Not just Christopher and Emma, not just Jessica, but also Anne Hathaway, Timothy Chalamet, and other crew members, as well as photographers, gaffers, assistant directors, etc. The crew members also complained:
Who knows where the so-called "internal rumors" came from
Anyone who has actually worked on a studio set should know that those rumors are ridiculous and ridiculous! Does this mean that the rumors can only come from some "insiders" who never made it to the studio set
Jessica Chastain hated the rumours, especially seeing the pain Renly endured on the set.
"Renly has never and will not delay filming because of his personal affairs. On the contrary, of all the actors I know, Renly is the only actor who is more desperate and crazier than me. I don't know what rumors are Where the hell did it come from, if some crew thought they were in the office and watched the filming seem to be a few percentage points slower than expected and then could easily put all the blame on the actors, then except Besides being stupid, I don't know how to express my opinion."
Jessica is still the sharp and refreshing Jessica. She doesn't care whether her speech and opinions will offend the real promoters behind the scenes. She bluntly pushes back all attacks without concealing her disdain. Yes, it is disdain and contempt.
As she said, "I don't want to answer such a stupid question". In her opinion, this rumor itself has no credibility and discussion value at all.
The "Interstellar" crew all stood up to defend Renly, and things suddenly became subtle. So, who was the person who broke the news in the first place? Now that the entire crew is openly opposing and complaining, how should the whistleblower handle themselves? Most importantly, has the relationship between the source of the revelations and the crew deteriorated further? So, who is being pushed out by the crew now, is it Renly or the behind-the-scenes whistleblower
Although the crew did not have infighting because of Renly, the differences still exist objectively, which also means that the crew does have conflicts that cannot be ignored and cannot be ignored. After the "Fast and Furious" crew, the "Interstellar" crew also seems to be facing more internal problems. What's going on
"Renly is the broom star?"
Is this the correct answer? Could it be that any of Renly's performances may lead to conflict? This... This sounds too much like a fantasy, or does Renly have the "white lotus" attribute
For industry insiders, it is not difficult to understand.
When there is no interest involved, naturally there is no drama, just like the friends made in school days. Friendship at that time was the purest and simplest; however, after entering the social workplace, friendship and even family and love will inevitably change. becomes more complicated, as real-life entanglements of interests will become clearer.
The same is true of Renly now.
There are more and more interests and more and more influence maintained on Renly, which also means that there may be more and more objects of conflict of interest and more and more disputes over interests. Naturally, through interests There will be more and more friends gathered, and at the same time more and more enemies will be born because of interests, and right and wrong will become more and more frequent.
Just like when Renly joined the "Fast & Furious 5" crew, Diesel was immediately alert to Renly's arrival.
Recently, Renly and Thomas Tour have frequently had entanglements in multiple projects, and the latter has begun to increase conflicts and collisions in order to safeguard their own interests; moreover, they have had a small fight with Diesel. In comparison, the interests between Renly and Thomas are more important, which also means that each collision will be more fierce.
This is just the beginning.
Judging from the current situation, Renly's advantage on the public level is gradually increasing; while Thomas has an unparalleled advantage in capital. In fact, from a certain perspective, it can be understood as the conflict between Wall Street capital and Hollywood art. The original DreamWorks was a utopia where the entire industrial conflict was assembled, but in the end, DreamWorks lost to Wall Street Capital after all and suffered the regret of splitting. destiny.
Now, that's what the Renly-Thomas conflict is like. Renly, representing Hollywood, and Thomas, representing Wall Street, are fighting for their own rights and fields, or the subject and attributive should be reversed. Renly represents Hollywood and Thomas represents Wall Street. After all, there is no competition for interests between the two. Strong enough to represent the industry, at least not yet.
The most special thing is that Hollywood can also be divided into the West Coast Los Angeles School and the East Coast New York School. Undoubtedly, the former integrates better and more mature with Wall Street capital. The contradictions exist, but they are not intensified; while the latter still retains stubbornness and even stupidity. The art insists that Wall Street capital has never been able to reach a consensus with them, just like water and oil.
