There is nothing luxurious about the decoration inside the Zui Cao Pavilion. Looking at it, you can see that the windows are bright and clean, and it is completely fresh and elegant. There are many calligraphy and paintings hanging on the surrounding walls, almost all of which are unsigned. They should be written by layman Tsing Yi himself.
The layman in Tsing Yi was the dignified and high-ranking Yuan Emperor in the Guanhai Immortal Palace in the past. He was already standing at the top of the secular world. The so-called glory and wealth no longer meant anything to him. What he pursued was the sublimation of his own state of mind. Since he is known as He has three great skills: calligraphy, painting, and wine. Naturally, he takes pleasure in these three things. Therefore, the Zuicao Pavilion does not look like a practitioner's residence, but rather like a thatched cottage where an old scholar paints and reads.
In a place like this, are there really any valuable treasures left for those who come after us
Kong Ming's eyes looked at the surrounding walls for a while, and finally fell on a large calligraphy and painting as tall as one person hanging on the wall in front of the main hall.
This calligraphy and painting is one of the rare calligraphy and paintings in Zuicao Pavilion that has a signature. The signature is inscribed with a few wild cursive characters, which reads "Guanhai Qingyi graffitied here after getting drunk!" As for the painting, It is a picture of a light-bodied woman in palace dress dancing with a sword. There is also a small poem on the picture:
"With one sword and one dance, the business will be settled, and the reputation will be ruined for fifty years!"
Looking at this calligraphy and painting, the woman in the painting is lifelike. Although she is a character in the painting, the sword in her hand is like dancing with the sun and the moon. It can really be said that there are thousands of rays of light, which makes people dare not look directly. As for the small poem written on the painting, although it only has fourteen characters, the power of each word shines through the back of the characters. Between each stroke, there seems to be infinite sword meaning hidden in it. It is like a word and a sword, just like the painting. Like the sword-dancing woman in the middle, she exudes the spirit of a fierce sword fight. That kind of passionate sword intention is definitely not something that ordinary calligraphy and painting dead objects can possess.
The calligraphy and painting in front of me, judging from the inscription, should have been made by layman Tsing Yi when he was drunk. Therefore, this painting naturally includes the three special skills of lay layman Tsingyi: calligraphy, painting and wine. It can definitely be regarded as his masterpiece. No wonder it is hung in Right in the middle of the hall.
Following Kong Ming's gaze, Wu Yucheng also saw this calligraphy and painting. After appreciating it for a moment, he couldn't help but slap his thigh and said loudly: "Okay! What a treasure! The sword energy and sword intention are all integrated into it." How many people in the world can block a blow from the sword in this painting?"
Wu Yucheng has the peak cultivation level of a junior marshal, and his vision is naturally unique. He can see the extraordinary quality of this calligraphy and painting. Although it looks like an ordinary calligraphy and painting, in fact, the sword energy and sword intention refined by Qingyi layman are all integrated into the sword dancing beauty in the painting and the row of fourteen-character poems. Even the seemingly crazy signature of a drunkard seals a huge magical power. If it can be stimulated, it will be equivalent to a blow from the high-level Yuan Emperor himself, the layman in blue.
Therefore, this large-scale calligraphy and painting can definitely be regarded as a treasure. After all, the sword intention and magical power comprehended by a high-ranking Yuan Emperor are all contained in this calligraphy and painting. How can it be underestimated casually? If the sword energy and sword intention in this painting can be like the "Hua Jue" in the water wave restriction outside the palace, and can directly come to life to practice the sword intention and the magical power of the seal, then it will definitely be as Wu Yucheng said, How many people in the world can block a blow from the sword in this painting? After all, high-level Yuan Emperors are rare in any of the nine states of Tianyuan. Except for the high-level Yuan Emperor, it is naturally difficult for ordinary people to block the power of the sword in the painting.
Since such a treasure was seen by Kong Ming, it was naturally not to be missed, so Kong Ming immediately used his "divine eye" to appraise the calligraphy and painting in front of him.
"Sword Dance Cursive Script, a special type of top-level Yuan Weapon spiritual weapon, extremely valuable!"
When the purple light words "Eye of Divine Mirror" appeared, Kong Ming saw such a message.
It can be identified as a top-level Yuan Weapon spiritual weapon, and it is extremely valuable. In addition, it is a special type of Yuan Weapon spiritual weapon that is rare in the world. This "Sword Dance Cursive Script" is definitely a priceless treasure!
At that moment, Kong Ming was not polite and directly took off the "Sword Dance Cursive Script" from the wall, held it in his hand and inspected it carefully.
At this time, the beautiful lady dancing the sword in the painting seems to have come to life. When dancing the sword, the sword energy is vertical and horizontal, appearing to be killing and decisive. As for the row of fourteen-character poems, they hide an extremely powerful sword intention. Although it seems not as powerful as the sword energy of The Sword Dancer, in fact, this one word and one sword intention is equivalent to an endless stream. The fourteen consecutive sword strikes. Even if the Qingyi layman's advanced cultivation is ignored, there are really not many people in the world who can block these fourteen consecutive sword strikes.
When Kong Ming was looking at the painting, his fingers were slowly stroking along the sword spirit danced by the beauty in the painting and the sword spirit in the fourteen-character poem.
