us collectively witness Renly Hall's second Oscar! Thank you!"
…
The mighty voice of praise has already completed the screen-swiping achievement on the social network platform. In just 24 hours, more than 100,000 comments have been swiped, not only the audience who are participating in the Venice Film Festival in Watertown. Everyone, and the audience waiting quietly in the North American continent, everyone is crazy!
"Welcome to Toronto! Renly Hall!"
"I'm ready to queue for 48 hours! 'Gravity', if I don't see it in Toronto this year, I won't stop!"
"Six days countdown! Now I finally understand what it feels like to live like a year! Who can save me, I really want to see 'Gravity'!"
"Ready! The information from Venice has been received, and now it's our turn to debut in Toronto!"
"Is it really that good-looking? It's the biggest expectation of the year! 'Drunken Country Ballad' has not been officially released, and now 'Gravity' is coming? So excited!"
"What to do, what to do, my hands are shaking now, Master Renly is coming to Toronto!"
"I heard that the Toronto media show has been broken, and even the reporters are starting to tear up. What should we do? Can we still see it this year?"
…
"The audience in New York said: My heart is dead, and there are still three weeks to count down."
…
Unanimously praised and unanimously praised, according to the feedback from the audience at the premiere, the praise index has broken the table, even surpassing the praise craze of last year's "Avengers" media screenings, and it has easily become one of the past. One of the most watched works on social networks in years.
It is unimaginable that "Gravity", which was still undervalued in the preparatory stage, has become the biggest hit of the year in just one year!
But after in-depth analysis, there is also necessity in the accident—
In the past twelve months, from "Edge of Tomorrow" to the EGOT Grand Slam, from "Drunken Ballad" in Cannes to "Gravity" in Venice, Renly's position in the industry has completed a triple jump, and now He is a well-deserved top actor, and his influence and appeal to the market is even more unprecedented.
So far, including the lowest-grossing "Transcendence", Renly still maintains an impressive record of the quality of his works, making him the most vicious actor in the industry. It only took three years to complete the feat of EGOT, and it is definitely not a white wolf with empty gloves.
To put it horribly, even if the quality of the finished product of "Gravity" is not satisfactory, even worse than the box office fiasco such as "Cutthroat Island" and "Future Water World" that set the Guinness Book of Records, the audience is willing to Venture into the movie theater to see how Renly got into Waterloo.
That's how Renly dominates the North American market right now—at least from a buzzing standpoint.
What's more, now that "Gravity" has received rave reviews in Venice, the expectations are naturally rising, and all major social network platforms have become the world of this movie for a while.
But how much box office can these hot spots convert into? Also, how much water is mixed in the praise? This is debatable.
As we all know, major film companies will more or less release public relations drafts when they are promoting, especially internal test screenings or reporter screenings, as well as fan test screenings of comic-adapted movies. After these screenings are over, generally all It is a good review, but there is not much substantive content. It is more of a publicity plan, because film companies and distribution companies need to warm up and create topics with good reviews.
The most obvious is the Marvel movie. Every early comment on the social network must be "Marvel's best". It seems that every work is constantly being upgraded and improved, but even the most die-hard Marvel fans are not. You know, this is impossible, everyone still has their own personal preferences, and the appreciation tastes will naturally vary, not to mention that it is almost an impossible task for the series to make progress every time.
But with the advancement of time, after Rotten Tomatoes and the media comprehensive review open comments, whether it is a mule or a horse, this will reveal the original true face.
Although "Gravity" was screened at the Venice Film Festival, the audience and media quality of the film festival are still trustworthy; but "Gravity" this time only appeared as the opening film, and the praise is more or less watery. Yes, according to the current trend of comments, "Gravity" is almost on the throne of "Best in Film History", which is obviously too exaggerated.
Therefore, for most audiences, it is still looking at flowers in the fog.
The Twitter frenzy creates hot topics, which is also a notable feature of the Internet age and smartphone age; the media comments that follow are ushered in objective scrutiny, and both positive and negative comments must be pulled out for a walk, so that the Audiences can be more accurately positioned before entering the cinema.
Although "Gravity" is not a film in the main competition unit, as the opening film of the 70th anniversary of the Venice Film Festival, major authoritative media reporters still paid enough attention; coupled with the regret of missing Cannes, there are also two private parties. Warming up, almost all the reporters came out on the night of the premiere, and their feedback was a little late, but it still arrived as scheduled.
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"This is the most perfect exploration of the balance between business and art since 'Batman: The Dark Knight'."
A simple sentence reveals two pieces of information, one is "Dark Knight" and the other is "perfect". Even if you don't read the full text of the entire film review, you can clearly feel the excitement and admiration from the film critics. ; and the weight of this comment is even more incredible when one pays attention to the names of the contributors and the media they work for.
This is a movie review from the famous film critic Michael Philip of the authoritative professional magazine "The Hollywood Reporter". He gave the most sublime praise without hesitation, expressing his admiration and love clearly and clearly.
"In 'The Dark Knight', Christopher Nolan discusses the definition of justice and evil in a profound and profound way. The game between the three characters of Batman, Joker and Two-Face vividly interprets this philosophical proposition, writing An insurmountable monument in the history of superhero movies.
However, in order to highlight the complexity and philosophical thinking of the theme of the story, Nolan had to sacrifice the brisk rhythm and climax/climax stacking of commercial films, which also made the artistic quality of the film more prominent, while the commerciality was slightly inferior. However, Batman's own comic attributes still have a broad mass base, which makes up for this shortcoming. Nolan's efforts and attempts are absolutely worthy of recognition.
This time, in 'Gravity', Alfonso Cuaron explored profound themes of philosophical reflection, such as the origin of life and the meaning of existence, with a light and ingenious approach, and further explored the relationship between business and art. A delicate balance has been found between them, making watching a movie a real pleasure.
The simplified narrative style preserves the ups and downs of commercial movies to the greatest extent, and the precise rhythm control perfectly connects the climax/tide and the foreshadowing, and the audience is absolutely ups and downs and exciting.
At the same time, the far-reaching composition of the picture and the details of the performance with a long aftertaste have virtually completed the fusion of characters and stories, themes and reflections, and the philosophical concepts hidden therein are pure and mysterious enough.
The simplicity of business and the profoundness of art should be contradictory, but in Alfonso Cuaron's lens, a balanced harmony is achieved, which truly interprets the perfect state of film art. Perhaps, it is not the best commercial film, nor the best art film, but it is definitely the best model of art commercial film! "
Careful attention to Michael's words and sentences in the film review shows that in fact, Michael did not give spoilers or analysis, but explained the profound viewing experience from the audience's perspective to the greatest extent possible, and praised as objectively as possible. This is precisely the most successful and touching part of "Gravity".
This is not all!