Renly is the orthodox New York school. To be more precise, Renly is the European school, which is even more artistic than the New York school. It is more artistic, more self-contained, and more retro.
This also means that the conflict between Renly and Thomas becomes more and more unresolved and compromised.
Now this conflict has begun, and it will continue in the future. And the Hollywood industry has already faintly felt this turbulent posture. They stand on Renly's side of course, just like a breakthrough in Renly's remuneration. This is a closely related interest to the entire Hollywood, and Hollywood has no reason to choose Thomas.
The quickest and most obvious indirect advance is the momentum of awards season.
Since egot, Renly's momentum in the North American film industry has reached an unprecedented height, which has also made him fall into the "young and famous" stereotype. At only 24 years old, he has already stood at the top of the world. After coming down, there is almost no way to go to a higher level, and the academic schools from North America to Europe are gradually starting to cool down.
Unsurprisingly, Renly will have a hard time securing a place in this year's awards season.
But the development of things is not so simple.
There is no doubt that the two works of "Gravity" and "Drunken Country Ballads" are excellent enough to rank among the classics, and as the well-deserved protagonist, Renly's performance is even more amazing, easily surpassing any previous works. The admiration caused by the work has once again made an incredible breakthrough, breaking the shackles brought by age boundaries, and breaking the shackles of the peak of praise, and once again ushered in the unanimous appreciation and amazement of professionals in the industry.
All of them are reminiscent of Marlon Brando in his prime, and it is a collection of thousands of favorites, as if born to belong to the big screen.
So, in the face of Renly, how exactly should the Academy choose? How should awards season be chosen
If that's all, the academy wouldn't be so difficult, Tom Hanks is the best case
Biquge
"Being so young and excellent, with such good luck, he has won so many praises early, and has created a height that no one else can reach in a lifetime. This also means that there will inevitably be more opportunities in the future, although this time's work The performance is also top-notch, but let's give the opportunity to others, other more urgent and more eager actors, after all, there are too many unjust, false and wrongful convictions in Hollywood, and there are too many actors who need awards and compensation." .
That's the idea of the Academy.
Looking back now, is "Love Crazy" really so good and so good? Good enough to make Renly the youngest Oscar winner in movie history
That's a question mark, even compared to Renly's own work, the "Crazy Love" performance may not have made it into the top three. So, when Renly made history with "crazy in love", shouldn't it be time to take a back seat and let others win? In the whole of Hollywood, Renly is not the only good actor.
If Tom Hanks can go 12 straight years without an Oscar nomination, why can't Renly, who has won three in a row, wait any longer
In other words, even though the excellence of "Gravity" and "Drunken Country Ballads" has been affirmed by all industry insiders, it is still impossible to ensure that Renly will be able to seize the first opportunity in the fierce fighting of this year's awards season, and even Also because "too good" leads people to automatically ignore Renly "Even if it's not me, others will choose Renly, so I'll choose other actors who need more awards".
There are many popular people. This is not only manifested in the paparazzi and gossip, but also within the Hollywood Academy. Now Renly is standing on the cusp of the storm and has become a thorn in the eyes of countless people. If this attitude continues, Renly's awards season The outlook is bleak.
Last year, "detachment" fell far short of expectations, keeping Renly's awards season on track.
This year, "Gravity" and "Drunken Country Ballads" were far more influential than expected, making Renly's awards season an elephant in the room that everyone sees, but everyone avoids talking about.
But the conflict between Renly and Thomas unexpectedly changed the game.
Everyone knows that Renly is fighting for higher pay and more power, and he's the 15-year-old man after Tom Cruise and Leonardo DiCaprio. The first real "superstar", the personal charm and market potential enough to break the blockade of the entire industry, "Interstellar" is the best embodiment.
Now, Renly and Thomas are further striving for the well-being of the actors. Although this is a personal interest, they can benefit all actors after the breakthrough. So, should Hollywood help Renly
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