How could a headless ghost listen to the old man's threats? In addition, ghosts are most afraid of the crowing of chickens. Lu Fei ravaged the rooster and it screamed continuously. The thing seemed very panicked. It suddenly flew up and flew out along the corridor. The head hung down and turned around. The face was ruddy, just like the face of a living person. It was really beautiful.
Seeing that the headless ghost ignored the peach wood sword in his hand, Guan Taiping became furious. He made a hand gesture and chanted two spells. The yellow talisman on the tip of the peach wood sword suddenly burned and flew to the top of the corridor.
Don't say this move is pretty cool, it's almost as cool as mine. Since they were fighting hand to hand, I didn't need to intervene, so I stopped.
The headless ghost was forced by the fire and hurriedly retreated. In an instant, a black aura flashed and revealed its true form. This dead thing is indeed a headless dead ghost. It is very short, with thin limbs, wearing a ragged piece of clothing, and a piece of white paper is sealed on the neck. In his left hand, he held the woman's head, and in his left hand, he held a bloody kitchen knife. It turned out that he used this "rusty" knife to cut the head!
"Light the candles!" the old man shouted, stepping on the ground and waving the peach wood sword.
Upon hearing this, A Bao immediately lit a red candle and raised it with his left hand. He then held the Bagua mirror in his right hand and shook it sideways. The candlelight was refracted by the mirror and directed onto the headless ghost.
At first I was a little puzzled, what were they doing? But then I saw the old man use the peach wood sword to flick a talisman and burn it on the candle flame. Suddenly, a spell character appeared in the flame, and a piece of it was refracted by the mirror, burning a large area on the headless ghost's chest. This thing had no head, so it couldn't scream, and it jumped back in pain. As it retreated, it lifted up the white paper on the neck of the man's head, and blood gushed out immediately.
I felt something was wrong and was about to go over when I saw the headless ghost lift up the white paper on his neck and put it on the human-headed king's neck.
The head turned a few times along with the seamless neck, and opened its eyes. The pair of pitch-black eyeballs were vivid, without any trace of death.
Immediately afterwards, the old man burned another talisman. A Bao used a mirror to reflect the talisman fire, burning a spot on the headless ghost's left shoulder. He screamed in pain.
Damn it! The screams echoed so loudly in the corridor that it made me feel cold in my heart and my scalp numbed.
I also understand the magic of the old man using the Bagua mirror. This kind of magic has never been seen in the ancient books of Maoshan, nor in the Great Wuliang Technique. I guess it is similar to the witchcraft technique of Lao Liang, which is simple and fast. It seems that the old man is really good at it. It opened my eyes again.
Boss Zheng ran up in a panic, and when he saw his concubine in such a state in the corridor, he was so frightened that he sat down on the ground. His whole body felt like a sieve, his teeth were chattering, and he couldn't utter a word.
When Guan Taiping was burning the talisman again, the headless ghost suddenly flew up in a parallel manner, with its head in front and its feet behind, and came towards the master and apprentice. Ah Bao hurriedly turned the mirror around and refracted the light onto the woman's face. The old man was so scared that he quickly slapped him on the wrist. If they burned the face, let alone the reward, Boss Zheng would probably not let them go.
At this moment, the headless ghost rushed over, scaring the two guys to move aside in a hurry, letting him fly through. The old guy was indeed a master, he quickly held the peach wood sword in his mouth, pulled up the whisk around his neck and wrapped it around the headless ghost's left leg. The calf was as thin as a stick, and it was immediately wrapped tightly, and pulled back.