Kong Ming's caressing may seem like a meaningless action, but anyone who is an accomplished practitioner can see that Kong Ming's actions at this time are following the sword energy and sword intention hidden in the painting. And moving is like trying to learn the sword energy and sword intention in the painting.
With Kong Ming's intelligence, as long as he starts to study hard, is there anything in this world that is difficult for him
A moment later, as Kong Ming's fingers flicked, the sword energy in the painting seemed to be inspired by Kong Ming, turning into lines of actual sword energy that burst out of the painting, covering the entire Zuicao Pavilion almost instantly. space.
It is conceivable that if someone besieged Kong Ming, but Kong Ming inspired the sword energy in "Sword Dance Cursive Script", he would definitely give the besiegers a good look!
It can be seen that the sword energy hidden in "Sword Dance Cursive Script" is an extremely effective means of attack when dealing with group attacks. As for the sword intention hidden in the fourteen-character poem, it is equivalent to a series of fourteen blows. When fighting alone, I am afraid that not many people can withstand the continuous blows of this fourteen-character sword intention.
Useful moves for group attacks and duels are all included in the "Sword Dance Cursive Script". It's no wonder that this rare treasure was rated as a top-level elemental weapon by the "Eye of Divine Appraisal".
As for the magical power contained in the "Sword Dance Cursive Script" signature, Kong Ming did not activate it, because Kong Ming had a vague feeling that the magical power sealed in the signature could only be effectively unleashed at one time. Once the outbreak is over, the signature will be just a signature, and there will no longer be any magical power hidden in it.
The power of such a one-time burst of magical power must be extraordinary, and it is likely to be equivalent to a full blow from the Tsing Yi layman. If this were to be the case, the lethality would be truly astonishing. Just thinking about it would make people feel excited!
It can be said that no matter from any angle, this "Sword Dance Cursive Script" can be evaluated as a top-level Yuan Weapon spiritual weapon and is worthy of Kong Ming's possession. Moreover, with this "Sword Dance Cursive Script" in hand, you can take it out at any time to figure out the sword energy and sword intention in the painting. It can be regarded as another way to teach the art. How could Kong Ming refuse? Besides, Kong Ming had nothing to be polite about in front of Wu Yucheng, so he directly put away the "Sword Dance Cursive Script".
After putting away "Jianwu Cursive Script", Kong Ming looked at the calligraphy and paintings hanging on the four walls and found that all the calligraphy and paintings with signatures had their own unusual features, even though the magical powers contained in them were far less than those of "Jianwu Cursive Script". ", but it also has its own extraordinary features. It can be regarded as a treasure even if it is taken to the outside world.
It is estimated that these calligraphy and paintings were completed before the "Sword Dance Cursive Script" and were used by Qingyi laymen to practice their pens. However, if the works he practiced had a certain power, the layman in Tsing Yi could not bear to throw them away, so he hung them together in the Zuicao Pavilion.
After Kong Ming had "Sword Dance Cursive Script", he was naturally not very interested in these works that were considered "Little Sword Dance Cursive Script". As a result, these "little sword dance cursive scripts" all became Wu Yucheng's trophies.
Except for the signed calligraphy and painting that imply supernatural powers, the other calligraphy and painting hanging on the four walls are just ordinary calligraphy and painting works. It is estimated that they are all the proud works of Qingyi layman in his life, so he would hang them around his residence for convenience. Enjoy it at any time.
After finally breaking through the water wave restriction and entering the Zuicao Pavilion, their trip was not in vain. Kong Ming and Wu Yucheng both gained something. However, the layman in Tsing Yi was obviously an elegant scholar who was indifferent to fame and wealth. Apart from the few calligraphy and paintings in Zuicao Pavilion, there was nothing special. However, the value of these calligraphy and paintings is no less than any treasure.
When exiting the Zuicao Pavilion, Kong Ming bowed to a desk in the middle as a way of thanking the layman in Qingyi for the calligraphy left behind by his former predecessor.
Think about how high-spirited the layman in Tsing Yi was when he was splashing ink at his desk. But thousands of years have passed, and it is a pity that an official palace and countless digital paintings are left empty here, which can only allow future generations to imagine the style of their predecessors in the past. Moreover, even if Kong Ming inherited the "Sword Dance Cursive Script", the three skills of Tsing Yi layman's calligraphy, painting and wine were still lost after all!
With a hint of realization in his heart, Kong Ming and Wu Yucheng left Zuicao Pavilion and continued to wander around Lianhai Palace.
Lianhai Palace occupies almost the entire area of Juanyuntai. It is a palace complex with more than a hundred palaces. Almost every palace has forbidden protection. It can be said that every palace is a treasure house!
In such an environment, how should we choose next
Wu Yucheng had read the handwritten notes passed down by his ancestor Wu Tianpeng and had a certain understanding of Lianhai Palace. He then suggested from the side: "Sir, there is a place in the Guanhai Palace called the Huanhuo Room. It is said that it is In the past, the elixir master and the forging master of Guanhai Immortal Palace were used to make alchemy or forge weapons and spiritual weapons. Do you need any disciples to go there and take a look?"
After hearing this, Kong Ming laughed and said, "Since there is such a place, why not take a look? Come on, lead the way!"
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(End of chapter)